When David moves to a small town in the mountains, he’s looking for stability and a fresh start for his children. What he stumbles into instead is a lakeside murder investigation. Meanwhile, his debauched, soon-to-be-ex wife Tara becomes entangled in the dark world of illicit substances, black market remedies, and a mysterious stranger named Johnnie. Who is this man and why is he so interested in Tara and her children? What did David witness on the lake the night he arrived and how is it connected to the people he left behind? Can he put the pieces together . . . before it’s too late?
In Nevada in 1861, a young Pony Express rider races for his life, pursued by seven Paiute warriors who are determined to drive white settlers out of their territory.
NATIONAL BESTSELLER • The story of Cynthia Ann Parker and the last days of the Comanche In 1836, when she was nine years old, Cynthia Ann Parker was kidnapped by Comanche Indians from her family's settlement. She grew up with them, mastered their ways, and married one of their leaders. Except for her brilliant blue eyes and golden mane, Cynthia Ann Parker was in every way a Comanche woman. They called her Naduah—Keeps Warm With Us. She rode a horse named Wind. This is her story, the story of a proud and innocent people whose lives pulsed with the very heartbeat of the land. It is the story of a way of life that is gone forever. It will thrill you, absorb you, touch your soul, and make you cry as you celebrate the beauty and mourn the end of the great Comanche nation.
In 1860, the first Pony Express rider set out on a trail from Missouri to California. With him, he carried a special delivery-the first mail ever carried by hand to the West. Over the next eleven days, he and many other riders would endure harsh weather, dangerous animals, and more, but nothing would diminish their unflagging determination and courage. Meticulously researched and gorgeously illustrated, Michael P. Spradlin and Layne Johnson's Off Like the Wind! brings to life an adventurous journey, full of suspense and excitement, that celebrates America's can-do attitude and pioneering spirit.
This saga of a writer done dirty resurrects the silenced voice of Sanora Babb, peerless author of midcentury American literature. In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind, renowned biographer Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history.
This is a story of an almost vanished Africa; a world of myth and magic in which the indigenous peoples of the continent lived for uncountable centuries before the Europeans came to shatter it. The main character is a boy who has a relationship with this Africa not unlike Kipling's Kim with the antique world of India. François Joubert, whose Huguenot ancestors settled in Africa three hundred years ago, lives as a solitary child on his father's farm. 'Hunter's Drift'. Here, in the far interior of Africa, he experiences the wonder and mystery of an ageless, natural primitive life, his perception of it heightened by the influence of three people in particular - his Bushman nurse, the head herdsman of the local Matabele clan (his father's chosen partners in the pioneering of Hunter's Drift), and a hunter of legendary fame, now the chief ranger of a vast game reserve nearby. François' meeting with an untamed Bushman, Xhabbo, whose intuitive teaching nourishes his spirit; his strange pilgrimage to the distant krall of a powerful witch-doctor; his dramatic encounter and relationship with the daughter of a retired colonial governor; all are examples of African point and European counterpoint, in a highly original theme, moving to a strangely presaged and omened climax.
New York Times bestselling author Rainbow Rowell's epic fantasy, the Simon Snow trilogy, concludes with Any Way the Wind Blows. In Carry On, Simon Snow and his friends realized that everything they thought they understood about the world might be wrong. And in Wayward Son, they wondered whether everything they understood about themselves might be wrong. Now, Simon and Baz and Penelope and Agatha must decide how to move forward. For Simon, that means choosing whether he still wants to be part of the World of Mages — and if he doesn't, what does that mean for his relationship with Baz? Meanwhile Baz is bouncing between two family crises and not finding any time to talk to anyone about his newfound vampire knowledge. Penelope would love to help, but she's smuggled an American Normal into London, and now she isn't sure what to do with him. And Agatha? Well, Agatha Wellbelove has had enough. Any Way the Wind Blows takes the gang back to England, back to Watford, and back to their families for their longest and most emotionally wrenching adventure yet. This book is a finale. It tells secrets and answers questions and lays ghosts to rest. The Simon Snow Trilogy was conceived as a book about Chosen One stories; Any Way the Wind Blows is an ending about endings—about catharsis and closure, and how we choose to move on from the traumas and triumphs that try to define us.
It wasn't that long ago that girls were forbidden to ride bicycles. Also, it wasn't long ago that girls had to dress up as boys in order to stand out in society. This is the case of Alfonsina, a girl who loved to ride her bicycle, but had to fight hard for her dream. Alfonsina Strada (1891-1959) was the first woman to compete in Giro d'Italia, in 1924. The Queen of the Pedal, as she was called, is, today, a symbol of strength and resilience - which also led to her nickname devil in a dress.
Facsimile reprint of the Winter, 1932 issue of the legendary pulp magazine, "Oriental Stories." Included in this volume is work by Otis Adelbert Kline & E. Hoffmann Price, Robert E. Howard, G.G. Pendarves, more.
During the westward settlement, for more than twenty years Apache tribes eluded both US and Mexican armies, and by 1886 an estimated 9,000 armed men were in pursuit. Roberts (Deborah: A Wilderness Narrative) presents a moving account of the end of the Indian Wars in the Southwest. He portrays the great Apache leaders—Cochise, Nana, Juh, Geronimo, the woman warrior Lozen—and U.S. generals George Crock and Nelson Miles. Drawing on contemporary American and Mexican sources, he weaves a somber story of treachery and misunderstanding. After Geronimo's surrender in 1886, the Apaches were sent to Florida, then to Alabama where many succumbed to malaria, tuberculosis and malnutrition and finally in 1894 to Oklahoma, remaining prisoners of war until 1913. The book is history at its most engrossing. —Publishers Weekly
