NCSS/CBC Notable Trade Social Studies Book Kansas Reading Circle Choice Bank Street College Best Book Tappantown Historical Society’s Achievement Award Young fans of the Broadway smash "Hamilton" will enjoy this riveting nonfiction picture book that unfolds like a play, telling a story from American history. Gravely injured and with little chance for more military honors, Major General Benedict Arnold seeks reward and recognition another way. He contacts Major John André, the new head of British intelligence and another man determined to prove himself. Arnold and André strike a deal and use Arnold’s intelligence to take over West Point, the strategic American fort. The plan ultimately fails, leading to André’s capture and death and Arnold’s loss of reward and glory. Author Selene Castrovilla and illustrator John O’Brien brilliantly capture the tensions and high drama of these two revolutionary rogues by highlighting their similarities and differences and demonstrating how they brought about their own tragic ends. This title also includes an afterword, timelines of the lives of both men, an extensive bibliography, and a list of key places to visit.
In Age of Rogues, leading scholars engage with themes of historical and cultural legacies, contentious interactions within imperial regimes, and the biographical trajectory of men and women who challenged the political status quo of their time. Rebels, revolutionaries and racketeers played central roles in the violent process of imperial disintegration as it unfolded in the frontiers of the Ottoman, Habsburg, Romanov and Qajar empires. This is a history of these transgressive actors from the late-19th century to the interwar years. This time was marked by similar, if not shared, revolutionary experiences and repertoires of contention across the connected geography of the Balkans, the Middle East and the Caucasus.
Rhode Island may be the smallest state, but it has the tallest tales. It's home to many larger-than-life men with exciting stories of mutiny, revolt and daring. Horror writer H.P. Lovecraft tries to escape the grasp of the demonic "Night-Gaunts" that haunt him. Captain William Kidd, convicted of piracy and murder, is hung and left to rot as a warning for others pursuing a similar career path. And Samuel Slater, Father of the Industrial Revolution, may be a revolutionary in our eyes, but he is considered a treasonous rogue by the English. Travel with M.E. Reilly-McGreen as she follows up her book Witches, Wenches and Wild Women of Rhode Island with tales of the best and worst men The Ocean State has to offer.
Society of School Librarians International Book Award Honor California Reading Association Eureka! Nonfiction Honor Bank Street College Best Children's Book of the Year Booklist Top Ten Biography for Youth Young fans of the smash Broadway hit "Hamilton" will enjoy this narrative nonfiction picture book story about the important friendship between George Washington and the Marquis de Lafayette during the Revolutionary War. Lafayette has come to America to offer his services to the patriotic cause. Inexperienced but dedicated, he is a much-needed ally and not only earns a military position with the Continental Army but also Washington's respect and admiration. This picture book presents the human side of history, revealing the bond between two famous Revolutionary figures. Both the author and illustrator worked with experts and primary sources to represent both patriots and the war accurately and fairly.
Rogues, published in France under the title Voyous, comprises two major lectures that Derrida delivered in 2002 investigating the foundations of the sovereignty of the nation-state. The term "État voyou" is the French equivalent of "rogue state," and it is this outlaw designation of certain countries by the leading global powers that Derrida rigorously and exhaustively examines. Derrida examines the history of the concept of sovereignty, engaging with the work of Bodin, Hobbes, Rousseau, Schmitt, and others. Against this background, he delineates his understanding of "democracy to come," which he distinguishes clearly from any kind of regulating ideal or teleological horizon. The idea that democracy will always remain in the future is not a temporal notion. Rather, the phrase would name the coming of the unforeseeable other, the structure of an event beyond calculation and program. Derrida thus aligns this understanding of democracy with the logic he has worked out elsewhere. But it is not just political philosophy that is brought under deconstructive scrutiny here: Derrida provides unflinching and hard-hitting assessments of current political realities, and these essays are highly engaged with events of the post-9/11 world.
