Richard Yates (1926-1992) has been described as a "writer's writer" but has never received the critical attention befitting that designation. Firmly rooted in the zeitgeist of 1950s, his work remains startlingly relevant, addressing themes of American identity, the nature of marriage and relationships between men and women, and what it means to get ahead in a society entranced by a flawed American Dream. This collection of new essays is the first to focus on this under-appreciated author. It opens up his body of work for a new generation of readers, and positions Yates as a writer of significance in the American tradition.
The acclaimed author of Revolutionary Road—one of the most important writers of the twentieth century—movingly portrays a man and a woman from their courtship and marriage in the 1950s to their divorce in the 70s, chronicling their heartbreaking attempts to reach their highest ambitions. Michael Davenport dreams of being a poet after returning home from World War II Europe, and at first he and his new wife Lucy enjoy their life together. But as the decades pass and the success of others creates an oppressive fear of failure in both Michael and Lucy, their once bright future gives way to a life of adultery and isolation. With empathy and grace, Yates creates a poignant novel of the desires and disasters of a tragic, hopeful couple.
Even as little girls, Sarah and Emily are very different from each other. Emily looks up to her wiser and more stable older sister and is jealous of her relationship with their absent father, and later her seemingly golden marriage. The path she chooses for herself is less safe and conventional and her love affairs never really satisfy her. Although the bond between them endures, gradually the distance between the two women grows, until a tragic event throws their relationship into focus one last time.
Contested Terrain explores suburban literature between two moments of domestic crisis: the housing shortage that gave rise to the modern era of suburbanization after World War II, and the mortgage defaults and housing foreclosures that precipitated the Great Recession. Moving away from scholarship that highlights the alienating, placeless quality of suburbia, Wilhite argues that we should reimagine suburban literature as part of a long literary tradition of U.S. regional writing that connects the isolation and exclusivity of the domestic realm to the expansionist ideologies of U.S. nationalism and the environmental imperialism of urban sprawl. Wilhite produces new, unexpected readings of works by Sinclair Lewis, Lorraine Hansberry, Richard Yates, Patricia Highsmith, Don DeLillo, Jonathan Franzen, Jeffrey Eugenides, Chang-rae Lee, Richard Ford, Jung Yun, and Patrick Flanery. Contested Terrain demonstrates how postwar suburban nation-building ushered in an informal geography that recalibrated notions of national identity, democratic citizenship, and domestic security to the scale of the single-family home.
Now available in eBook for the first time, Richard Yates's groundbreaking collection of short fiction. First published in 1962, a year after Revolutionary Road, this sublime collection of stories seems even more powerful today. Out of the lives of Manhattan office workers, a cab driver seeking immortality, frustrated would-be novelists, suburban men and their yearning, neglected women, Richard Yates creates a haunting mosaic of the 1950s, the era when the American dream was finally coming true—and just beginning to ring a little hollow. In Eleven Kinds of Loneliness, you'll discover some of the most influential and sharply observed short fiction of the 20th century, and find out why Richard Yates was a true American master.
Best known for a trilogy of historical novels set in the fictional town of Gilead, Iowa, Marilynne Robinson is a prolific writer, teacher, and public speaker, who has won the Pulitzer Prize and was awarded the National Humanities Medal by Barack Obama. This collection intervenes in Robinson’s growing critical reputation, pointing to new and exciting links between the author, the historical settings of her novels, and the contemporary themes of her fictional, educational, and theoretical work. Introduced by a critical discussion from Professors Bridget Bennett, Sarah Churchwell, and Richard King, Marilynne Robinson features analysis from a range of international academics, and explores debates in race, gender, environment, critical theory, and more, to suggest new and innovative readings of her work.
Winner of the 2023 Emily Toth Award for Best Single Work in Women's Studies “All-Electric” Narratives is the first in-depth study of time-saving electrical appliances in American literature. It examines the literary depiction of refrigerators, vacuum cleaners, oven ranges, washing machines, dryers, dishwashers, toasters, blenders, standing and hand-held mixers, and microwave ovens between 1945, when the “all-electric” home came to be associated with the nation's hard-won victory, and 2020, as contemporary writers consider the enduring material and spiritual effects of these objects in the 21st century. The appropriation and subversion of the rhetoric of domestic electrification and time-saving comprises a crucial, but overlooked, element in 20th-century literary forms and genres including Beat literature, Black American literature, second-wave feminist fiction, science fiction, and postmodernist fiction. Through close-readings of dozens of literary texts alongside print and television ads from this period, Dini shows how U.S. writers have unearthed the paradoxes inherent to claims of appliances' capacity to “give back” time to their user, transport them into a technologically-progressive future, or “return” them to some pastoral past. In so doing, she reveals literary appliances' role in raising questions about gender norms and sexuality, racial exclusion and erasure, class anxieties, the ramifications of mechanization, the perils and possibilities of conformity, the limitations of patriotism, and the inevitable fallacy of utopian thinking-while both shaping and radically disrupting the literary forms in which they operated.
NATIONAL BOOK AWARD FINALIST • Frank and April Wheeler are a bright, beautiful, talented couple in the 1950s whose perfect suburban life is about to crumble in this "moving and absorbing story” (The Atlantic Monthly) from one of the most acclaimed writers of the twentieth century. "The Great Gatsby of my time...one of the best books by a member of my generation." —Kurt Vonnegut, acclaimed author of Slaughterhouse-Five Perhaps Frank and April Wheeler married too young and started a family too early. Maybe Frank's job is dull. And April never saw herself as a housewife. Yet they have always lived on the assumption that greatness is only just around the corner. But now that certainty is about to unravel. With heartbreaking compassion and remorseless clarity, Richard Yates shows how Frank and April mortgage their spiritual birthright, betraying not only each other, but their best selves. In his introduction to this edition, novelist Richard Ford pays homage to the lasting influence and enduring power of Revolutionary Road.
John Wilder is in his mid-thirties, a successful salesman with a place in the country, an adoring wife and a ten-year-old son.But something is wrong. His family no longer interests him, his infidelities are leading him nowhere and he has begun to drink too much. Then one night, something inside John snaps and he calls his wife to tell her that he isn't coming home...
