Begins a series in which scholars from the main denominations and humanist thinkers identify major questions and issues concerning the education of individuals and communities and the discourse between cultures and faiths from theological and non-materialist perspectives. Rosenak (Jewish education, Hebrew U.-Jerusalem) discusses the texts and methods used for passing on Jewish religious and social values. Annotation copyright by Book News, Inc., Portland, OR
One of Buzzfeed's 39 Excellent LGBTQ Books To Read This Month And Always THEIR LOVE STORY CAPTIVATED THE WORLD…THE CROWN PRINCE AND THAT GUY FROM NEW YORK When a lonely American event planner starts dating the gay Prince of Wales, a royal uproar ensues: is it true love or the ultimate meme? Find out in this hilarious romantic comedy. After having his heart trampled on by his cheating ex, Carter Ogden is afraid love just isn’t in the cards for him. He still holds out hope in a tiny corner of his heart, but even in his wildest dreams he never thought he’d meet the Crown Prince of England, much less do a lot more with him. Yes, growing up he’d fantasized about the handsome, openly gay Prince Edgar, but who hadn’t? When they meet by chance at an event Carter’s boss is organizing, Carter’s sure he imagined all that sizzling chemistry. Or was it mutual? This unlikely but meant-to-be romance sets off media fireworks on both sides of the Atlantic. With everyone having an opinion on their relationship and the intense pressure of being constantly in the spotlight, Carter finds ferocious obstacles to his Happily Ever After, including the tenacious disapproval of the Queen of England. Carter and Price Edgar fight for a happy ending to equal their glorious international beginning. It’s a match made on Valentine’s Day and in tabloid heaven.
William Blake once wrote that "The road of excess leads to the palace of wisdom." Inspired by these poetic terms, Jeffrey J. Kripal reveals how the works of scholars of mysticism are often rooted in their own mystical experiences, "roads of excess," which can both lead to important insights into these scholars' works and point us to our own "palaces of wisdom." In his new book, Kripal addresses the twentieth-century study of mysticism as a kind of mystical tradition in its own right, with its own unique histories, discourses, sociological dynamics, and rhetorics of secrecy. Fluidly combining autobiography and biography with scholarly exploration, Kripal takes us on a tour of comparative mystical thought by examining the lives and works of five major historians of mysticism—Evelyn Underhill, Louis Massignon, R. C. Zaehner, Agehananda Bharati, and Elliot Wolfson—as well as relating his own mystical experiences. The result, Kripal finds, is seven "palaces of wisdom": the religious power of excess, the necessity of distance in the study of mysticism, the relationship between the mystical and art, the dilemmas of male subjectivity and modern heterosexuality, a call for ethical criticism, the paradox of the insider-outsider problem in the study of religion, and the magical power of texts and their interpretation. An original and penetrating analysis of modern scholarship and scholars of mysticism, Roads of Excess, Palaces of Wisdom is also a persuasive demonstration of the way this scholarly activity is itself a mystical phenomenon.
SHORTLISTED FOR THE RELIT 2022 NOVEL AWARD A joy ride set on a crash course with the past. Audrey Cole has always loved to drive. Anytime, anywhere, any car: a questionable rustbucket, a family sedan, the SUV she was paid to drive around the oil fields. From the second she learned to drive, she’s always found a way to hit the road. Years ago, when she abandoned her oil field job, she found herself chauffeuring around the Lever Men, a B-list band relegated to playing empty dive bars in far-flung towns. That’s how she found herself at the Crash Palace, an isolated lodge outside the big city where people pay to party in the wilderness. And now, one night, while her young daughter is asleep at home, Audrey is struck by that old urge and finds herself testing the doors of parked cars in her neighbourhood. Before she knows it, she’s headed north in the dead of winter to the now abandoned Crash Palace in a stolen car, unable to stop herself from confronting her past The Crash Palace is a funny, moving, and surprising novel by the author of the Amazon First Novel Award–nominated The Milk Chicken Bomb. Audrey is unlike any character you’ve met before, and you'll love being along for the ride.
Guess who's coming to dinner! Join one hungry elephant, two carsick lions, three pigs running from a wolf, and dozens of other playful yet famished animals as they swing, bound, and bounce into the Panda Palace for a hearty meal.
This book investigates, compares and contrasts the experience of entering into and engaging in modernity and the modern era in many parts of the Asian continent. It focuses on the coming into being, development, and transformation of major urban centers from Tokyo to Mumbai from the late 19th century to the present, providing a broad overview of this crucial period of transition in Asia, not only from diverse geographical and historical perspectives, but also incorporating a broad range of further disciplines.
“A Middle Eastern heart-of-darkness tale that flows like a dream . . . Crackling with razor-sharp humor” (The New York Times). At the dawn of the twentieth century, a young Lebanese explorer leaves the Levant for the wilds of Africa, encountering an eccentric English colonel in Sudan and enlisting in his service. In this lush chronicle of far-flung adventure, the military recruit crosses paths with a compatriot who has dismantled a sumptuous palace in Tripoli and is transporting it across the continent on a camel caravan. The protagonist soon takes charge of this hoard of architectural fragments, ferrying the dismantled landmark through Sudan, Egypt, and the Arabian Peninsula, attempting to return to his native Beirut with this moveable real estate. Along the way, he will encounter skeptic sheikhs, suspicious tribal leaders, bountiful feasts, pilgrims bound for Mecca, and T. E. Lawrence in a tent—in this “utterly charming” novel that was a recipient of the Académie Française’s François Mauriac Prize (Library Journal). “Renders the complex social landscape of the Middle East and North Africa with subtlety and finesse . . . Yet one doesn’t need to care about the region’s history, or its present-day contexts, to enjoy Moving the Palace.” —The Wall Street Journal
