His lungs were gone. He was completely hollow inside. But he was not dead. Not quite. What happens when Robin Hood and his Merry Men are faced with a plague of zombies? Somehow, Robin must figure out a way to defeat the most difficult and dangerous enemy he's ever faced, and save the country from destruction...
An informative, lively guide through the rich mythology of Robin Hood, across all mediumsEveryone knows the story of England's greatest folk hero, the outlaw who robbed from the rich and gave to the poor. This highly entertaining book begins with the search for the historical Robin, looking at the candidates for the "real Robin Hood" who have been proposed over the years, from petty thieves to Knights Templar, before moving on to examine the many ways in which he has been portrayed in literature and onscreen. He began as the hero of dozens of late medieval ballads, appeared in plays by contemporaries of Shakespeare, and in the Romantic era was reinvented by Walter Scott as a Saxon champion in the struggle against the Normans. During the 19th century, Robin Hood emerged as a hero in children's literature, while more recently he has been portrayed as everything from proto-socialist man of the people to anarchist thug. In the cinema he put in an appearance as early as 1908 and Douglas Fairbanks and then Errol Flynn turned him into the typical hero of Hollywood swashbucklers. In the last 20 years, Kevin Costner and Russell Crowe have provided their own very different interpretations of the character. On the small screen, Robin has been the hero of half a dozen TV shows from the 1950s series starring Richard Greene, which used many writers blacklisted by Hollywood, via the well-remembered Robin of Sherwood in the 1980s, to the recent BBC series. Robin Hood is still very much with us, as the subject of graphic novels and computer games. Robin is an archetypal hero who, it seems, can never die. This engaging book charts his life so far.
He was dead, his mouth open in a scream of unimaginable terror... Blackbeard is the most feared pirate of all. But when he comes face-to-face with evil mummies, and a force more powerful and horrifying than himself, can he - and his pirates - survive?
You are the Hunter - destined to fight horror wherever you find it. You're called to an island in the South Pacific - home to the Nutco Oil corporation. Their operation is being disrupted by the sort of pest that only you can help to defeat - zombies! They are threatening to destroy everything on the island of Saruba, and now you must fight your way through the fog and hordes of living dead to find the truth...
You are the Hunter - destined to fight horror wherever you find it. Tonight you've tracked a vampire to its hiding place in the city. It's cold - snow is falling - and in the dark a distant power is stirring ... Load your weapons. Prime your senses. It's time! Kindle version supported by the Kindle Fire, Fire HD, Fire HDX, Fire DX and Paperwhite.
Medieval civilization was under threat from the undead. When lion-hearted Richard ruled the roost Of England, he decided that to boost His regal reputation he should mount A war to wrest from Turkish men the fount Of Christendom; yet in that desert land A zombie plague emerged from 'midst the sand. A necromancer's alchemistic spell Reanimated corpses bound for Hell (And even bound for Heaven's pearly gate). Soon after 'twas apparent that the fate Of all on Earth--the evil and the good-- Was in the hands of Robin of the Hood Whose outlaw men, along with Friar Tuck, Against rampaging hordes of zombies struck. They fought to save the likes of you and I, Not caring that one slip might make them die. Their tale lies here, within this humble book-- I pray you'll spare the time to take a look.
The people of fourteenth-century Florence, Italy, starving after years of bad weather and natural disasters, now face the Black Plague but twelve-year-old Maria is determined to survive. Includes historical note, glossary, and discussion questions.
Vampires are hunting on the streets of Gotham City as the coming undead plague makes its first move. Batman’s investigation into the disappearance of Andrew Bennett takes him into the sewers beneath the Hall of Justice, where he makes a stunning discovery! And the fall of another hero means the war for Earth has begun!
This title was originally published in 1998. Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and a Baby, which Hollywood has reworked for American audiences; and foreign films based on American works, among them Yugoslav director Emir Kusturica's Time of the Gypsies, which is a "makeover" of Coppola's Godfather films. As these essays demonstrate, films are remade by other films (Alfred Hitchcock went so far as to remake his own The Man Who Knew Too Much) and by other media as well. The editors and contributors draw upon narrative, film, and cultural theories, and consider gender, genre, and psychological issues, presenting the "remake" as a special artistic form of repetition with a difference and as a commercial product aimed at profits in the marketplace. The remake flourishes at the crossroads of the old and the new, the known and the unknown. Play It Again, Sam takes the reader on an eye-opening tour of this hitherto unexplored territory. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.