Research Opportunities in Renaissance Drama

Research Opportunities in Renaissance Drama

Author:

Publisher:

Published: 2002

Total Pages: 226

ISBN-13:

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Vols. for 1956-1963 include reports of the Modern Language Association Conference on Research Opportunities in Renaissance Drama (called MLA Renaissance Drama Conference Group; 1961-62 Modern Language Conference on Opportunities for Research in Renaissance Drama). Vols. for 1972/73-1974 are the reports of the Modern Language Association seminar.


Renaissance Drama

Renaissance Drama

Author: William N. West

Publisher:

Published: 2013-12-23

Total Pages: 0

ISBN-13: 9780226158112

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Renaissance Drama explores the rich variety of theatrical and performance traditions and practices in early modern Europe and intersecting cultures. Volume 41 features articles that extend the scope of our understanding of early modern playing, theatre history, and dramatic texts and interpretation, encouraging innovative theoretical and methodological approaches to these traditions, examining familiar works, and revisiting well-known texts from fresh perspectives.


Opportunities for Research in Renaissance Drama

Opportunities for Research in Renaissance Drama

Author:

Publisher:

Published: 1976

Total Pages: 890

ISBN-13:

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Vols. for include reports of the Modern Language Association Conference on Research Opportunities in Renaissance Drama (called MLA Renaissance Drama Conference Group; 1961-62 Modern Language Conference on Opportunities for Research in Renaissance Drama). Vols. for 1972/73-1974 are the reports of the Modern Language Association seminar.


ROMARD: Research on Medieval and Renaissance Drama, vol 51

ROMARD: Research on Medieval and Renaissance Drama, vol 51

Author: Cora Dietl

Publisher: First Circle Publishing

Published: 2013-08-22

Total Pages: 163

ISBN-13: 0991976010

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ROMARD is an academic journal devoted to the study and promotion of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at the University of Western Ontario. Manuscripts are submitted to the Editor, Mario Longtin, via email at [email protected]. For further details, please visit the ROMARD website at www.romard.org. Special Issue: Showcasing Opportunities Co-Edited by Jill Stevenson and Mario Longtin This volume consists of fourteen short essays, all tackling different aspects of drama observed through a variety of disciplines, theoretical perspectives, and/or methodologies. We asked contributors to begin their pieces by introducing a new critical approach, a new methodology, a specific problem in the field, or an operative link between disciplines that fosters productive connections. In some cases, this framing concept introduces a new concept, methodology, or theoretical approach to the field of early drama studies. In other instances, authors invite readers to reconsider an existing topic or theme from a new perspective. We further asked contributors to select one specific example from early drama and to analyze it critically, but briefly, in order to illustrate their framing concept. We encouraged authors to be bold and, in some cases, to leave questions unresolved. Consequently, this special issue of ROMARD aims to advance the study of early drama by capturing research and ideas in the making.


A Companion to Renaissance Drama

A Companion to Renaissance Drama

Author: Arthur F. Kinney

Publisher: John Wiley & Sons

Published: 2008-04-15

Total Pages: 648

ISBN-13: 0470998911

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This expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age. Provides an expansive and inter-disciplinary approach to Renaissance plays and the world they played to. Offers a colourful and comprehensive overview of the material conditions of England's most important dramatic period. Gives readers facts and data along with up-to-date interpretation of the plays. Looks at the drama in terms of its cultural agency, its collaborative nature, and its ideological complexity.


A New Companion to Renaissance Drama

A New Companion to Renaissance Drama

Author: Arthur F. Kinney

Publisher: John Wiley & Sons

Published: 2017-04-20

Total Pages: 660

ISBN-13: 1118823982

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A New Companion to Renaissance Drama provides an invaluable summary of past and present scholarship surrounding the most popular and influential literary form of its time. Original interpretations from leading scholars set the scene for important paths of future inquiry. A colorful, comprehensive and interdisciplinary overview of the material conditions of Renaissance plays, England's most important dramatic period Contributors are both established and emerging scholars, with many leading international figures in the discipline Offers a unique approach by organizing the chapters by cultural context, theatre history, genre studies, theoretical applications, and material studies Chapters address newest departures and future directions for Renaissance drama scholarship Arthur Kinney is a world-renowned figure in the field


ROMARD: Research on Medieval and Renaissance Drama, vol 50

ROMARD: Research on Medieval and Renaissance Drama, vol 50

Author: Dr. Mario Longtin

Publisher: First Circle Publishing

Published:

Total Pages: 134

ISBN-13: 0991976002

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ROMARD is an academic journal devoted to the study and promotion of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at the University of Western Ontario. Manuscripts are submitted to the Editor, Mario Longtin, via email at [email protected]. For further details, please visit the ROMARD website at www.romard.org.


Renaissance Drama 40

Renaissance Drama 40

Author: Jeffrey Masten

Publisher: Northwestern University Press

Published: 2012-11-30

Total Pages: 238

ISBN-13: 0810128454

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Rather than assemble a retrospective, the editors of Renaissance Drama use the release of their fortieth volume to survey the present and to attempt a view into the future. Scholars working on different kinds of Renaissance drama contributed brief essays addressing the state of their field, "field" being convenient shorthand for the practical but productive lack of a firm definition under which they and their colleagues study, do research, and write.