Representing Africa in American Art Museums

Representing Africa in American Art Museums

Author: Kathleen Bickford Berzock

Publisher:

Published: 2011

Total Pages: 0

ISBN-13: 9780295989617

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"The first comprehensive book to focus on the history of African art in American art museums. ... Thirteen essays present the institutional biographies of African art collections in the Cincinnati Museum of Art, the Hampton University Museum, the Brooklyn Museum, the Barnes Foundation, the Cleveland Museum of Art, the Museum of Primitive Art, the Art Institute of Chicago, the Indiana University of Art Museum, the Fowler Museum at UCLA, the University of Iowa Art Museum, the Seattle Art Museum, the Menil Collection, and the National Museum of African Art."--back cover.


The Art of Africa

The Art of Africa

Author: Christa Clarke

Publisher: Metropolitan Museum of Art

Published: 2006

Total Pages: 218

ISBN-13: 1588391906

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A CD-ROM and DVD set extracted from the 'The Art of Africa: A Resource for Educators.' The CD-ROM "contains a PDF of 'The Art of Africa: A Resource for Educators, ' which features forty traditional works of African art in The Metropolitan Museum of Art. It includes a brief overview of the Metropolitan's collection of African art; a short introduction and history of Africa; an explanation of the role of visual expression in the continent; descriptions of the featured works of art and background about the materials and techniques that were used to created them ... The DVD, 'Ci Wara Invocation, ' "presents the highlights of a dozen ci wara performances in Bamana communities in present-day Mali that were recorded by five different observers between 1970-2002. Among the Bamana, oral traditions credit a mythical being named Ci Wara, a divine being half mortal and half antelope, with the introduction of agriculture to the Bamana. The ci wara performances are part of biannual celebrations that either launch or conclude the farming season."--Container


African Art at the Art Institute of Chicago

African Art at the Art Institute of Chicago

Author: Art Institute of Chicago

Publisher:

Published: 1997

Total Pages: 110

ISBN-13:

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This issue focuses on the Art Institute of Chicago's holdings of African art. Articles examine important works from the Western Sudan, by the Akan people, and by the Yoruba people. Other essays discuss a Baga headdress, a carved altar tusk from the Kingdom of Benin, and a Luluwa maternity figure.


Misrepresenting Black Africa in U.S. Museums

Misrepresenting Black Africa in U.S. Museums

Author: P.A. Mullins

Publisher: Routledge

Published: 2019-12-09

Total Pages: 302

ISBN-13: 0429514530

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This book is an examination of race, Black African objects, identity, museums at the turn of the 19th century in the U.S. via the history of the earliest collectors of Black African objects in the U.S.. Misrepresenting Black Africa in American Museums explores black identity as a changing, nuanced concept. Focusing on racial history in the United States, this book examines two of the earliest collectors of Black African objects in the United States. First, there is a history of race and ideas of primitiveness is presented. Next, there is a discussion of western concepts of race. Then there is an examination of Karl Steckelmann, the first collector who is a united states citizen. After which there is a critical account of William H. Sheppard, the second collector who is also a black Presbyterian Minister from Virginia. Then a broader discussion of public appearances of Black African images in public. This is followed by a detailed look at museum formation and practices. Next, there is a theoretical discussion of identity and race, and finally, a look at the impact of historical practices that continue into the 21st century. This book will be of interest to scholars of race and racism, African visual culture, heritage and museum studies.


