"Investigating Iwo encourages us to explore the connection between American visual culture and World War II, particularly how the image inspired Marines, servicemembers, and civilians to carry on with the war and to remember those who made the ultimate sacrifice to ensure victory over the Axis Powers. Chapters shed light on the processes through which history becomes memory and gains meaning over time. The contributors ask only that we be willing to take a closer look, to remain open to new perspectives that can deepen our understanding of familiar topics related to the flag raising, including Rosenthal's famous picture, that continue to mean so much to us today"--
Departing from the annual Page One book of The New York Times front pages, Great Stories of the Century completely covers the top world-changing events of 1900 through 1999, presenting the full story, which incorporates the newspaper's headline news, other related articles, and period advertisements that reflect the pulse of American life through one hundred years of change. From the end of the Victorian age, through physical accomplishments, life-changing inventions, two horrendous world wars, the turmoil of communism, the computer age, and Clinton -- the century lives and breathes in the pages of The New York Times.
Biography of Christian Barthelmess (1854-1906), who immigrated from Bavaria in Germany to New York City in the early 1870s, and began working his way westward. By 1876 he had enlisted in the United States Regular Army, and served at various forts in Arizona, New Mexico, Colorado and Montana. He served overseas in Cuba in 1898-1899, and in the Philippines between 1900 and 1903. He was " ... a soldier, musician, ethnologist and, most notably, photo- grapher of the western scene during the closing decades of the nineteenth century"--Foreword, p. vii-viii. He married Catherine Dorothea Hansen Ahler in 1886 at Silver City, New Mexico. They had eight children, including Casey Barthelmess, who became a prominent rancher in Montana. Casey kept as many of his father's photographs as possible, and collaborated in writing this book. Most of the photographs are of military and Indian scenes, and of the southwest and Montana. "The Indian portraits reveal a notable sensitivity to Indian character and form Barthelmess's most significant contribu- tion to the western record"--Foreword, p. viii.
The year 1865 was bloody on the Plains as various Indian tribes, including the Southern Cheyenne and the Southern Sioux, joined with their northern relatives to wage war on the white man. They sought revenge for the 1864 massacre at Sand Creek, when John Chivington and his Colorado volunteers nearly wiped out a village of Southern Cheyenne and Arapaho. The violence in eastern Colorado spread westward to Fort Laramie and Fort Caspar in southeastern and central Wyoming, and then moved north to the lands along the Wyoming-Montana border.
Beyond the wide Missouri lay the prairie—“the biggest clearing on the Almighty’s footstool.” And every few hundred miles, holding to the rivers and wooded bottoms, were the outposts of the white civilization—the military forts of the U.S. Army. Father, mother and comforter to the settlers, trading points for the trappers and buffalo hunters, rallying points for the scouts. Awaiting the reader of this sentimental journey into the days of “Boots and Saddles,” are the graphic stories of battles against Indians and boredom. A military man, author Hart has the feel of these men who did the fighting and their places of conflict and refuge. He recounts the Bloody Bozeman outrage, Red Cloud’s War of 1866-68, and the pre-Civil War fights that seasoned lieutenants for the stars of Union and Confederate generals. It is a thrilling experience to read of the forts that opened the West for the stages, river boats and wagon trains...of those that protected the white man from the Indians and others that protected Indians from the whites...of those “hog and hominy” forts that gave solace to settlers who waited for the Indian attacks that never came...of the places called “Hog Ranches” that provided soldiers with entertainment lacking at Army posts...and of those forts George Armstrong Custer called home. With all this there are portraits, in both word and photograph, of the many famous generals who rode this frontier of history: Sherman, Sheridan, Crook, Custer, Harney, Sully, Connor, Mackenzie, Howard, Miles, Terry, Carrington, de Trobriand, Gibbon and Canby.
Mary Lee Stubbs (Chief of the Organizational History Branch of the O.S. Office of the Chief of Military History) and Stanley Russell Connor (Deputy Chief of the U.S. Organizational History Branch, OCMH) wrote the 1968 Armor-Cavalry Part I: Regular Army and Army Reserve, part of the Army Lineage Series, which was "designed to foster the esprit de corps of United States Army units."