“Outstanding . . . A delightfully written work of serious scholarship.” —Jewish Book World Old Odessa, on the Black Sea, gained notoriety as a legendary city of Jewish gangsters and swindlers, a frontier boomtown mythologized for the adventurers, criminals, and merrymakers who flocked there to seek easy wealth and lead lives of debauchery and excess. Odessa is also famed for the brand of Jewish humor brought there in the nineteenth century from the shtetls of Eastern Europe and that flourished throughout Soviet times. From a broad historical perspective, Jarrod Tanny examines the hybrid Judeo-Russian culture that emerged in Odessa in the nineteenth century and persisted through the Soviet era and beyond. The book shows how the art of eminent Soviet-era figures such as Isaac Babel, Il’ia Ilf, Evgenii Petrov, and Leonid Utesov grew out of the Odessa Russian-Jewish culture into which they were born and which shaped their lives. “Traces the emergence, development, and persistence of the myth of Odessa as both Garden of Eden and Gomorrah . . . A joy to read.” —Robert Weinberg, Swarthmore College
With characteristic lawlessness and connection to the common man, the figure of the rogue commanded the world of Irish fiction from 1660 to 1790. During this period of development for the Irish novel, this archetypal figure appears over and over again. Early Irish fiction combined the picaresque genre, focusing on a cunning, witty trickster or pícaro, with the escapades of real and notorious criminals. On the one hand, such rogue tales exemplified the English stereotypes of an unruly Ireland, but on the other, they also personified Irish patriotism. Existing between the dual publishing spheres of London and Dublin, the rogue narrative explored the complexities of Anglo-Irish relations. In this volume, Lines investigates why writers during the long eighteenth-century so often turned to the rogue narrative to discuss Ireland. Alongside recognized works of Irish fiction, such as those by William Chaigneau, Richard Head, and Charles Johnston, Lines presents lesser-known and even anonymous popular texts. With consideration for themes of conflict, migration, religion, and gender, Lines offers up a compelling connection between the rogues themselves, marked by persistence and adaptability, and the ever-popular rogue narrative in this early period of Irish writing.
From the beginnings of big-city police work to the rise of the Mafia, Rogues' Gallery is a colorful and captivating history of crime and punishment in the bustling streets of Old New York. Rogues' Gallery is a sweeping, epic tale of two revolutions, one feeding off the other, that played out on the streets of New York City during an era known as the Gilded Age. For centuries, New York had been a haven of crime. A thief or murderer not caught in the act nearly always got away. But in the early 1870s, an Irish cop by the name of Thomas Byrnes developed new ways to catch criminals. Mug shots and daily lineups helped witnesses point out culprits; the famed rogues' gallery allowed police to track repeat offenders; and the third-degree interrogation method induced recalcitrant crooks to confess. Byrnes worked cases methodically, interviewing witnesses, analyzing crime scenes, and developing theories that helped close the books on previously unsolvable crimes. Yet as policing became ever more specialized and efficient, crime itself began to change. Robberies became bolder and more elaborate, murders grew more ruthless and macabre, and the street gangs of old transformed into hierarchal criminal enterprises, giving birth to organized crime, including the Mafia. As the decades unfolded, corrupt cops and clever criminals at times blurred together, giving way to waves of police reform at the hands of men like Theodore Roosevelt. This is a tale of unforgettable characters: Marm Mandelbaum, a matronly German-immigrant woman who paid off cops and politicians to protect her empire of fencing stolen goods; "Clubber" Williams, a sadistic policeman who wielded a twenty-six-inch club against suspects, whether they were guilty or not; Danny Driscoll, the murderous leader of the Irish Whyos Gang and perhaps the first crime boss of New York; Big Tim Sullivan, the corrupt Tammany Hall politician who shielded the Whyos from the law; the suave Italian Paul Kelly and the thuggish Jewish gang leader Monk Eastman, whose rival crews engaged in brawls and gunfights all over the Lower East Side; and Joe Petrosino, a Sicilian-born detective who brilliantly pursued early Mafioso and Black Hand extortionists until a fateful trip back to his native Italy. Set against the backdrop of New York's Gilded Age, with its extremes of plutocratic wealth, tenement poverty, and rising social unrest, Rogues' Gallery is a fascinating story of the origins of modern policing and organized crime in an eventful era with echoes for our own time.
A Revisionary rewrites the rules. A Rogue breaks them. Which one is she? Portia Abernathy accepts her Revisionary draft with one goal: earn a Dome seat so she can amend the satellite rules and rescue her brother, but the Crystal Globe proves treacherous, forcing her to decide if it's better to rewrite the rules or break them.
