A major new study of Robert Musil by one of the world's leading Musil scholars. Musil's extraordinary works, the study reveals, emerged from the problem of the "two cultures."
"We do not have too much intellect and too little soul, but too little precision in matters of the soul."—Robert Musil Best known as author of the novel The Man without Qualities, Robert Musil wrote these essays in Vienna and Berlin between 1911 and 1937. Offering a perspective on modern society and intellectual life, they are concerned with the crisis of modern culture as it manifests itself in science and mathematics, capitalism and nationalism, the changing roles of women and writers, and more. Writing to find his way in a world where moral systems everywhere were seemingly in decay, Musil strives to reconcile the ongoing conflict between functional relativism and the passionate search for ethical values. Robert Musil was born in 1880 and died in 1942. His first novel, Young Törless, is available in English. A new two-volume translation by Burton Pike and Sophie Wilkins of The Man without Qualities is forthcoming from Alfred A. Knopf. "Now we have these thirty-one invaluable and entertaining pieces, from an article on 'The Obscene and Pathological in Art' to the equally provocative talk 'On Stupidity,' which, with a new translation of The Man without Qualities forthcoming . . . amount to a literary event for the reader of English comparable to Constance Garnett's massive translation of Chekhov's stories."—Joseph Coates, Chicago Tribune "Musil is one of the few great moderns, one of the handful who ventured to confront the issues that shape and define our time. . . . He has a range and a striking capacity every bit as great as that of Mann, Joyce, or Beckett."—Boston Review "These essays are crucial in understanding a writer and critic whose lifelong task was an attempt to resolve the dichotomy between the precision of scientific form and the soul—the matter of life and art."—Choice
Musil's novel The Man Without Qualities is widely recognized as a monument of modernist literature alongside Remembrance of Things Past and Ulysses. But while Musil is a major scholarly industry in the German-speaking world, critical attention from English-speaking scholars remains disproportionately small. Moreover, there has been little engagement with Musil's contribution to cultural theory from those working outside literary studies. Freed brings Musil into dialogue with such critics of the modern as Nietzsche, Heidegger, Derrida, and Lyotard and argues that Musil's theory and literary performance of essayism constitutes a strategy of nonmodernity: that is, an engagement with the problems of modernity that does not re-inscribe the distinctions on which modernism grounded itself. This book not only offers an understanding of Musil's essayism made possible by Latour's account of modernity: it also articulates what the discursive and cultural project of nonmodernity might look like. The book thereby introduces Musil scholars and those working in the problematics of postmodernism to one another's interests.
Deft analysis of the fiction, theater, and essays of the author of The Man without Qualities In this critical introduction to the major works of Austrian modernist writer Robert Musil (1880-1942), Allen Thiher offers deft analysis of Musil's short fiction, theater, and essays, and his major novel, The Man without Qualities. Thiher maps Musil's development as a writer, illustrating how his work evolved in response to catastrophic historical events such as World War I, the collapse of the Austro-Hungarian Empire, and Hitler's seizure of power. From this historical context, Thiher traces how Musil began his career by writing a prescient first novel about ideological developments in German culture and, at the same time, a doctoral thesis on scientific epistemology. Following his service in World War I, Musil began to view writing as his vocation and, during this early period in his literary career, he produced short fiction, plays, and some of the most interesting essays on politics, ethics, and literature to be published during the Weimar era. In exploring these writings as well as The Man without Qualities, a work left unfinished upon Musil's death in exile during World War II, Thiher's study plumbs the depths of Musil's ambition and accomplishments and presents a concise interpretation of the lasting significance of the writer's interrogations of the foundations of modern European culture.
The first study to utilize the Klagenfurt Edition of Musil's Nachlass offers a close reading of textual variations, emphasizing Musil's commitment to the artist's role in re-creating the world. Robert Musil, known to be a scientific and philosophical thinker, was committed to aesthetics as a process of experimental creation of an ever-shifting reality. Musil wanted, above all, to be a creative writer, and obsessively engaged in almost endless deferral via variations and metaphoric possibilities in his novel project, The Man without Qualities. This lifelong process of writing is embodied in the unfinished novel by a recurring metaphor of self-generating de-centered circle worlds. The present study analyzes this structure with reference to Musil's concepts of the utopia of the Other Condition, Living and Dead Words, Specific and Non-Specific Emotions, Word Magic, andthe Still Life. In contrast to most recent studies of Musil, it concludes that the extratemporal metaphoric experience of the Other Condition does not fail, but rather constitutes the formal and ethical core of Musil's novel. Thefirst study to utilize the newly published Klagenfurt Edition of Musil's literary remains (a searchable annotated text), The World as Metaphor offers a close reading of variations and text genesis, shedding light not onlyon Musil's novel, but also on larger questions about the modernist artist's role and responsibility in consciously re-creating the world. Genese Grill holds a PhD in Germanic Literatures and Languages from the GraduateSchool and University Center of the City University of New York.
