Representing Atrocity in Taiwan

Representing Atrocity in Taiwan

Author: Sylvia Li-chun Lin

Publisher: Columbia University Press

Published: 2007

Total Pages: 258

ISBN-13: 0231143605

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In 1945, Taiwan was placed under the administrative control of the Republic of China, and after two years, accusations of corruption and a failing economy sparked a local protest that was brutally quashed by the Kuomintang government. The February Twenty-Eighth (or 2/28) Incident led to four decades of martial law that became known as the White Terror. During this period, talk of 2/28 was forbidden and all dissent violently suppressed, but since the lifting of martial law in 1987, this long-buried history has been revisited through commemoration and narrative, cinema and remembrance. Drawing on a wealth of secondary theoretical material as well as her own original research, Sylvia Li-chun Lin conducts a close analysis of the political, narrative, and ideological structures involved in the fictional and cinematic representations of the 2/28 Incident and White Terror. She assesses the role of individual and collective memory and institutionalized forgetting, while underscoring the dangers of re-creating a historical past and the risks of trivialization. She also compares her findings with scholarly works on the Holocaust and the aftermath of the atomic bombings of Japan, questioning the politics of forming public and personal memories and the political teleology of "closure." This is the first book to be published in English on the 2/28 Incident and White Terror and offers a valuable matrix of comparison for studying the portrayal of atrocity in a specific locale.


A History of Pain

A History of Pain

Author: Michael Berry

Publisher: Columbia University Press

Published: 2011

Total Pages: 434

ISBN-13: 0231141637

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This work probes the restaging, representation, and reimagining of historical violence and atrocity in contemporary Chinese fiction, film, and popular culture. It examines five historical moments including the Musha Incident (1930) and the February 28 Incident (1947).


A Son of Taiwan

A Son of Taiwan

Author: Howard Goldblatt

Publisher:

Published: 2021

Total Pages:

ISBN-13: 9781621966937

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"On February 28, 1947, a widow selling cigarettes on the street in Taipei was brutally beaten by government agents searching for contraband cigarettes. When a crowd gathered, shots were fired and a bystander was killed. Island-wide demonstrations prompted the Chiang Kai-shek government to send reinforcements from China. Upon arrival, the troops opened fire, killing thousands. The massacre was followed by large-scale arrests of anyone suspected of sedition or Communist associations, all in the name of national security. Martial law was declared and not lifted until 1987. What happened in 1947 is known as the 2/28 Incident, which led to a four-decade-long suppression of dissent, encroachments upon civil liberties, and the wholesale violation of human rights, all subsumed under an era referred to as White Terror. Its pernicious effects went beyond actual acts of atrocity, as the citizens practiced self-censorship and passed their fears on to the next generation. For many years, this part of Taiwan's past was talked about, if at all, with circumspection. As evidenced in this collection, literary representations often employed obscure references, which themselves could place the writers in serious jeopardy. Despite, or because of, differences in approach, these writers keep memories alive to ensure that the past is neither forgotten nor repeated. This book is part of the Literature from Taiwan Series, in collaboration with the National Museum of Taiwan Literature and National Taiwan Normal University"--


Documenting Taiwan on Film

Documenting Taiwan on Film

Author: Sylvia Li-chun Lin

Publisher: Routledge

Published: 2012-03-12

Total Pages: 255

ISBN-13: 1136345434

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To date, there is but a handful of articles on documentary films from Taiwan. This volume seeks to remedy the paucity in this area of research and conduct a systematic analysis of the genre. Each contributor to the volume investigates the various aspects of documentary by focusing on one or two specific films that document social, political and cultural changes in recent Taiwanese history. Since the lifting of martial law, documentary has witnessed a revival in Taiwan, with increasing numbers of young, independent filmmakers covering a wide range of subject matter, in contrast to fiction films, which have been in steady decline in their appeal to local, Taiwanese viewers. These documentaries capture images of Taiwan in its transformation from an agricultural island to a capitalist economy in the global market, as well as from an authoritarian system to democracy. What make these documentaries a unique subject of academic inquiry lies not only in their exploration of local Taiwanese issues but, more importantly, in the contribution they make to the field of non-fiction film studies. As the former third-world countries and Soviet bloc begin to re-examine their past and document social changes on film, the case of Taiwan will undoubtedly become a valuable source of comparison and inspiration. These Taiwanese documentaries introduce a new, Asian perspective to the wealth of Anglo-American scholarship with the potential to serve as exemplar for countries undergoing similar political and social transformations. Documenting Taiwan on Film is essential reading for all those interested in Taiwan Studies, film studies and Asian cinema.


