From boarding school to women's prison, biker packs to urban vigilantes, witches' covens to sex-crazed nuns, rampaging girl gangs have long been a staple of exploitation cinema. "Renegade Sisters" is the best-selling, ultimate illustrated guide to these untamed celluloid she-devils. This brand new, updated and expanded edition features additional chapters on Delinquent Nurses and Fang Gangs: Vampire Vixens, plus a report on the feisty feature film of "Charlie's Angels," and an exclusive interview with Stephanie Rothman, director of girl-gang classics "Student Nurses" and "Terminal Island."
History has, until recently, minimized the role of nuns over the centuries. In this volume, their rich lives, their work, and their importance to the Church are finally acknowledged. Jo Ann Kay McNamara introduces us to women scholars, mystics, artists, political activists, healers, and teachers - individuals whose religious vocation enabled them to pursue goals beyond traditional gender roles.
"Nuns became the nation's first cadre of independent, professional women. Some nursed, some taught, and many created and managed new charitable organizations, including large hospitals and colleges ... [This book] reveals the spiritual wealth that these women invested in America"--Back cover.
This book uses the stories of early modern women in the Mediterranean who left their birthplaces, families, and religions to reveal the complex space women of the period occupied socially and politically. In the narrow sense, the word “renegade” as used in the early modern Mediterranean referred to a Christian who had abandoned his or her religion to become a Muslim. With Renegade Women, Eric R Dursteler deftly redefines and broadens the term to include anyone who crossed the era’s and region’s religious, political, social, and gender boundaries. Drawing on archival research, he relates three tales of women whose lives afford great insight into both the specific experiences and condition of females in, and the broader cultural and societal practices and mores of, the early Mediterranean. Through Beatrice Michiel of Venice, who fled an overbearing husband to join her renegade brother in Constantinople and took the name Fatima Hatun, Dursteler discusses how women could convert and relocate in order to raise their personal and familial status. In the parallel tales of the Christian Elena Civalelli and the Muslim Mihale Šatorovic, who both entered a Venetian convent to avoid unwanted, arranged marriages, he finds courageous young women who used the frontier between Ottoman and Venetian states to exercise a surprising degree of agency over their lives. And in the actions of four Muslim women of the Greek island of Milos—Aissè, her sisters Eminè and Catigè, and their mother, Maria—who together left their home for Corfu and converted from Islam to Christianity to escape Aissè’s emotionally and financially neglectful husband, Dursteler unveils how a woman’s attempt to control her own life ignited an international firestorm that threatened Venetian-Ottoman relations. A truly fascinating narrative of female instrumentality, Renegade Women illuminates the nexus of identity and conversion in the early modern Mediterranean through global and local lenses. Scholars of the period will find this to be a richly informative and thoroughly engrossing read.
NOW A NEW YORK TIMES BESTSELLER! From #1 New York Times-bestselling author Marissa Meyer, comes a high-stakes world of adventure, passion, danger, and betrayal. Secret Identities. Extraordinary Powers. She wants vengeance. He wants justice. The Renegades are a syndicate of prodigies—humans with extraordinary abilities—who emerged from the ruins of a crumbled society and established peace and order where chaos reigned. As champions of justice, they remain a symbol of hope and courage to everyone...except the villains they once overthrew. Nova has a reason to hate the Renegades, and she is on a mission for vengeance. As she gets closer to her target, she meets Adrian, a Renegade boy who believes in justice—and in Nova. But Nova's allegiance is to the villains who have the power to end them both.
Twelve-year-old Kat tries to use her untrained magical powers to prevent use of the wild magic of Sulis Minerva found in Bath, England, where Stepmama has brought the family in hopes of finding Kat's sister a proper match.
This is a story of a mans journey, searching for the answers to his sons questions. As the man learns the truthhow one person was able to do an unspeakable thing to make herself feel better on the pain and humiliation of an innocent manhe is haunted in his dreams by his past. The only way he can find peace is for the people that caused the pain and humiliation to reveal the truth and answer his sons questions. The consequences of that decision ends in reality.
This book demonstrates that drama is not only a metaphor for everyday life, but also provides a means of self-examination and life enhancement. Asserting that emotional well-being depends upon an individual's capacity to manage a complex and often contradictory set of roles, the author shows how role offers a uniquely effective method for working through significant personal problems when used as an element of drama therapy. The volume combines theoretical discussions with extensive clinical illustrations, and covers issues including learning to live with role ambivalence, complexity, and contradiction.
Nineteenth-century American women’s culture was immersed in religious experience and female authors of the era employed representations of faith to various cultural ends. Focusing primarily on non-canonical texts, this collection explores the diversity of religious discourse in nineteenth-century women’s literature. The contributors examine fiction, political writings, poetry, and memoirs by professional authors, social activists, and women of faith, including Elizabeth Stuart Phelps, Angelina and Sarah Grimké, