A Busytown book about numbers! Willy Bunny has learned to count and he wants to practice with readers like you! A great way to introduce young children to numbers from 1 to 100. Willy Bunny loves to count! Kids can join him as he counts race cars, fire engines, trains, airplanes and more in this fun-filled number-themed Busytown storybook!
Travel the world thanks to the one and only Richard Scarry! Little explorers can travel the world thanks to Richard Scarry! With 33 stories featuring fun-filled stops in New York, Paris, Tokyo, Egypt, Australia, and more, this worldwide adventure of discovery will have children ready to pack their bags and visit those international Busytowns!
From Alice and Abe to Zeb and Zipper, an alphabetical array of guests turns out for the biggest birthday party ever. But Hooper Humperdink isn’t on the guest list! Bright and Early Books are perfect for beginning beginner readers! Launched by Dr. Seuss in 1968 with The Foot Book, Bright and Early Books use fewer and easier words than Beginner Books. Readers just starting to recognize words and sound out letters will love these short books with colorful illustrations.
Join Kathy Bear, Kenny Bear and their Busytown friends to learn lots of everyday words. Illustrated in Scarry's signature style, the book is packed with hundreds of names for objects both familiar and new, grouped by subject, occasion and theme. From colours and numbers to fruit and vegetables to animals, vehicles and so much more, this is an entertaining way to expand a child's knowledge of the world.
An “urgent and significant book [that] speaks to our times” (The New York Times Book Review) from the bestselling, Man Booker Prize–winning author of The White Tiger and Selection Day about a young illegal immigrant who must decide whether to report crucial information about a murder—and thereby risk deportation. Danny—formerly Dhananjaya Rajaratnam—is an illegal immigrant in Sydney, Australia, denied refugee status after he fled from Sri Lanka. Working as a cleaner, living out of a grocery storeroom, for three years he’s been trying to create a new identity for himself. And now, with his beloved vegan girlfriend, Sonja, with his hidden accent and highlights in his hair, he is as close as he has ever come to living a normal life. But then one morning, Danny learns a female client of his has been murdered. The deed was done with a knife, at a creek he’d been to with her before; and a jacket was left at the scene, which he believes belongs to another of his clients—a doctor with whom Danny knows the woman was having an affair. Suddenly Danny is confronted with a choice: Come forward with his knowledge about the crime and risk being deported? Or say nothing, and let justice go undone? Over the course of this day, evaluating the weight of his past, his dreams for the future, and the unpredictable, often absurd reality of living invisibly and undocumented, he must wrestle with his conscience and decide if a person without rights still has responsibilities. “Searing and inventive,” Amnesty is a timeless and universal story that succeeds at “illuminating the courage of displaced peoples and the cruelties of those who conspire against them” (Star Tribune, Minneapolis).
How does popular music produce its subject? How does it produce us as subjects? More specifically, how does it do this through voice--through "giving voice"? And how should we understand this subject--"the people"--that it voices into existence? Is it singular or plural? What is its history and what is its future? Voicing the Popular draws on approaches from musical interpretation, cultural history, social theory and psychoanalysis to explore key topics in the field, including race, gender, authenticity and repetition. Taking most of his examples from across the past hundred years of popular music development--but relating them to the eighteenth- and nineteenth-century "pre-history"--Richard Middleton constructs an argument that relates "the popular" to the unfolding of modernity itself. Voicing the Popular renews the case for ambitious theory in musical and cultural studies, and, against the grain of much contemporary thought, insists on the progressive potential of a politics of the Low.
The groundbreaking debut by the award-winning author of Wayward Lives, Beautiful Experiments, revised and updated. Saidiya Hartman has been praised as “one of our most brilliant contemporary thinkers” (Claudia Rankine, New York Times Book Review) and “a lodestar for a generation of students and, increasingly, for politically engaged people outside the academy” (Alexis Okeowo, The New Yorker). In Scenes of Subjection—Hartman’s first book, now revised and expanded—her singular talents and analytical framework turn away from the “terrible spectacle” and toward the forms of routine terror and quotidian violence characteristic of slavery, illuminating the intertwining of injury, subjugation, and selfhood even in abolitionist depictions of enslavement. By attending to the withheld and overlooked at the margins of the historical archive, Hartman radically reshapes our understanding of history, in a work as resonant today as it was on first publication, now for a new generation of readers. This 25th anniversary edition features a new preface by the author, a foreword by Keeanga-Yamahtta Taylor, an afterword by Marisa J. Fuentes and Sarah Haley, notations with Cameron Rowland, and compositions by Torkwase Dyson.