Cinema and I

Cinema and I

Author: Ritwik Ghatak

Publisher: Dhyanbindu & Rmt

Published: 2015-11-22

Total Pages: 352

ISBN-13: 9789383200917

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Ritwik Ghatak(1925-76) is the most uncompromising Bengali movie maestro from 20th century India. Cinema & I is the collection of his writings and interviews. In this collection of 20 essays and 17 interviews, dazzling brilliance of a true artist's mind, illuminates the cultural layers of human civilization of east and west, from pre-history up to the modernity. This is a book not meant for those who are interested only in cinema. For anybody, in any way related to any branch of art or humanities, this book is going to be a precious possession.


Nagarik

Nagarik

Author: Ira Bhaskar

Publisher:

Published: 2022-02-15

Total Pages: 0

ISBN-13: 9788194126041

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Set in Calcutta in the aftermath of Partition, Ritwik Ghatak's Nagarik (released in 1977 after Ghatak's death in 1976) chronicles the struggles of a refugee family from East Bengal as they desperately strive to survive in a metropolis that is unable to address the necessities of thousands of people pouring in from across the border.--341


The Cloud-Capped Star (Meghe Dhaka Tara)

The Cloud-Capped Star (Meghe Dhaka Tara)

Author: Manishita Dass

Publisher: Bloomsbury Publishing

Published: 2020-10-01

Total Pages: 113

ISBN-13: 1838719970

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Ritwik Ghatak's The Cloud-Capped Star (Meghe Dhaka Tara, 1960) has been hailed as 'one of the great classics of world cinema' (Adrian Martin), and 'one of the five or six greatest melodramas in cinema history' (Serge Daney). A striking blend of modernist aesthetics and melodramatic force, it is arguably the best-known film by Ghatak, widely considered to be one of the most original, politically committed, and formally innovative film-makers from India. The film's focus on a family uprooted by the Partition of India and its powerful exploration of displacement and historical trauma gives it a renewed relevance in the midst of a global refugee crisis. Manishita Dass situates the film in its historical and cultural contexts and within Ghatak's film-making career, and connects it to his theatrical work and his writings on film and theatre. Her close reading of the film locates its emotional and intellectual power in what she describes as its 'cinematic theatricality,' and brings into focus Ghatak's modernist experiments with melodramatic devices, his deliberate departures from cinematic realism, and distinctive use of sound and music. The book draws on extensive archival research, excavates new layers of meaning, and offers fresh insights into the cosmopolitan cinematic sensibility of a director described as 'one of the most neglected major film-makers in the world' (Jonathan Rosenbaum).


Ritwik Ghatak and the Cinema of Praxis

Ritwik Ghatak and the Cinema of Praxis

Author: Diamond Oberoi Vahali

Publisher: Springer Nature

Published: 2020-04-24

Total Pages: 250

ISBN-13: 9811511977

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In a significant departure from other works on Ritwik Ghatak, this book establishes him as an auteur and a maestro on par with some of the great film directors, like Sergei Eisenstein, Satyajit Ray, Ingmar Bergman, Federico Fellini, Kenji Mizoguchi and Luis Bunuel. Based on in-depth research that follows Ghatak’s journey within the context of the Indian People’s Theatre Association, it fills an important gap in the scholarship around Ghatak by offering crucial insights into Ghatak’s unique vision of cinema embedded as it is in the cultural psychic configurations of the people. It analyses Ghatak’s practice by minutely tracing formal similarities across the language of his cinematic oeuvre in the domain of cinematography, lighting, music, and sound. The book develops the way in which cinematic technique enters the domain of conceptual constructs and abstractions. It moves on to chronicle Ghatak’s political odyssey as reflected in his cinema. Moreover, it charts the manner in which Ghatak, through his cinematic idiom, offers a polemic of cinema that further adds to his notion of praxis – a thoughtful Marxist paradigm organically associated with the culture and context of India. By locating Ghatak within the discourse of nationalism, the book brings to the surface Ghatak’s critical insights related to the independence of the nation and the trauma of the partition of Bengal. Ghatak’s cinema served the crucial function of chronicling the mass tragedy of partition and its impact on the human psyche.This book appeals to scholars of film studies and filmmaking as well as to researchers and general readers interested in debates pertaining to culture, politics, art, psychoanalysis, partition and refugee studies, cinema, theatre, and ideology.


