Many visitors in the Rijksmuseum use the 'in-zoomers' you will find throughout the museum: cards with additional information on selected artworks. These have now been made available in a book, a surprising view on 50 highlights of the collection. Each fold-out page offers a consise intro and points at the most important details. A great souvenir, or an easy reference work. English language edition.
Rembrandt and the Golden Age of Dutch Art celebrates an unprecedented era in the history of art. Drawn from the superb collections of Amsterdam's famed Rijksmuseum, the works of art featured here are a testament to the richness and variety of the paintings, prints, and decorative arts produced in the Netherlands in the 17th century. In a unique approach, Ruud Priem leads the viewer through the highlights of the Golden Age, beginning with the artists themselves and their studios, emerging into busy city streets and the bucolic Dutch countryside, and sampling the variety of 17th-century life and culture. Featured are ninety dazzling works by preeminent Dutch artists--Rembrandt van Rijn, Frans Hals, Jacob van Ruisdael, Pieter de Hooch, and Jan Steen, among them.
From 1650 to 1900 Paris was the undisputed center of fashion and taste in Europe. Home to a unique concentration of artists, designers, patrons, critics, and a keen buying public, Paris was the city where trends were made and where novel types of objects, devised for new ways of life, were invented. This book traces the wonderful story of Parisian decorative arts from the reign of Louis XIV to the triumph of art nouveau, through a selection of 150 breathtaking, and often little-known, masterpieces from the collection of the Rijksmuseum in Amsterdam. It features an exhilarating mixture of furniture, gilt bronze, tapestries, silver, watches, snuff-boxes, jewellery, Sèvres porcelain, and other ceramics, as well as some design drawings and engravings. Specially taken photographs reveal the daring design and beautiful execution of the work of some of the greatest artists and craftsmen of their time. Reinier Baarsen discusses the history and significance of each object, presenting the findings of much new research. Published in association with the Rijksmuseum, Amsterdam
ilk Thread uses objects from the Rijksmuseum collection to explore the shared history of China and the Netherlands from 1600 to the present. This book pays lavish attention both to the intensive efforts of Dutch traders to reach China and establish a trading post, and to the Dutch peoples fascination with Chinese goods. The products of the encounter the silk, porcelain and lacquerware, the travelogues and atlases defined perceptions of China in the Netherlands and far beyond. In the same period, the Netherlands gained a small but significant place in Chinese consciousness. The often-turbulent relationship between China and the West forms an intriguing contrast to the enduring Dutch interest in China and the magnificent objects emanating from it. Tristan Mostert is a historian specializing in Dutch overseas history in the early modern period. A former junior curator in the History department of the Rijksmuseum, he is currently working on a doctoral thesis at Leiden University. Jan van Campen is the Rijksmuseums Curator of Asian Export Art, a position he has held since 2001. His areas of special interest are Chinese porcelain and the history of Asian art collecting in Europe. Silk Thread is part of the Country Series published by the Rijksmuseums History department. Each book in the series uses objects in the Rijksmuseum collection to explore the shared history of the Netherlands and one of the following countries: Indonesia, Japan, China, India, Sri Lanka, South Africa, Ghana, Suriname and Brazil.
A lavishly illustrated museum guide containing the most important highlights of all centuries displayed in the Rijksmuseum in Amsterdam. A perfect guide to preparing yourself to your visit and which makes sure that you'll recognize and fully enjoy the masterworks when visiting Holland's greatest treasure trove, the Rijksmuseum.
Jan van Riebeecks arrival in Cape Town was the beginning of all South Africas problems: these words were spoken in 2015 by Jacob Zuma, the president of South Africa. Soon afterwards, a spate of iconoclastic attacks took place on statues of Van Riebeeck, Paul Kruger and Boer heroes. Only now, it seems, more than two decades after the abolition of apartheid, is South-Africa fully severing its colonial umbilical cord. The time has clearly come to look afresh at the historical links between the Netherlands and South Africa, a country whose born-frees the generation born in the post-apartheid era are just as likely to be critical of Nelson Mandelas liberation party the ANC as they are of their former colonial rulers. Good Hope explores what took place between 1652, when Van Riebeeck landed at the Cape, and Mandelas visit to Amsterdam in 1990. The arrival of the Dutch in South Africa cast its original inhabitants adrift. The VOC introduced slavery to the Cape and brought Islam when it banished disaffected Muslims there from Asian colonies such Java and Makassar. Borders shifted and whole populations moved away, disintegrated or assimilated into other groups. South Africa has also changed the Netherlands, as witnessed by the blossoming of Amsterdams diamond industry, the many streets across the country named after Afrikaner heroes, and the fierce anti-apartheid struggle. Martine Gosselink, head of the Rijksmuseum History Department, conceived Good Hope and curated the exhibition with Maria Holtrop, Daniel Horst and Duncan Bull. This book was published in collaboration with the Rijksmuseum as part of the Country Series. This volume is also the catalogue for the Good Hope exhibition, and includes contributions by, amongst others: Adriaan van Dis, Marlene Dumas, Bas Kromhout, Maria Holtrop, Duncan Bull.
A Japanese lacquerwork board inscribed with the name of each Dutch trading post opperhoofd and the number of ships from the Netherlands arriving in Japan each year; a Japanese gold coin stamped with the Dutch lion emblem; Japanese porcelain with a decoration based on a Dutch original design; and ribbons from the wreath laid by the emperor of Japan at the National Monument on Amsterdams Dam Square in honour of the victims of the Second World War: these are just a few of the objects in the Rijksmuseum collection connected with the shared history of Japan and the Netherlands. For almost 250 years the Netherlands was the sole Western nation permitted by Japan to conduct trade there. In the twentieth century tensions rose between these two colonial powers, and they went to war with one another in Indonesia; in the post-war period the restoration of old ties was a gradual and sometimes fraught process. The objects in the Rijksmuseum testify to this unique and turbulent history, one that has been characterized by admiration and interest, but also misunderstanding and mistrust. A narrow bridge is part of the Rijksmuseum Country Series published by the museums History Department. Each book in the series uses objects in the Rijksmuseum collection to explore the shared history of the Netherlands and one of the following countries: Indonesia, Japan, China, India, Sri Lanka, South Africa, Ghana, Suriname and Brazil.
