Mediated Messages and African-American Culture

Mediated Messages and African-American Culture

Author: Venise T. Berry

Publisher: SAGE Publications, Incorporated

Published: 1996-02-13

Total Pages: 330

ISBN-13:

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Images of African Americans abound in United States' culture - on television, in films, on the radio and in newsprint. Whether in works by African Americans - most notably popular music, film and now television programmes - or works about African Americans, from documentaries to news coverage, strong images pervade our public consciousness. Integrating applied analysis, case studies and critical perspectives, contributions from leading scholars explore key issues including: the relationship between black men and the police; the state of the African-American press; and the perpetuation of images of African Americans as poor, violent and undereducated.


Race, Class, and Culture

Race, Class, and Culture

Author: Robert C. Smith

Publisher: State University of New York Press

Published: 1992-07-01

Total Pages: 226

ISBN-13: 1438420528

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Race is arguably the most profound and enduring cleavage in American society and politics. This book examines the sources and dynamics of the race cleavage in American society through a detailed analysis of intergroup and intragroup differences at the level of mass opinion. The ethclass theory, which examines the intersection of ethnicity and class, is used to analyze interracial differences in mass attitudes. This analysis yields three clusters of opinion that distinguish African Americans from whites — religiosity, interpersonal alienation, and political liberalism. The authors then examine the intragroup sources of these opinion differences among blacks in terms of class, gender, age, region, and religion. While the authors demonstrate an embryonic trend of more black middle class opinion agreement with whites, the book confirms the ethclass character of the black experience whereby race and race consciousness are still more significant than class in shaping black attitudes. Given the growing class bifurcation in black America and the continuing debate about its significance in shaping black attitudes and behavior, this book offers a refreshing new analysis of the homogeneity as well as heterogeneity of black mass public opinion.


Black Culture & Experience

Black Culture & Experience

Author: Venise T. Berry

Publisher: Peter Lang Incorporated, International Academic Publishers

Published: 2015

Total Pages: 0

ISBN-13: 9781433126475

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Black Culture and Experience: Contemporary Issues offers a holistic look at Black culture in the twenty-first century. This anthology contains work from leading scholars, authors, and other specialists who have been brought together to highlight key issues in black culture and experience today.


Race Music

Race Music

Author: Guthrie P. Ramsey

Publisher: Univ of California Press

Published: 2004-11-22

Total Pages: 296

ISBN-13: 0520243331

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Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.


Race, Gender, and Identity

Race, Gender, and Identity

Author: Georgia A. Persons

Publisher: Routledge

Published: 2017-07-05

Total Pages: 123

ISBN-13: 1351495011

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This volume examines race, gender, and identity in African American culture. As with previous volumes in the series, these collected essays provide a social science and interdisciplinary framework for the exploration of Africana cultural and social phenomena. The contributors have adopted mixed methods and meta-theory tools of analysis to describe and evaluate these issues from an African-centered perspective.Kameelah Martin examines the role of women in the films of Julie Dash and Kasi Lemmons. Toya Roberts offers an experimental study of African American males at predominantly white institutions of higher education. Rochelle Brocks digs into the transition, transformation, and transcendence of civil rights to the Black Arts/Black Power movements for social change. Portia K. Maultsby provides an ethnographic study, inspecting the genre of funk music in the United States. James L. Conyers, Jr. analyzes the doctoral dissertation of W. E. B. Du Bois, which cataloged the impact of colonialism on Africana culture. Kesha Morant Williams and Ronald L. Jackson II examine the impact of lupus on the identity of African American women. Ronald Turner's essay examines black workers challenging racist practices by their union representatives. Lisbeth Gant-Britton renders a conceptual history of the hip-hop community, with emphasis on international issues. This volume is an invaluable sourcebook for those studying African American affairs, history, and cultural studies.


Contemporary Patterns of Politics, Praxis, and Culture

Contemporary Patterns of Politics, Praxis, and Culture

Author: Georgia A. Persons

Publisher: Routledge

Published: 2017-07-12

Total Pages: 458

ISBN-13: 1351526146

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The National Political Science Review is the official publication of the National Conference of Black Political Scientists. This new volume, Contemporary Patterns of Politics, Praxis, and Culture reflects major research focuses across religion, race, gender, culture, and of course, politics. Themes that engage a community of scholars also engage them in praxis as individual citizens and practitioners in a democratic society, and collectively as member-participants in a changing culture. Two themes, religion and culture are relatively new areas of intellectual curiosity for political scientists. Articles in this volume extend the beachheads already established by African-American political scientists in studies that guage the significance and influence of religion in both individual and group behavior. They chart religion's inevitable move onto the center stage of U.S. public affairs. The study of culture has essentially languished for almost a generation within political science, especially with regard to the study of American politics and society. During this time the emphasis has also shifted significantly from an almost exclusive focus on civic culture to an expanding focus on the broad expanse of popular culture in the contemporary period. Culture is the crucible within which politics, race, religion, and gender both foment and ferment, and artistic products of the culture are manifestations and mirrors of how we envision and construct a changing reality. Issues of race, religion, gender and culture are all dimensions of individual and group identity. The dynamics of changing individual and group identities change the underlying cultural canvas against which identity is displayed and politics is acted out. The concept of praxis is relatively new to the lexicon of political science. However, engagement in the practice of politics is not a new idea for African-American social scientists. Indeed, particularly for this group, and clearly for many others,