In Revolution in Poetic Language, Julia Kristeva explicates her foundational distinction between the semiotic and the symbolic and explores their interrelationships. Linking the psychosomatic to the literary and the literary to a larger political horizon, she questions the premises of linguistic, psychoanalytic, philosophical, and literary theories.
The linking of psychosomatic to literary and literary to a larger political horizon raises the question of conservative premises to linguistic, pyschoanalystic, philisophical, and literary theories and criticisms of such.
In Revolution in Poetic Language, Julia Kristeva explicates her foundational distinction between the semiotic and the symbolic and explores their interrelationships. Linking the psychosomatic to the literary and the literary to a larger political horizon, she questions the premises of linguistic, psychoanalytic, philosophical, and literary theories.
Understanding Poststructuralism presents a lucid guide to some of the most exciting and controversial ideas in contemporary thought. This is the first introduction to poststructuralism through its major theorists - Derrida, Deleuze, Foucault, Lyotard, Kristeva - and their central texts. Each chapter takes the reader through a key text, providing detailed summaries of the main points of each and a critical and detailed analysis of their central arguments. Ideas are clearly explained in terms of their value to both critical thinking and to contemporary issues. Criticisms of poststructuralism are also assessed. The aim throughout is to illuminate the main methods of poststructuralism - deconstruction, libidinal economics, genealogy and transcendental empiricism - in context. A balanced and up-to-date assessment of poststructuralism, the book presents the ideal introduction to this most revolutionary of philosophies.
An easily accessible introduction to Kristeva's work in English. The essays have been selected as representative of the three main areas of Kristeva's writing--semiotics, psychoanalysis, and political theory--and are each prefaced by a clear, instructive introduction. For beginners or those familiar with Kristeva's work this is a good complement to The Portable Kristeva with a convenient selection of articles from Kristeva's earlier work some of which are otherwise hard to come by.
Desire in Language traces the path of an investigation into the semiotics of literature and the arts. Julia Kristeva proposes and tests theories centered on the nature and development of the novel.
In Feeling as a Foreign Language, Alice Fulton considers poetry's uncanny ability to access and recreate emotions so wayward they go unnamed. Fulton contemplates topics ranging from the intricacies of a rare genetic syndrome to fractals from the aesthetics of complexity theory to the need for "cultural incorrectness." Along the way, she falls in love with an outrageous 17th century poet, argues for a Dickinsonian tradition in American letters, and calls for a courageous poetics of inconvenient knowledge.
In Language and Politics in Julia Kristeva, Carol Mastrangelo Bové explores how Kristeva's theoretical and fictional writings contribute to an understanding of contemporary personal and international conflicts. In addition to examining Kristeva's turn to Eastern models—both Russian and Chinese—in thinking through a critique of symbolic language in Western patriarchal psychic formations, Bové also contributes to the debate over essentialism through innovative interpretations of such major works of twentieth-century French culture as Marcel Proust's Remembrance of Things Past, Simone de Beauvoir's She Came to Stay, François Truffaut's Jules and Jim, and Jean Renoir's Rules of the Game. Bové argues that the links between the body and the female, on the one hand, and authority and the male, on the other, are psychologically constructed, and are not necessarily or exclusively biological. The book concludes with an examination of Kristeva's Colette.
