Cities have been built alongside rivers throughout history--shaping the development of urban landscapes and altering ecologies. Yet we have rarely given these urban landscapes their due. River Cities, City Rivers explores how such histories have shaped the present and how they might inform our visions of the future.
A New York Times Notable book, this memoir by a journalist who lived in a small city in China is “a vivid and touching tribute to a place and its people” (Kirkus Reviews, starred review). In the heart of China's Sichuan province, amid the terraced hills of the Yangtze River valley, lies the remote town of Fuling. Like many other small cities in this ever-evolving country, Fuling is heading down a new path of change and growth, which came into remarkably sharp focus when Peter Hessler arrived as a Peace Corps volunteer, marking the first time in more than half a century that the city had an American resident. Hessler taught English and American literature at the local college, but it was his students who taught him about the complex processes of understanding that take place when one is immersed in a radically different society. Poignant, thoughtful, funny, and enormously compelling, River Town is an unforgettable portrait of a city that is seeking to understand both what it was and what it someday will be. “This touching memoir of an American dropped into the center of China transcends the boundaries of the travel genre and will appeal to anyone wanting to learn more about the heart and soul of the Chinese people. Highly recommended.” —Library Journal “This is a colorful memoir from a Peace Corps volunteer who came away with more understanding of the Chinese than any foreign traveler has a right to expect.” —Booklist
On the night of the Rocket Richard Riot in 1955, the legendary Cartier Dagger is stolen from Montreal’s Sun Life Building. Many believe the dagger gives whoever possesses it mystical powers, and its journey through history is as spectacular as it is bloodstained. The same night, a police informer is found murdered in a nearby park with a dagger wound to his heart. But who murdered him, and why? Thirteen years later, Pierre Elliott Trudeau is prime minister, and the separatist movement is gaining momentum in Quebec. The case is still unsolved, and a young constable named Émile Cinq-Mars is asked to investigate. Suspenseful and labyrinthine, River City is at once a prequel to John Farrow’s bestselling novels City of Ice and Ice Lake, a panoramic window onto a city’s storied past, and a brilliant novel of politics, greed, murder and myth.
Often referred to as “the Big Tomato,” Sacramento is a city whose makeup is significantly more complex than its agriculture-based sobriquet implies. In River City and Valley Life, seventeen contributors reveal the major transformations to the natural and built environment that have shaped Sacramento and its suburbs, residents, politics, and economics throughout its history. The site that would become Sacramento was settled in 1839, when Johann Augustus Sutter attempted to convert his Mexican land grant into New Helvetia (or “New Switzerland”). It was at Sutter’s sawmill fifty miles to the east that gold was first discovered, leading to the California Gold Rush of 1849. Nearly overnight, Sacramento became a boomtown, and cityhood followed in 1850. Ideally situated at the confluence of the American and Sacramento Rivers, the city was connected by waterway to San Francisco and the surrounding region. Combined with the area’s warm and sunny climate, the rivers provided the necessary water supply for agriculture to flourish. The devastation wrought by floods and cholera, however, took a huge toll on early populations and led to the construction of an extensive levee system that raised the downtown street level to combat flooding. Great fortune came when local entrepreneurs built the Central Pacific Railroad, and in 1869 it connected with the Union Pacific Railroad to form the first transcontinental passage. Sacramento soon became an industrial hub and major food-processing center. By 1879, it was named the state capital and seat of government. In the twentieth century, the Sacramento area benefitted from the federal government’s major investment in the construction and operation of three military bases and other regional public works projects. Rapid suburbanization followed along with the building of highways, bridges, schools, parks, hydroelectric dams, and the Rancho Seco nuclear power plant, which activists would later shut down. Today, several tribal gaming resorts attract patrons to the area, while “Old Sacramento” revitalizes the original downtown as it celebrates Sacramento’s pioneering past. This environmental history of Sacramento provides a compelling case study of urban and suburban development in California and the American West. As the contributors show, Sacramento has seen its landscape both ravaged and reborn. As blighted areas, rail yards, and riverfronts have been reclaimed, and parks and green spaces created and expanded, Sacramento’s identity continues to evolve. As it moves beyond its Gold Rush, Transcontinental Railroad, and government-town heritage, Sacramento remains a city and region deeply rooted in its natural environment.
"This book examines the importance of the Mississippi River across time and through the lens of a single city: St. Louis. Features hundreds of maps, artifacts, and fascinating historic images, spanning back to St. Louis's founding and even earlier"--
We all have ghost towns. Impermanent places we dream of returning to. Here was Alaska's. In 1938, the last copper train left the Wrangell Mountains. But the spirit of the old days-free-wheeling, self-reliant, bounty-blessed-lived on in the remote town of McCarthy. The valley's few holdouts were joined over time by a gallery of prospectors, grifters, back-to-the-landers, dreamers, escape artists, hippies, speculators, preachers, and outlaws. While the rest of Alaska boomed in the new oil age, an old and makeshift way of life persisted against the quiet undertow of the past, that ebbing toward the wilderness that was here before us. Then the modern world found its way back in. A road, a bridge, a national park. A mass shooting that left six dead. Cold Mountain Path is a deeply American saga of renunciation and renewal--a rollicking local history that is also a lyrical exploration of time, loss, and change. . . and a pulsating account of the morning that brought Alaska's ghost town decades to an end. Tom Kizzia's previous book, Pilgrim's Wilderness, was an Amazon Top-Ten Book of the Year and was named Alaska's best True Crime book by the New York Times. Kizzia has written for The New Yorker and was a longtime reporter for the Anchorage Daily News. He has a place of his own near McCarthy.
"An exploration of political bossism and machine politics of the early twentieth century focused on Omaha, Nebraska, and Thomas Dennison"--Provided by publisher.
A pianist, arranger, and composer, William Pursell is a mainstay of the Nashville music scene. He has played jazz in Nashville’s Printer’s Alley with Chet Atkins and Harold Bradley, recorded with Johnny Cash and Patsy Cline, performed with the Nashville Symphony, and composed and arranged popular and classical music. Pursell’s career, winding like a crooked river between classical and popular genres, encompasses a striking diversity of musical experiences. A series of key choices sent him down different paths, whether it was reenrolling with the Air Force for a second tour of duty, leaving the prestigious Eastman School of Music to tour with an R&B band, or refusing to sign with the Beatles’ agent Sid Bernstein. The story of his life as a working musician is unlike any other—he is not a country musician nor a popular musician nor a classical musician but, instead, an artist who refused to be limited by traditional categories. Crooked River City is driven by a series of recollections and personal anecdotes Terry Wait Klefstad assembled over a three-year period of interviews with Pursell. His story is one not only of talent, but of dedication and hard work, and of the ins and outs of a working musician in America. This biography fills a crucial gap in Nashville music history for both scholars and music fans.