Stories

Stories

Author: Bibhūtibhūshaṇa Bandyopādhyāẏa

Publisher: Spotlight Poets

Published: 2002

Total Pages: 186

ISBN-13:

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Five Plays

Five Plays

Author: Mahāśvetā Debī

Publisher:

Published: 1986

Total Pages: 204

ISBN-13:

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In the seventies, Mahasweta Devi dramatized one of her major novels, Mother of 1084, and four of her finest stories, convinced that as plays they would be more accessible to the largely illiterate audience she wanted to reach. In the five plays in this anthology, the mother of a Naxalite martyr discovers her son (and in the process her self) a year after his death; a slave enslaved by an ancient bond discovers too late that the bond has turned to dust years ago; a ventriloquist intensely in love with his speaking doll loses his voice to throat cancer; a son, too late, acknowledges his mother who has been outcast and branded a witch by the community; and the traditional water-diviner rises to a different role, immediately becoming a threat to the administration. These plays are rooted in history and folk myth as well as in contemporary reality. The socio-economic milieus range from the urban bourgeoisie to the urban underworld, from rural untouchable settlements to tribal communities offering a view of India rarely seen in literature. Mahasweta Devi is one of India s foremost writers. Her powerful fiction has won her recognition in the form of the Sahitya Akademi (1979), Jnanpith (1996) and Ramon Magsaysay (1996) awards, the title of Officier del Ordre Des Arts Et Des Lettres (2003) and the Nonino Prize (2005) amongst several other literary honours. She was also awarded the Padmasree in 1986, for her activist work among dispossessed tribal communities. Samik Bandyopadhyay, who has translated and introduced these plays, is an eminent critic and scholar who has translated several of Mahasweta Devi s works, and has been closely connected with her career for several decades.


The Epic City

The Epic City

Author: Kushanava Choudhury

Publisher: Bloomsbury Publishing USA

Published: 2018-01-09

Total Pages: 380

ISBN-13: 163557157X

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Shortlisted for the 2018 Ondaatje Prize Shortlisted for the Stanford Dolman Travel Book of the Year A masterful and entirely fresh portrait of great hopes and dashed dreams in a mythical city from a major new literary voice. Everything that could possibly be wrong with a city was wrong with Calcutta. When Kushanava Choudhury arrived in New Jersey at the age of twelve, he had already migrated halfway around the world four times. After graduating from Princeton, he moved back to the world which his immigrant parents had abandoned, to a city built between a river and a swamp, where the moisture-drenched air swarms with mosquitos after sundown. Once the capital of the British Raj, and then India's industrial and cultural hub, by 2001 Calcutta was clearly past its prime. Why, his relatives beseeched him, had he returned? Surely, he could have moved to Delhi, Bombay or Bangalore, where a new Golden Age of consumption was being born. Yet fifteen million people still lived in Calcutta. Working for the Statesman, its leading English newspaper, Kushanava Choudhury found the streets of his childhood unchanged by time. Shouting hawkers still overran the footpaths, fish-sellers squatted on bazaar floors; politics still meant barricades and bus burnings, while Communist ministers travelled in motorcades. Sifting through the chaos for the stories that never make the papers, Kushanava Choudhury paints a soulful, compelling portrait of the everyday lives that make Calcutta. Written with humanity, wit and insight, The Epic City is an unforgettable depiction of an era, and a city which is a world unto itself.


The Performance of Nationalism

The Performance of Nationalism

Author: Jisha Menon

Publisher: Cambridge University Press

Published: 2013

Total Pages: 273

ISBN-13: 1107000106

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Jisha Menon's book explores the mimetic relationships between history and political performance and between India and Pakistan.


Studying Indian Cinema

Studying Indian Cinema

Author: Omar Ahmed

Publisher: Liverpool University Press

Published: 2015-06-30

Total Pages: 370

ISBN-13: 0993238491

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This book traces the historical evolution of Indian cinema through a number of key decades. The book is made up of 14 chapters with each chapter focusing on one key film, the chosen films analysed in their wider social, political and historical context whilst a concerted engagement with various ideological strands that underpin each film is also evident. In addition to exploring the films in their wider contexts, the author analyses selected sequences through the conceptual framework common to both film and media studies. This includes a consideration of narrative, genre, representation, audience and mise-en-scene. The case studies run chronologically from Awaara (The Vagabond, 1951) to The Elements Trilogy: Water (2005) and include films by such key figures as Satyajit Ray (The Lonely Wife), Ritwick Ghatak (Cloud Capped Star), Yash Chopra (The Wall) and Mira Nair (Salaam Bombay!).