Author:

Publisher: Oxford University Press

Published:

Total Pages: 274

ISBN-13: 0198890060

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The Spiritual Rococo

The Spiritual Rococo

Author: GauvinAlexander Bailey

Publisher: Routledge

Published: 2017-07-05

Total Pages: 552

ISBN-13: 135154036X

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A groundbreaking approach to Rococo religious d?r and spirituality in Europe and South America, The Spiritual Rococo addresses three basic conundrums that impede our understanding of eighteenth-century aesthetics and culture. Why did the Rococo, ostensibly the least spiritual style in the pre-Modern canon, transform into one of the world?s most important modes for adorning sacred spaces? And why is Rococo still treated as a decadent nemesis of the Enlightenment when the two had fundamental characteristics in common? This book seeks to answer these questions by treating Rococo as a global phenomenon for the first time and by exploring its moral and spiritual dimensions through the lens of populist French religious literature of the day-a body of work the author calls the ?Spiritual Rococo? and which has never been applied directly to the arts. The book traces Rococo?s development from France through Central Europe, Portugal, Brazil, and South America by following a chain of interlocking case studies, whether artistic, literary, or ideological, and it also considers the parallel diffusion of the literature of the Spiritual Rococo in these same regions, placing particular emphasis on unpublished primary sources such as inventories. One of the ultimate goals of this study is to move beyond the clich?f Rococo?s frivolity and acknowledge its essential modernity. Thoroughly interdisciplinary, The Spiritual Rococo not only integrates different art historical fields in novel ways but also interacts with church and social history, literary and post-colonial studies, and anthropology, opening up new horizons in these fields.


Quatremère de Quincy

Quatremère de Quincy

Author: David Gilks

Publisher: Oxford University Press

Published: 2024-05-31

Total Pages: 274

ISBN-13: 0191062758

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Antoine-Chrysosthôme Quatremère de Quincy (1755-1849) was the most distinguished writer on art and architecture at the end of the enlightenment. However, as David Gilks shows in Quatremère de Quincy: Art and Politics during the French Revolution, he was never simply an esoteric antiquarian and theoretician; he was also a zealous functionary and skilled publicist whose writings on the arts often served political purposes. Quatremère de Quincy: Art and Politics during the French Revolution demonstrates how Quatremère's early writings on art and antiquity formed the foundation for a politics grounded in faith, authority, and hierarchy that favoured gradual social and political evolution over destruction and experimentation. Gilks then traces how Quatremère set aside his antiquarian research and became a royalist politician and publicist during the revolutionary decade. Quatremère feared that the Revolution would destroy the cosmopolitan republic of letters that had flourished when states across Europe supported the papacy's rediscovery of the past, restoration of taste and, revival of learning. Yet Gilks reveals that Quatremère was also a resourceful and an opportunistic political actor who deployed his opponents' language for strategic reasons. Gilks therefore reinterprets Quatremère's interventions by situating them in their polemical contexts and treating them as contributions to debates and quarrels, by locating his sources and reconstructing his social and political networks. The resulting study revises our understanding of Quatremère's famous reflections on the Academy of Painting and Sculpture, the Panthéon, art plunder, and museums, but it also discovers and sheds light on previously ignored writings. Although the study focuses on the period 1789-1799, it examines the second half of Quatremère's life to substantiate his commitment to crown and altar and show how he fought against the Revolution's legacy of godless materialism and calculation that was inimical to the arts. This is a thoroughly researched and richly detailed contextual study of the most eventful period in Quatremère's life, but it also offers an original and unfamiliar history of the French Revolution. Gilks integrates the study of political power with the history of ideas and art history, and provides a window into institutional and legal reforms and debates about cultural patronage and education.


Translation and Language in Nineteenth-Century Ireland

Translation and Language in Nineteenth-Century Ireland

Author: Anne O’Connor

Publisher: Springer

Published: 2017-03-16

Total Pages: 250

ISBN-13: 1137598522

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This book provides an in-depth study of translation and translators in nineteenth-century Ireland, using translation history to widen our understanding of cultural exchange in the period. It paints a new picture of a transnational Ireland in contact with Europe, offering fresh perspectives on the historical, political and cultural debates of the era. Employing contemporary translation theories and applying them to Ireland’s socio-historical past, the author offers novel insights on a large range of disciplines relating to the country, such as religion, gender, authorship and nationalism. She maps out new ways of understanding the impact of translation in society and re-examines assumptions about the place of language and Europe in nineteenth-century Ireland. By focusing on a period of significant linguistic and societal change, she questions the creative, conflictual and hegemonic energies unleashed by translations. This book will therefore be of interest to those working in Translation Studies, Irish Studies, History, Comparative Literature and Cultural Studies.