Historical Dictionary of Taiwan Cinema

Historical Dictionary of Taiwan Cinema

Author: Daw-Ming Lee

Publisher: Scarecrow Press

Published: 2012-11-08

Total Pages: 509

ISBN-13: 0810879220

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Taiwan was able to solidly build and sustain a film industry only after locally-produced Mandarin films secured markets in Hong Kong and Southeast Asia during the 1960s and 1970s. Though only a small island with a limited population, in its heyday, Taiwan was among the top-10 film producing countries/areas in the world, turning out hundreds of martial arts kung fu films and romantic melodramas annually that were screened in theaters across Southeast Asia and other areas internationally. However, except for one acclaimed film by director King Hu, Taiwan cinema was nearly invisible on the art cinema map until the 1980s, when the films of Hou Hsiao-hsien, Edward Yang, and other Taiwan New Cinema directors gained recognition at international film festivals, first in Europe, and later, throughout the world. Since then, many other Taiwan directors have also become an important part of cinema history, such as Ang Lee and Tsai Ming-liang. The Historical Dictionary of Taiwan Cinema covers the history of cinema in Taiwan during both the Japanese colonial period (1895-1945) and the Chinese Nationalist period (1945-present). This is accomplished through a chronology highlighting the main events during the long period and an introduction which carefully analyses the progression. The bulk of the information, however, appears in a dictionary section including over a hundred very extensive entries on directors, producers, performers, films, film studios and genres. Photos are also included in the dictionary section. More information can be found through the bibliography. Taiwan cinema is truly unique and this book is a good place to find out more about it, whether you are a student, or teacher, or just a fan.


The Monster That Is History

The Monster That Is History

Author: Dewei Wang

Publisher: Univ of California Press

Published: 2004-10-04

Total Pages: 416

ISBN-13: 0520238737

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In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future. Since the seventeenth century, fictive accounts of history have accommodated themselves to the monstrous nature of Taowu. Moving effortlessly across the entire twentieth-century literary landscape, David Der-wei Wang delineates the many meanings of Chinese violence and its literary manifestations.


Revolutionary Taiwan

Revolutionary Taiwan

Author: Catherine Lila Chou

Publisher: Cambria Press

Published: 2024-09-03

Total Pages: 203

ISBN-13:

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This book is in the Cambria Sinophone World Series, headed by Victor H. Mair (University of Pennsylvania). In the early 1990s, the people of Taiwan gained the right to vote for their executive and legislature. In building a democratic society, they transformed how they saw themselves and their homeland. The outcome of democratization was nothing less than revolutionary, producing a new, de facto nation and people that can be justly called "Taiwanese." Yet this revolution remains unfinished and incomplete. In an era of increasing US-China rivalry, the People's Republic of China (PRC) claims sovereignty over Taiwan and insists that "reunification" is the historic mission of all peoples on both sides of the Taiwan Strait. The PRC threatens war with and over the island, inviting a crisis that would engulf the region and beyond. Common ideas about Taiwan-that it "split with China in 1949" or "sees itself as the true China"-fail to explain why the Taiwanese withstand pressure from the PRC to relinquish their democratic self-governance. Revolutionary Taiwan sheds light on this. Each chapter shows how democratization in Taiwan constituted a revolution, changing not just the form of government but also how Taiwanese people conceptualized the island, coming to see it a complete nation unto itself. At the same time, however, Beijing has blocked the "normal" endpoint of this revolution: an open declaration of statehood and welcome into the global community. Revolutionary Taiwan: Making Nationhood in a Changing World Order brings the Taiwan story to a general audience. It will appeal to students and readers interested in international relations, contemporary geopolitics, and East Asian Studies. Informed by years of academic research and life in Taiwan, this book provides an entry point to a remarkable place and people.


The Columbia Sourcebook of Literary Taiwan

The Columbia Sourcebook of Literary Taiwan

Author: Sung-sheng Yvonne Chang

Publisher: Columbia University Press

Published: 2014-08-26

Total Pages: 594

ISBN-13: 0231165765

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This sourcebook contains more than 160 documents and writings that reflect the development of Taiwanese literature from the early modern period to the twenty-first century. Selections include seminal essays in literary debates, polemics, and other landmark events; interviews, diaries, and letters by major authors; critical and retrospective essays by influential writers, editors, and scholars; transcripts of historical speeches and conferences; literary-society manifestos and inaugural journal prefaces; and governmental policy pronouncements that have significantly influenced Taiwanese literature. These texts illuminate AsiaÕs experience with modernization, colonialism, and postcolonialism; the character of TaiwanÕs Cold War and postÐCold War cultural production; gender and environmental issues; indigenous movements; and the changes and challenges of the digital revolution. TaiwanÕs complex history with Dutch, Spanish, and Japanese colonization; strategic geopolitical position vis-ˆ-vis China, Japan, and the United States; and status as a hub for the East-bound circulation of technological and popular-culture trends make the nation an excellent case study for a richer understanding of East Asian and modern global relations.


Taiwan Literature in the 21st Century

Taiwan Literature in the 21st Century

Author: Chia-rong Wu

Publisher: Springer Nature

Published: 2023-02-03

Total Pages: 245

ISBN-13: 9811983801

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This book is an anthology of research co-edited by Dr. Chia-rong Wu (University of Canterbury) and Professor Ming-ju Fan (National Chengchi University). This collection of original essays integrates and expands research on Taiwan literature because it includes both established and young writers. It not only engages with the evolving trends of literary Taiwan, but also promotes the translocal consciousness and cultural diversity of the island state and beyond. Focusing on the new directions and trends of Taiwan literature, this edited book fits into Taiwan studies, Sinophone studies, and Asian studies.