The second book in an epic fantasy series featuring “an inspired new world where unexpected plot twists bedevil strong, clearly visualized characters, in a story that glints with intelligence and hums with life” (Publishers Weekly, starred review). Six hundred years ago, an unknown force destroyed one of the greatest fortresses in Ithelas, slaughtering its defenders so swiftly that none survived to say what befell them. Now, in the shadow of those ancient ruins, something malevolent is stirring. Kelland, a divinely blessed Knight of the Sun, is charged with the duty of confronting the felled powers of the world. But his only chance of stopping this evil may be to ally with another—even as Bitharn, his companion, betrays their faith in the name of love. Meanwhile, three young novices from the Dome of the Sun, accompanied by a scarred and taciturn swordswoman, venture bravely but unwisely into the heart of danger, seeking a holy artifact that, they pray, might end it. And when their paths converge in Carden Vale, a nightmare awaits.
There once was a time when the concept of equal pay for equal work did not exist, when women of all ages were "girls," when abortion was a back-alley procedure, when there was no such thing as a rape crisis center or a shelter for battered women, when "sexual harassment" had not yet been named and defined. "If conditions are right," Susan Brownmiller says in this stunning memoir, "if the anger of enough people has reached the boiling point, the exploding passion can ignite a societal transformation." In Our Time tells the story of that transformation, as only Brownmiller can. A leading feminist activist and the author of Against Our Will, the book that changed the nation's perception of rape, she now brings the Women's Liberation movement and its passionate history vividly to life. Here is the colorful cast of characters on whose shoulders we stand--the feminist icons Betty Friedan, Kate Millett, Germaine Greer, and Gloria Steinem, and the lesser known women whose contributions to change were equally profound. And here are the landmark events of the era: the consciousness-raising groups that sprung up in people's living rooms, the mimeographed position papers that first articulated the new thinking, the abortion and rape speak-outs, the daring sit-ins, the underground newspaper collectives, and the inventive lawsuits that all played a role in the most wide-reaching revolution of the twentieth century. Here as well are Brownmiller's reflections on the feminist utopian vision, and her dramatic accounts, rendered with honesty and humor, of the movement's painful internal schisms as it struggled to give voice to the aspirarations of all women. Finally, Brownmiller addresses that most relevant question: What is the legacy of feminism today?
Death and the law in a small South Carolina town. It's springtime in 1978 and Elizabeth Chase, a young public defender from Boston, returns to her ancestral home of Weenee, South Carolina, to attend the funeral services for her grandfather. But when the county sheriff pulls a severed head from the bottom of the Weenee River, Elizabeth becomes involved in the most shocking homicide the small town has ever seen. Reluctantly, Elizabeth agrees to defend the African-American man accused of the gruesome murder. It isn't long before she starts to realize that nothing in Weenee-from a new romance to the eccentrics who drink bourbon in the afternoons-is what it seems. Evocatively set in the rural South, this suspenseful and realistic novel draws upon the author's own experiences as a public defense attorney and judge in a small town to probe themes ranging from racial tension and voodoo to drug trafficking and revenge.
Inspiration for the Netflix Limited Series, Tales of the City The eighth novel in the beloved Tales of the City series, Armistead Maupin’s best-selling San Francisco saga. Following the success of his New York Times bestseller Michael Tolliver Lives, Armistead Maupin’s Mary Ann in Autumn is a touching portrait of friendship, family, and fresh starts, as the City by the Bay welcomes back Mary Ann Singleton, the beloved Tales of the City heroine who started it all. A new chapter begins in the lives of both Mary Ann and Michael “Mouse” Tolliver when she returns to San Francisco to rejoin her oldest friend after years in New York City… the reunion that fans of Maupin’s beloved Tales of the City series have been awaiting for years.
New York Times bestselling author of the Spenser series of crime thrillers—Book 1 in the series “The toughest, funniest, wisest, private eye in the field these days.”—Houston Chronicle Spenser earned his degree in the school of hard knocks, so he is ready when a Boston university hires him to recover a rare, stolen manuscript. He is hardly surpised that his only clue is a radical student with four bullets in his chest. The cops are ready to throw the book at the pretty blond coed whose prints are all over the murder weapon but Spenser knows there are no easy answers. He tackles some very heavy homework and knows that if he doesn't finish his assignment soon, he could end up marked “D”—for dead.
This volume weaves together the Scottish otter stories from Gavin Maxwell's three non-fiction books, Ring of Bright Water (1960), The Rocks Remain (1963), and Raven Meet Thy Brother (1969). Maxwell was both an extraordinarily evocative writer and a highly unusual man. While touring the Iraqi marshes, he was captivated by an otter and became a devoted advocate of and spokesman for the species. He moved to a remote house in the Scottish highlands, co-habiting there with three otters and living an idyllic and isolated life – at least for a while. Fate, fame, and fire conspired against this paradise, and it, too, came to an end, though the journey was filled with incident and wonder. Maxwell was also talented as an artist, and his sinuous line drawings of these amphibious and engaging creatures, and the homes they occupied, illustrate his story. This book stands as a lasting tribute to a man, his work, and his passion. It was received and has endured as a classic for its portrait not only of otters but also of a man who endured heartaches and disappointments, whose life embodied both greatness and tragedy. He writes with rare eloquence about his birth, his devotion to the beloved Scottish highlands, and the wildlife he loved, while refusing to ignore the darker aspects of his nature and of nature in its larger sense.