The name of Joseph Ritson, born in Stockton-on-Tees in 1752, will be familiar to very few people. The name of Robin Hood is known the world over. Yet it was Ritson whose research in the late eighteenth century ensured the survival of the Robin Hood legend. He traveled all over the country looking for ancient manuscripts which told of the life and deeds of England’s most famous outlaw. Without his efforts, the legend of Robin Hood might have gone the way of other medieval outlaws such as Adam Bell — famous in their day but not so much now. Yet this is not only a story about the formation of the Robin Hood legend. Ritson’s story is one of rags to riches. Born in humble circumstances, his aptitude for learning meant that he rose through society’s ranks and became a successful lawyer, local official, and a gentleman. However, underneath the genteel and bourgeois façade of Joseph Ritson, Esq. was a revolutionary: having traveled to Paris at the height of the French Revolution, he was captivated by the revolutionaries’ ideology of liberté, egalité, fraternité. He returned to England as a true democrat who sought the abolition of the British monarchy and the ‘rotten’ parliamentary system and wished for French Revolution and its reign of terror to spread over to England. This the history of the life and times of Joseph Ritson: gentleman, scholar, and revolutionary.
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Although nearly everyone has heard the name of Robin Hood, few have actually read any medieval tales about the legendary outlaw. Stephen Knight and Thomas Ohlgren set out to correct this discrepancy in their comprehensive collection of all pre-seventeenth-century Robin Hood tales. The editors include such other "outlaw" figures as Hereward the Wake, Eustache the Monk, and Fouke le Fitz Waryn to further contextualize the tradition of English outlaw tales. In this text the figure of Robin Hood can be viewed in historical perspective, from the early accounts in the chronicles through the ballads, plays, and romances that grew around his fame and impressed him on our fictional and historical imaginations. This edition is particularly useful for classrooms, with its extensive introductions, notes, and glosses, enabling students of any level to approach the texts in their original Middle English.
Provides a cultural and historical context for medieval popular drama. In Drama and Resistance, Claire Sponsler explores the intertwined histories of bodily subjectivity, commodity culture, and theatricality in late medieval England. In a fascinating consideration of popular drama in the period from 1350 to 1520, she argues that many types of performances during this time represented cultural evasions of the imposition of disciplinary power. The medieval theater was a social site where resistance, masked from the full scrutiny of authority by theatricality, was practiced, articulated, and enacted. Sponsler examines three key discourses of authoritarian bodily and commodity control -- clothing laws, conduct literature, and Books of Hours -- and pairs them with three kinds of theatrical performances that enact resistance to disciplining codes -- Robin Hood performances, morality plays, and Corpus Christi pageants. She considers the contradictions and inconsistencies in the repressive official discourses and analyzes the ways in which the staging of forbidden acts like cross-dressing, social and sexual misbehavior, and violence against the body challenged these discourses. Drawing on recent social theory, Drama and Resistance is an important contribution to medieval studies and the history of theater.