Representative Government and the Common Law; a Study of the Initiative and Referendum
Author: Emmet O'Neal
Publisher:
Published: 1912
Total Pages: 24
ISBN-13:
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Author: Emmet O'Neal
Publisher:
Published: 1912
Total Pages: 24
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Publisher:
Published: 1976
Total Pages: 712
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Publisher:
Published: 1977
Total Pages: 136
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DOWNLOAD EBOOKAuthor: Edmund O. Stillman
Publisher: New York : Harper & Row [c1964]
Published: 1964
Total Pages: 296
ISBN-13:
DOWNLOAD EBOOKPhilosophical analysis of world politics.
Author: Iowa
Publisher:
Published: 1987
Total Pages: 252
ISBN-13:
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Published: 1886-04
Total Pages: 1424
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DOWNLOAD EBOOKAuthor: Iowa. Secretary of State
Publisher:
Published: 1867
Total Pages: 260
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Published: 1965
Total Pages: 1580
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DOWNLOAD EBOOKAuthor: Shyon Baumann
Publisher: Princeton University Press
Published: 2018-06-05
Total Pages: 242
ISBN-13: 0691187282
DOWNLOAD EBOOKToday's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Author: Albert G. Spalding
Publisher: Jazzybee Verlag
Published: 2020-09-14
Total Pages: 466
ISBN-13: 3849658724
DOWNLOAD EBOOKThis book is in great demand by baseball enthusiasts. Having been connected with every department of the game from player to magnate, Mr. Spalding has contributed a very important work to the game's history. As the invincible pitcher of the Boston Club, previous to the formation of the National League, his book of so many pages is an interesting record of events dating from the beginning of the great American pastime. It is not exactly a history of the game, but deals largely with incidents during the author's career, who was a player in the late 1860s and early 1870s, and helped organize the National League in 1876. One chapter, devoted to sundry topics, gives an account of the sale of the immortal "King Kelly," the original "$10,000 beauty," by Chicago to the Boston Club in the late 1880s. Other Chapters are devoted to the literature of the game, quoting several instances of the baseball paragrapher's art and also specimens of the distinct poetry of the pastime, of which "Casey at the Bat" is probably the most widely known. The Cincinnati Red Stockings Mr. Spalding gives credit as being the pioneer professional organization. It was not, however, until 1871 that professional baseball playing, as recognized today, was instituted. Mr. Spalding shows how cricket could not do for Americans. He says it is suitable for the British temperament, but not for the Yankee hustling spirit. He also tells how he worked into the game through a one-handed catch when a small boy. To lovers of baseball, whose name is legion, and whose number increases yearly, this book comprises in itself a whole library of useful information.