"In Resurrecting the Black Body, Tonia Sutherland examines the consequences of digitally raising the dead. Attending to the violent deaths of Black Americans--and the records that document them--from slavery through the present, Sutherland explores media evidence, digital acts of remembering, and the rights and desires of humans to be forgotten. From the popular image of Gordon (also known as "Whipped Peter"), photographs of the lynching of Jesse Washington, and the video of George Floyd's murder to DNA, holograms, and posthumous communication, Sutherland draws on critical archival, digital, and cultural studies to make legible Black bodies and lives forever captured in cycles of memorialization and commodification. If the Black digital afterlife is rooted in historical bigotry and inspires new forms of racialized aggression, Resurrecting the Black Body asks what other visions of life and remembrance are possible, illuminating the unique ways that Black cultures have fought against the silence and erasure of oblivion"--
The first critical examination of death and remembrance in the digital age—and an invitation to imagine Black digital sovereignty in life and death. In Resurrecting the Black Body, Tonia Sutherland considers the consequences of digitally raising the dead. Attending to the violent deaths of Black Americans—and the records that document them—from slavery through the social media age, Sutherland explores media evidence, digital acts of remembering, and the right and desire to be forgotten. From the popular image of Gordon (also known as "Whipped Peter") to photographs of the lynching of Jesse Washington to the video of George Floyd's murder, from DNA to holograms to posthumous communication, this book traces the commodification of Black bodies and lives across time. Through the lens of (anti-)Blackness in the United States, Sutherland interrogates the intersections of life, death, personal data, and human autonomy in the era of Google, Twitter, and Facebook, and presents a critique of digital resurrection technologies. If the Black digital afterlife is rooted in bigotry and inspires new forms of racialized aggression, Resurrecting the Black Body asks what other visions of life and remembrance are possible, illuminating the unique ways that Black cultures have fought against erasure and oblivion.
Blues is absolutely vital to black theological reflection and to the black church's existence. In Black Bodies and the Black Church , author Kelly Douglas Brown develops a blues crossroad theology, which allows the black church to remain true to itself and relevant in black lives.
A path-breaking scholar's insightful reexamination of the resurrection of the body and the construction of the self When people talk about the resurrection they often assume that the bodies in the afterlife will be perfect. But which version of our bodies gets resurrected--young or old, healthy or sick, real-to-life or idealized? What bodily qualities must be recast in heaven for a body to qualify as both ours and heavenly? The resurrection is one of the foundational statements of Christian theology, but when it comes to the New Testament only a handful of passages helps us answer the question "What will those bodies be like?" More problematically, the selection and interpretation of these texts are grounded in assumptions about the kinds of earthly bodies that are most desirable. Drawing upon previously unexplored evidence in ancient medicine, philosophy, and culture, this illuminating book both revisits central texts--such as the resurrection of Jesus--and mines virtually ignored passages in the Gospels to show how the resurrection of the body addresses larger questions about identity and the self.
Whether your body is small or large, aged or young, disabled or abled, toned or soft, lithe or stiff—or somewhere in-between—anti-fatness affects us all, because it is intended to. Fat Church critiques anti-fat prejudice and the Church’s historic participation in it, calling for a fatphobic reckoning for the sake of God’s gospel of freedom. Pastor and theological educator Anastasia Kidd reviews the history of diet culture, fat studies, beauty, body policing—and the white supremacist machinations underpinning them—in order to work for a society rooted in body liberation for all. Fat Church offers a disruption to social habits of shame and remembers the theology of abundance that calls us all beloved by God.
The Gospel of John's account of doubting Thomas is often told as a lesson about the veracity and triumph of Christian faith. And yet it is a story about wounds. Interpretations of this Gospel narrative, by focusing on Christ's victory in the resurrection, reflect Christianity's unease with the wounds that remain on the body of the risen Jesus. By returning readers to this familiar passage, Resurrecting Wounds expands the scope of the Upper Room to the present world where wounds mark all of humanity. Shelly Rambo rereads the Thomas story and the history of its interpretation through the lens of trauma studies to reflect on the ways that the wounds of race, gender, and war persist. Wounds do not simply go away, even though a close reading of John Calvin reveals his theological investments in removing wounds. This erasure reflects a dominant mode of Christian thinking, but it is not the only Christian reading. By contrast, Macrina's scar, in Gregory of Nyssa's account of her life and death, displays how resurrection can be inscribed in wounds, particularly in the illumination of her body after her death. The scar, produced in and through a mother's touch, recalls a healing, linking resurrection to the work of tending wounds. Much like Christ's wounds and Macrina's scar, racial wounds can be found on the skin of America's collective life. The wounds of racial histories, unhealed, resurface again and again. The wounds of war persist as well, despite a cultural calculus that links the suffering of a soldier with that of Christ. Again, the visceral display of Jesus' wounds, when placed at the center of Thomas' encounter in the Upper Room, enacts a vision of resurrecting that addresses the real harm of the real wounds of war. The powerful Upper Room images of resurrection--encounters with wounds, the invitation to touch, and the formation of a community--present visions of truth-telling and of healing that grapple with the pressing questions of wounds surfacing in the midst of human encounters with violence, suffering, and trauma. While traditional accounts of resurrection in Christian theology have focused on the afterlife, this book forges a theology of resurrection wounds in the afterliving. By returning again and again to Christ's woundedness, we discover ways to live with our own.
Scholars from a range of disciplines interrogate terms relevant to critical studies of big data, from abuse and aggregate to visualization and vulnerability. This pathbreaking work offers an interdisciplinary perspective on big data, interrogating key terms. Scholars from a range of disciplines interrogate concepts relevant to critical studies of big data--arranged glossary style, from from abuse and aggregate to visualization and vulnerability--both challenging conventional usage of such often-used terms as prediction and objectivity and introducing such unfamiliar ones as overfitting and copynorm. The contributors include both leading researchers, including N. Katherine Hayles, Johanna Drucker and Lisa Gitelman, and such emerging agenda-setting scholars as Safiya Noble, Sarah T. Roberts and Nicole Starosielski.
