Restoring America's Neighborhoods

Restoring America's Neighborhoods

Author: Michael R. Greenberg

Publisher: Rutgers University Press

Published: 1999

Total Pages: 240

ISBN-13: 9780813527123

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What does it take to mobilize a grass-roots force dedicated to bringing new life into a decaying neighborhood? Can any one person or group successfully halt physical deterioration, drug-related crime, or the encroachment of clusters of factories, highways, and other noxious land uses? Michael Greenberg demonstrates in this book that it can and has been done against all odds. Restoring America's Neighborhoods profiles twenty-four such cases from across the United States. It tells the story of people determined to make the blighted, crime-ridden urban enclaves in which they live and work a better place for everybody. These are people from many different walks of life: ministers working to bring jobs to their communities; city planners and federal employees trying to relocated residents of potential disaster areas; and locals taking matters into their own hands to create a healthier, more pleasing living environment for their children. Greenberg's is a heartening account of courage and unwavering resolve as well as of hope that individuals can make a difference, that violent criminals and uncaring bureaucrats need not carry the day. He calls them "streetfighters," a fitting tribute to their efforts to take back their neighborhoods, block by block and street by street.


Dancing in the Street

Dancing in the Street

Author: Suzanne E. Smith

Publisher: Harvard University Press

Published: 2001-05-02

Total Pages: 336

ISBN-13: 0674043839

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Detroit in the 1960s was a city with a pulse: people were marching in step with Martin Luther King, Jr., dancing in the street with Martha and the Vandellas, and facing off with city police. Through it all, Motown provided the beat. This book tells the story of Motown--as both musical style and entrepreneurial phenomenon--and of its intrinsic relationship to the politics and culture of Motor Town, USA. As Suzanne Smith traces the evolution of Motown from a small record company firmly rooted in Detroit's black community to an international music industry giant, she gives us a clear look at cultural politics at the grassroots level. Here we see Motown's music not as the mere soundtrack for its historical moment but as an active agent in the politics of the time. In this story, Motown Records had a distinct role to play in the city's black community as that community articulated and promoted its own social, cultural, and political agendas. Smith shows how these local agendas, which reflected the unique concerns of African Americans living in the urban North, both responded to and reconfigured the national civil rights campaign. Against a background of events on the national scene--featuring Martin Luther King, Jr., Langston Hughes, Nat King Cole, and Malcolm X--Dancing in the Street presents a vivid picture of the civil rights movement in Detroit, with Motown at its heart. This is a lively and vital history. It's peopled with a host of major and minor figures in black politics, culture, and the arts, and full of the passions of a momentous era. It offers a critical new perspective on the role of popular culture in the process of political change.