"In this book Jill Pearlman argues that Gropius did not effect changes alone and, further, that the Harvard Graduate School of Design was not merely an offshoot of the Bauhaus. - She offers a crucial missing piece to the story - and to the history of modern architecture - by focusing on Joseph Hudnut, the school's dean and founder."--BOOK JACKET.
Winner of the Chicago Tribune‘s 2013 Heartland Prize A critically acclaimed history of Chicago at mid-century, featuring many of the incredible personalities that shaped American culture Before air travel overtook trains, nearly every coast-to-coast journey included a stop in Chicago, and this flow of people and commodities made it the crucible for American culture and innovation. In luminous prose, Chicago native Thomas Dyja re-creates the story of the city in its postwar prime and explains its profound impact on modern America—from Chess Records to Playboy, McDonald’s to the University of Chicago. Populated with an incredible cast of characters, including Mahalia Jackson, Muddy Waters, Howlin’ Wolf, Chuck Berry, Sun Ra, Simone de Beauvoir, Nelson Algren, Gwendolyn Brooks, Studs Turkel, and Mayor Richard J. Daley, The Third Coast recalls the prominence of the Windy City in all its grandeur.
"The idea for this book came about when architectural historian Kathryn O'Rourke and architect / photographer Ben Koush collaborated on a piece on postmodern architecture for Texas Architect. The two enjoyed working together--with O'Rourke writing and Koush providing visuals--and, together with UTP, developed the framework for a similarly rich, book-length treatment of modern architecture in Texas. Conceived to be accessible to a general readership, this project explores in photographs and words approximately fifty years of Texas modern architecture, from the 1930s to the 1980s. As O'Rourke writes, "In this period, modern architecture and Texas grew and changed at an astonishing pace. The state became a significant force in national and international affairs, chiefly as a consequence of the oil industry and the presence of politically powerful Texans in Washington, D.C. Major buildings, many designed by regionally and nationally-prominent architects, followed the money in the state as the influence and image of Texas grew. Relentless ambition, a forward-looking attitude, and a strong sense of place combined to make Texans particularly receptive to modern architecture's implication of newness, its future-oriented image, and its capacity to reinterpret historical forms in novel ways." While many books on Texas architecture focus on one building type (residential architecture, courthouses, and so on), this project adopts a broader lens. A dozen chapters presented under four thematic headings explore buildings through a variety of frameworks--there are the inescapable forces of heat and money, essential functions like caregiving and government, and groupings for leisure and multi-building sites such as museums and campuses. In each of these sections, the authors present a "constellation" of buildings, with one central example and several supporting ones. So, for instance, the "God" chapter presents O'Neil Ford's Little Chapel in the Woods in Denton as its main building, alongside the Antioch Baptist Church in San Antonio and the Congregation Rodef Shalom in Waco. This sort of geographical diversity, with big cities sitting alongside smaller and lesser studied places, runs through the volume as a whole"--
International scholars from architecture, design, urban planning, and interior design here reappraise modern life in the context of practices of dwelling over the span of the postwar period. Reassessing culture and the economic and political effects on civilian life, this collection looks at what role material objects, interior spaces, and architecture played in quelling or fanning the anxieties of modernism's ordinary denizens.
