Born as a result of rape, Sheyla Patron?s life took a tumultuous turn when she witnessed a murder that her mother?s boyfriend committed. She is then left alone to live with her grandmother. Sheyla becomes engaged in a fight between her grandmother?s imposed Christian values and her own credulous desire to live the wild party life, trying to find love in all the wrong places.Marcus Stunson, a devout Christian, becomes a well-respected basketball player and has college coaches drooling over him. The NBA seems to be a sure bet for Marcus until he falls head over heels for Sheyla, threatening his chance to make millions. Sheyla?s focus is bad boys and the high life. Will evil defeat good?This is only the beginning. This cute, yet intriguing story keeps you guessing and on the edge of your seat on an emotional ride. The ending has a dramatic twist that makes you question if LOVE CAN WAIT!
"Following the ship's route, the book addresses wilderness conservation biology and ecology, American history, natural history and anthropology, and travel and exploration."--Jacket.
Retracing Steps By: Robert Mazibuko About the Author Robert was born and raised in Port Elizabeth, South Africa. There he received his early education until his second year at university. He later completed university in the United States. For several years, Mazibuko served as a traveling teacher for the Bahá’í Faith in South Africa and, later, in Swaziland, teaching the Faith in city and rural environments. He was elected and served on the Bahá’í National Spiritual Assembly of South Africa for ten years. While in South Africa, Robert also served as a translator, translating two major works of the Bahá’í Faith: the Kitáb-i-Iqán (The Book of Certitude) and the Hidden Words into Xhosa, an African language, as well as other booklets and documents. He became a citizen in the United States in 1992 where he currently resides with his family. Mazibuko has also written and published five other books.
COLLECTED AT LAST UNDER TWO COVERS! There never was a time when Ken L. Jones wasn't a poet. He literally was making up poems before he could read or write. The volume you now hold in your hands contains a generous sampling of both his published and unpublished work. It is unique in the fact that it literally represents a poet's life from almost the cradle until he is an old man. After an impressive career as a poet of horror he has recently appeared in many top books and magazines of traditional poetry. Traditional? Decide for yourself!
Written from a Continental perspective, Retracing the Platonic Text reveals dimensions of the dialogues that are not addressed by traditional philosophy. These essays by prominent scholars focus on the texts' literary elements, in particular challenges to contemporary interpretations of the Platonic dialogue as a whole. The result illustrates the depth of Platonic thought and the debt of all philosophy to it. Retracing the Platonic Text is a pioneering effort in demonstrating how Continental philosophy both reflects and expands upon Greek philosophy.
I like these songs better than all the rest, and someday you will too, Franz Schubert told the friends who were the first to hear his song cycle, Winterreise. These lieder have always found admiring audiences, but the poetry he chose to set them to has been widely regarded as weak and trivial. In Retracing a Winter's Journey, Susan Youens looks not only at Schubert's music but at the poetry, drawn from the works of Wilhelm Müller, who once wrote in his diary, "perhaps there is a kindred spirit somewhere who will hear the tunes behind the words and give them back to me!" Youens maintains that Müller, in depicting the wanderings of the alienated lover, produced poetry that was simple but not simple-minded, poetry that embraced simplicity as part of its meaning. In her view, Müller used the ruder folk forms to give his verse greater immediacy, to convey more powerfully the wanderer's complex inner state. Youens addresses many different aspects of Winterreise: the cultural milieu to which it belonged, the genesis of both the poetry and the music, Schubert's transformation of poetic cycle into music, the philosophical dimension of the work, and its musical structure.
The field of pediatric nutrition has grown extensively in terms of discoveries, research, and trends. The 97th Nestlé Nutrition Institute Workshop, which took place on 15-16 June 2022, brought together international experts who examined these developments over the last 100 years and discussed the future directions they envision.
Scholars and artists revisit a hugely influential essay by Rosalind Krauss and map the interactions between art and architecture over the last thirty-five years. Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary art's transformation of modernist medium-specificity into postmodernist medium multiplicity, the art historian Rosalind Krauss published an essay, “Sculpture in the Expanded Field,” that laid out in a precise diagram the structural parameters of sculpture, architecture, and landscape art. Krauss tried to clarify what these art practices were, what they were not, and what they could become if logically combined. The essay soon assumed a canonical status and affected subsequent developments in all three fields. Retracing the Expanded Field revisits Krauss's hugely influential text and maps the ensuing interactions between art and architecture. Responding to Krauss and revisiting the milieu from which her text emerged, artists, architects, and art historians of different generations offer their perspectives on the legacy of “Sculpture in the Expanded Field.” Krauss herself takes part in a roundtable discussion (moderated by Hal Foster). A selection of historical documents, including Krauss's essay, presented as it appeared in October, accompany the main text. Neither eulogy nor hagiography, Retracing the Expanded Field documents the groundbreaking nature of Krauss's authoritative text and reveals the complex interchanges between art and architecture that increasingly shape both fields. Contributors Stan Allen, George Baker, Yve-Alain Bois, Benjamin Buchloh, Beatriz Colomina, Penelope Curtis, Sam Durant, Edward Eigen, Kurt W. Forster, Hal Foster, Kenneth Frampton, Branden W. Joseph, Rosalind Krauss, Miwon Kwon, Sylvia Lavin, Sandro Marpillero, Josiah McElheny, Eve Meltzer, Michael Meredith, Mary Miss, Sarah Oppenheimer, Matthew Ritchie, Julia Robinson, Joe Scanlan, Emily Eliza Scott, Irene Small, Philip Ursprung, Anthony Vidler
Stella Marie's life has been a series of unfortunate events due to the wrong choices from her naïve young mind. Through the love of her father she finds the strength to overcome anything for him. Struggling from Depression, anxiety of what’s to come, loss and unforgiveness. She learns to forgive and even finds love in an unexpected way. Her reality was never easy but she chose to live life as a fighter for the person who loved her the most in her life. A story of weakness to resilience.
