Law and Love in Ovid
Law and Love in Ovid

Author: Ioannis Ziogas

Publisher: Oxford University Press

Published: 2021-01-28

Total Pages: 416

ISBN-13: 0192583794

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In classical scholarship, the presence of legal language in love poetry is commonly interpreted as absurd and incongruous. Ovid's legalisms have been described as frivolous, humorous, and ornamental. Law and Love in Ovid challenges this wide-spread, but ill-informed view. Legal discourse in Latin love poetry is not incidental, but fundamental. Inspired by recent work in the interdisciplinary field of law and literature, Ioannis Ziogas argues that the Roman elegiac poets point to love as the site of law's emergence. The Latin elegiac poets may say 'make love, not law', but in order to make love, they have to make law. Drawing on Agamben, Foucault, and Butler, Law and Love in Ovid explores the juridico-discursive nature of Ovid's love poetry, constructions of sovereignty, imperialism, authority, biopolitics, and the ways in which poetic diction has the force of law. The book is methodologically ambitious, combining legal theory with historically informed closed readings of numerous primary sources. Ziogas aims to restore Ovid to his rightful position in the history of legal humanism. The Roman poet draws on a long tradition that goes back to Hesiod and Solon, in which poetic justice is pitted against corrupt rulers. Ovid's amatory jurisprudence is examined vis-à-vis Paul's letter to the Romans. The juridical nature of Ovid's poetry lies at the heart of his reception in the Middle Ages, from Boccaccio's Decameron to Forcadel's Cupido iurisperitus. The current trend to simultaneously study and marginalize legal discourse in Ovid is a modern construction that Law and Love in Ovid aims to demolish.

The Lovelorn Ghost and the Magical Monk
The Lovelorn Ghost and the Magical Monk

Author: Justin Thomas McDaniel

Publisher: Columbia University Press

Published: 2013-12-01

Total Pages: 362

ISBN-13: 0231153775

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Focusing on representations of a famous ghost and monk from the late eighteenth century to today, Justin Thomas McDaniel builds a case for interpreting modern Thai Buddhist practice through the movements of these transformative figures. He follows embodiments of the ghost and monk in a variety of genres and media, including biography, drama, ritual, art, liturgy, film, television, and the Internet. Sourcing nuns, monks, laypeople, and royalty, McDaniel shows how relations with these figures have been instrumental in crafting histories and modernities, particularly local conceptions of being "Buddhist," and the formation and transmission of such identities across different venues and technologies.

Goodbye Eros
Goodbye Eros

Author: Ana Laguna

Publisher: University of Toronto Press

Published: 2020-04-02

Total Pages: 296

ISBN-13: 1487519672

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Traditional Petrarchan and Neoplatonic paradigms of love started to show clear signs of inadequacy and exhaustion in the sixteenth century. How did the Spanish Golden Age recast worn out discourses of love and make them compelling again? This volume explores how Spanish letters recognized that old love paradigms, especially the crisis of the subject, presented an extraordinary opportunity for revising traditional literary strictures. As a result, during Spain’s nascent modernity, literature took up the challenge to expand existing forms of desire and subjectivity. A range of scholars show how canonical and non-canonical Golden Age writers like Miguel de Cervantes, Diego Hurtado de Mendoza, Francisco de Quevedo, Luis de Góngora, Lope de Vega, and Francisco de la Torre y Sevil became equal agents of the sweeping ontological reconfiguration of the idea of eros that defined their culture. Such reconfiguration includes: the troubling displacement of "self" and "other" seen in sentimental genres like the pastoral or romance; the overlapping of emotions such as love and jealousy characteristic of the baroque lyric and dramatic production; and the conflation of axioms such as eros and eris prevalent in contemporaneous epic experiments. In uniting the findings of often surprising texts, the collection of essays in Goodbye Eros takes a pioneering look at how Golden Age moral, ideological, scientific, and literary discourses intersected to create fascinating re-elaborations of the trope of love.

The Influence of Rhetoric in the Shaping of Great Britain
The Influence of Rhetoric in the Shaping of Great Britain

Author: Robert Tarbell Oliver

Publisher: University of Delaware Press

Published: 1986

Total Pages: 332

ISBN-13: 9780874132892

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This first history of public speaking in Great Britain traces the development of the ideas, ideals, and institutions that formed the character of the British people and nation. By focusing on critical moments in British history, it examines the role of persuasive leadership and the careers of great leaders, and presents influential speeches in their historical settings.

African American Literature in Transition, 1830–1850: Volume 3
African American Literature in Transition, 1830–1850: Volume 3

Author: Benjamin Fagan

Publisher: Cambridge University Press

Published: 2021-05-13

Total Pages: 554

ISBN-13: 1108395287

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This volume charts the ways in which African American literature fosters transitions between material cultures and contexts from 1830 to 1850, and showcases work that explores how African American literature and lived experiences shaped one another. Chapters focus on the interplay between pivotal political and social events, including emancipation in the West Indies, the Irish Famine, and the Fugitive Slave Act, and key African American cultural productions, such as the poetry of Frances Ellen Watkins Harper, the writings of David Walker, and the genre of the Slave Narrative. Chapters also examine the relationship between African American literature and a variety of institutions including, the press, and the post office. The chapters are grouped together in three sections, each of which is focused on transitions within a particular geographic scale: the local, the national, and the transnational. Taken together, they offer a crucial account of how African Americans used the written word to respond to and drive the events and institutions of the 1830s, 1840s, and beyond.

The Poetry of Dylan Thomas
The Poetry of Dylan Thomas

Author: John Goodby

Publisher: Liverpool University Press

Published: 2013-07-31

Total Pages: 513

ISBN-13: 1846319943

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An important reappraisal of the poetry of Dylan Thomas in terms of modern critical theory.

Parting Words
Parting Words

Author: Justin A. Sider

Publisher: University of Virginia Press

Published: 2018-11-29

Total Pages: 373

ISBN-13: 0813941830

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Valedictory addresses offer a way to conceptualize the relation of self to others, private to public, ephemeral to eternal. Whether deathbed pronouncements, political capitulations, or seafaring farewells, "parting words" played a crucial role in the social imagination of Victorian writing. In this compelling new book, Justin Sider traces these public addresses across a wide range of works, from poems by Byron, Tennyson, and Browning, to essays by Twain and Wilde, to novels by Dickens and Eliot. Ironically, while the Victorian era saw the loss of faith in a unitary national public, it asked poetry to address just such a public. Attending to the form, rather than the discursive content, of poets' engagement with public culture, Parting Words explains how the valedictory allowed Victorian poets to explore the ways their poems might be received by distant and anonymous readers in an emergent mass culture. Using a wide array of materials such as letters and reviews to describe the rapidly changing print culture in which poets were intervening, Sider shows how the growing diversification and destabilization of the Victorian reading public was countered by the demand for a public poetry. Characteristically, the speakers of Tennyson's "Ulysses" and Matthew Arnold's "Empedocles on Etna" imagine their farewells as simultaneous entrances into a public space where they and their readers, however distant, might yet meet. This new consciousness anticipated modernist poetry, which in turn used the valedictory to underscore the futility and alienation of such hopes.