Authentically African

Authentically African

Author: Sarah Van Beurden

Publisher: Ohio University Press

Published: 2015-11-25

Total Pages: 505

ISBN-13: 0821445456

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Together, the Royal Museum for Central Africa in Tervuren, Belgium, and the Institut des Musées Nationaux du Zaire (IMNZ) in the Congo have defined and marketed Congolese art and culture. In Authentically African, Sarah Van Beurden traces the relationship between the possession, definition, and display of art and the construction of cultural authenticity and political legitimacy from the late colonial until the postcolonial era. Her study of the interconnected histories of these two institutions is the first history of an art museum in Africa, and the only work of its kind in English. Drawing on Flemish-language sources other scholars have been unable to access, Van Beurden illuminates the politics of museum collections, showing how the IMNZ became a showpiece in Mobutu’s effort to revive “authentic” African culture. She reconstructs debates between Belgian and Congolese museum professionals, revealing how the dynamics of decolonization played out in the fields of the museum and international heritage conservation. Finally, she casts light on the art market, showing how the traveling displays put on by the IMNZ helped intensify collectors’ interest and generate an international market for Congolese art. The book contributes to the fields of history, art history, museum studies, and anthropology and challenges existing narratives of Congo’s decolonization. It tells a new history of decolonization as a struggle over cultural categories, the possession of cultural heritage, and the right to define and represent cultural identities.


African American Art

African American Art

Author: Smithsonian American Art Museum

Publisher:

Published: 2012

Total Pages: 264

ISBN-13:

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"Drawn entirely from the Smithsonian American Art Museum's rich collection of African American art, the works include paintings by Benny Andrews, Jacob Lawrence, Thornton Dial Sr., Romare Bearden, Alma Thomas, and Lois Mailou Jones, and photographs by Roy DeCarava, Gordon Parks, Roland Freeman, Marilyn Nance, and James Van Der Zee. More than half of the artworks in the exhibition are being shown for the first time"--Publisher's website.


Revealing the African Presence in Renaissance Europe

Revealing the African Presence in Renaissance Europe

Author: Natalie Zemon Davis

Publisher: Walters Art Gallery

Published: 2012

Total Pages: 143

ISBN-13: 9780911886788

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"This publication accompanies the exhibition Revealing the African Presence in Renaissance Europe, held at the Walters Art Museum from October 14, 2012, to January 21, 2013, and at the Princeton University Art Museum from February 16 to June 9, 2013."


Caravans of Gold, Fragments in Time

Caravans of Gold, Fragments in Time

Author: Kathleen Bickford Berzock

Publisher: Princeton University Press

Published: 2019-02-26

Total Pages: 313

ISBN-13: 069118268X

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Issued in conjunction with the exhibition Caravans of Gold, Fragments in Time, held January 26, 2019-July 21, 2019, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois.


Arts of Global Africa

Arts of Global Africa

Author: Newark Museum

Publisher:

Published: 2017

Total Pages: 0

ISBN-13: 9780932828170

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"This book is published in conjunction with the centennial of the Newark Museum's African art collection and the opening of a new long-term gallery installation, Arts of Global Africa (November 2017)"--Colophon.


Museum Studies

Museum Studies

Author: Bettina Messias Carbonell

Publisher: John Wiley & Sons

Published: 2012-04-23

Total Pages: 694

ISBN-13: 1405173815

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Updated to reflect the latest developments in twenty-first century museum scholarship, the new Second Edition of Museum Studies: An Anthology of Contexts presents a comprehensive collection of approaches to museums and their relation to history, culture and philosophy. Unique in its deep range of historical sources and by its inclusion of primary texts by museum makers Places current praxis and theory in its broader and deeper historical context with the collection of primary and secondary sources spanning more than 200 years Features the latest developments in museum scholarship concerning issues of inclusion and exclusion, repatriation, indigenous models of collection and display, museums in an age of globalization, visitor studies and interactive technologies Includes a new section on relationships, interactions, and responsibilities Offers an updated bibliography and list of resources devoted to museum studies that makes the volume an authoritative guide on the subject New entries by Victoria E. M. Cain, Neil G.W. Curtis, Catherine Ingraham, Gwyneira Isaac, Robert R. Janes, Sean Kingston, Barbara Kirshenblatt-Gimblett, Sharon J. Macdonald, Saloni Mathur, Gerald McMaster, Sidney Moko Mead, Donald Preziosi, Karen A. Rader, Richard Sandell, Roger I. Simon, Crain Soudien, Paul Tapsell, Stephen E. Weil, Paul Williams, and Andrea Witcomb