The Crimson Twilight fleet descends on an unsuspecting universe. Major RONALD NOVAK, his new team, and the crew of the Fugitive are the only ones aware of the coming attack. But are already too late to send a warning to the outer systems. The galactic reign of the Empire is on the verge of collapse. A surprise attack at a scale unlike anyone has ever witnessed is about to be unleashed. Caught up in a universe he doesn’t belong in, the fate of his new home thrust unfairly onto his shoulders. Can Ronald find his place in this new dimension, or will he perish in this universal conflict?
In this “well-crafted, atmospheric” war novel set in ancient Rome, an officer battles under Constantine while in the midst of personal turmoil.(Ben Kane, author of Fields of Blood) The Roman Empire is on the brink of civil war. Only Maxentius, tyrant of Rome, stands between the emperor Constantine and supreme power in the west. Aurelius Castus is now a tribune in Constantine's army. But great honor brings new challenges: Castus is tormented by suspicions that his young wife has been unfaithful. And as Constantine becomes increasingly devoted to Christianity, he is forced to ask himself whether he is backing the wrong man. The coming war will decide the fate of empire. But Castus's own battle will carry him much further. “Hugely enjoyable. The author winds up tension into an explosion of fast-paced events.” —Conn Iggulden, author of Stormbird ”A thumping good read . . . thoroughly enjoyable.” —Ben Kane, author of Lionheart “This is up there with Harry Sidebottom and Ben Kane.” —M.C. Scott, author of Into the Fire
After 1870, Rome underwent vast changes both as a city and as an idea - Old Rome, enshrined in myth and legend, became New Rome, a national capital. Understanding Rome's transition is essential to understanding what Europe was, and the crisis it is now confronting.
H.V. Morton's evocative account of his days in 1950s Rome—the fabled era of La Dolce Vita—remains an indispensable guide to what makes the Eternal City eternal. In his characteristic anecdotal style, Morton leads the reader on a well-informed and delightful journey around the city, from the Fontana di Trevi and the Colosseum to the Vatican Gardens loud with exquisite birdsong. He also takes time to consider such eternal topics as the idiosyncrasies of Italian drivers as well as the ominous possibilities behind an unusual absence of pigeons in the Piazza di San Pietro. As TourismWorld.com commented recently: "H.V. Morton.. . .wrote of Rome with style, involvement, and passion. His book In Search of Rome is perhaps the definitive guide book on the Eternal City."
Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This stimulating new book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periodsof internal transformation within the Roman Empire: the phenomenon known as the 'Second Sophistic' (c. ad 100300)two centuries of self-conscious and enthusiastic hellenism, and the era of late antiquity (c. ad 250450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylisticchange, Jas Elsner presents a fresh and challenging account of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. 'a highly individual work . . . wonderful visual and comparative analysis . . . I can think of no other general book on Roman art that deals so elegantly and informatively with the theme of visuality and visual desire.' Professor Natalie Boymel Kampen, Barnard College, New York 'exciting and original . . . a vibrant impression of creative energy and innovation held in constant tension by the persistence of more traditional motifs and techniques. Elsner constantly surprises and intrigues the reader by approaching familiar material in new ways.' Professor Averil Cameron,Keble College, Oxford
