Ritual Bronzes of Ancient China
Author: Phyllis Ackerman
Publisher:
Published: 1945
Total Pages: 126
ISBN-13:
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Author: Phyllis Ackerman
Publisher:
Published: 1945
Total Pages: 126
ISBN-13:
DOWNLOAD EBOOKAuthor: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Published: 1980
Total Pages: 408
ISBN-13: 0870992260
DOWNLOAD EBOOKDescribes the Chinese Bronze Age, including the development of the Chinese state, writing, religion and architecture.
Author: Kwang-chih CHANG
Publisher: Harvard University Press
Published: 2009-06-30
Total Pages: 157
ISBN-13: 0674029402
DOWNLOAD EBOOKA leading scholar in the United States on Chinese archaeology challenges long-standing conceptions of the rise of political authority in ancient China. Questioning Marx's concept of an "Asiatic" mode of production, Wittfogel's "hydraulic hypothesis," and cultural-materialist theories on the importance of technology, K. C. Chang builds an impressive counterargument, one which ranges widely from recent archaeological discoveries to studies of mythology, ancient Chinese poetry, and the iconography of Shang food vessels.
Author: Roderick Whitfield
Publisher: Percival David Foundation of Chinese Art
Published: 1993
Total Pages: 180
ISBN-13:
DOWNLOAD EBOOKAuthor: Sueji Umehara
Publisher:
Published: 1973*
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: C.T. Loo, Inc. (New York, N.Y.)
Publisher:
Published: 1940
Total Pages: 92
ISBN-13:
DOWNLOAD EBOOKAuthor: Max Loehr
Publisher:
Published: 1968
Total Pages: 192
ISBN-13:
DOWNLOAD EBOOKAuthor: Xueqin Li
Publisher:
Published: 2000
Total Pages: 266
ISBN-13:
DOWNLOAD EBOOKAnthony Hardy's Sze Yuan Tang Collection of ancient Chinese had its inspirational beginnings in the early 1950s when, as a schoolboy in England, he was struck by the architechtonic beauty of a solitary Shang jue tripod wine vessel in his father's collection of predominantly Western medieval art. There is little doubt that his early encounter with the archaic jue led to an intense interest in early Chinese art and in ancient Chinese ritual bronzes in particular. Hardy started collecting bronzes seriously in the early 1980s and places great importance on what he calls the"Four P's"-Patination, Pictogram, Precision and Provenance. To Hardy, a bronze vessel worthy of collecting must have a good natural Patination, nature's contribution to a great work of bronze art; a Pictogram or inscription of historic significance; Precision and sharpness of casting; and also Provenance recording the academic history of the piece, the collections it has been in, where it has been exhibited and what has been written about it. When Hardy married Susan Chen they decided that the exhibition of Hardy's principally Shang ritual bronzes scheduled for late 2000 at the Asian Civilisations Museum in Singapore should be expanded to include sculptural animal bronzes and the more feminine and jewel-like inlaid bronzes of the Spring and Autumn and Warring States periods belonging to Chen's own collection. Together the two collections offer a more extensive view of the glorious traditions of ancient Chinese bronzes.
Author: Edward L. Shaughnessy
Publisher: The Chinese University of Hong Kong Press
Published: 2017-03-15
Total Pages: 366
ISBN-13: 9629966395
DOWNLOAD EBOOKRecent discoveries of bronze ritual vessels from ancient China provide the ground for this collection of essays, which focus in particular on the nature and patterns of family lineages as seen from these artifacts found in tombs throughout north China. Based on careful readings of the inscriptions on the bronze vessels, the editor and his eight contributors reconstruct the genealogies, kinship structures, political identities, and relationship networks of leading families and individuals from BronzeAge China. The rich scholarship also contributes to our understanding of the archaeology, chronology, warfare, and legal structures of ancient China. "The bronze inscriptions from ancient China are far too important to be left to the specialized archaeologists alone. Professor Shaughnessy and his group of leading practitioners of the arcane art of teasing out the meaning implicit and explicit in these extraordinarily difficult--often only recently discovered--inscriptions allow us to look over their shoulders as they struggle valiantly with some of the richest sources from the earliest stages of Chinese intellectual ethnography and literary culture. This volume provides the kind of handson and welldocumented exploratory philology that opens up a wide field of general discussion concerning an early formative stage of Chinese civilization." --Christoph Harbsmeier, Professor Emeritus of Chinese, University of Oslo