From the author of 'A Man without Qualities,' a novel about spirituality in the modern world. Agathe is the sister of Ulrich, the restless and elusive “man without qualities” at the center of Robert Musil’s great, unfinished novel of the same name. For years Agathe and Ulrich have ignored each other, but when brother and sister find themselves reunited over the bier of their dead father, they are electrified. Each is the other’s spitting image, and Agathe, who has just separated from her husband, is even more defiant and inquiring than Ulrich. Beginning with a series of increasingly intense “holy conversations,” the two gradually enlarge the boundaries of sexuality, sensuality, identity, and understanding in pursuit of a new, true form of being that they are seeking to discover. Robert Musil’s The Man Without Qualities is perhaps the most profoundly exploratory and unsettling masterpiece of twentieth-century fiction. Agathe, or, The Forgotten Sister reveals with new clarity a particular dimension of this multidimensional book—the dimension that meant the most to Musil himself and that inspired some of his most searching writing. The outstanding translator Joel Agee captures the acuity, audacity, and unsettling poetry of a book that is meant to be nothing short of life-changing.
This collection of exploratory pieces, short stories, and reflections was originally published in Zurich in 1936. It was the last volume Robert Musil published before his sudden death in 1942. Musil had begun to fathom the impossibility of com- pleting his monumental masterpiece The Man Without Qualities and this volume reveals a radically different aspect of his work. Musil observes a fly’s tragic struggle with flypaper, the laughter of a horse; he peers through microscopes and telescopes, dissecting both large and small. Musil’s quest for the essential is a voyage into the minute.
Approaching the study of literature as a unique form of the philosophy of language and mind--as a study of how we produce nonsense and imagine it as sense--this is a book about our human ways of making and losing meaning. Brett Bourbon asserts that our complex and variable relation with language defines a domain of meaning and being that is misconstrued and missed in philosophy, in literary studies, and in our ordinary understanding of what we are and how things make sense. Accordingly, his book seeks to demonstrate how the study of literature gives us the means to understand this relationship. The book itself is framed by the literary and philosophical challenges presented by Joyce's Finnegan's Wake and Wittgenstein's Philosophical Investigations. With reference to these books and the problems of interpretation and meaning that they pose, Bourbon makes a case for the fundamental philosophical character of the study of literature, and for its dependence on theories of meaning disguised as theories of mind. Within this context, he provides original accounts of what sentences, fictions, non-fictions, and poems are; produces a new account of the logical form of fiction and of the limits of interpretation that follow from it; and delineates a new and fruitful domain of inquiry in which literature, philosophy, and science intersect. Table of Contents: Preface Note on Abbreviations Introduction: What Are We When We Are Not? Part I The Surface of Language and the Absence of Meaning 1. From Soul-Making to Person-Making 2. The Logical Form of Fiction 3. The Emptiness of Literary Interpretation 4. To Be But Not To Mean 5. How Do Oracles Mean? Part II Senses and Nonsenses: Joyce's Finnegans Wake and Wittgenstein's Philosophical Investigations 6. A Twitterlitter of Nonsense: Askesis at Finnegans Wake 7. The Analogy between Persons and Words 8. "The Human Body Is the Best Picture of the Human Soul" 9. The Senses of Time 10. Being Something and Meaning Something Bibliography Acknowledgments Index This is an adventurous and unusual book. Bourbon moves back and forth between literary and philosophical contexts with ease, showing in multifarious ways how the one can, often in unexpected ways, illuminate the other. Throughout these wide-ranging explorations Bourbon uncovers a good deal about both the nature of literary meaning and our distinctive -- if tellingly irreducible -- relations to literary texts. --Garry L. Hagberg, author of Art as Language: Wittgenstein, Meaning, and Aesthetic Theory and Meaning and Interpretation: Wittgenstein, Henry James, and Literary Knowledge
A master of high modernist literature explores female sexuality and desire through the eyes of two women—one, married and unfaithful; the other, caught in a love triangle—in these two erotic novellas First published in 1911, Intimate Ties is Robert Musil’s second book, consisting of two novellas, “The Culmination of Love” and “The Temptation of Silent Veronica”. Each revolves around a troubled woman in the throes of her sexual and romantic woes, as their memories of the past return to influence their present desires. Musil tracks the psyche of his protagonists in a blurring of impressions that is reflected in his experimental prose. Intimate Ties offers the reader an early glimpse of the high modernist style Musil would perfect in his magnum opus The Man Without Qualities.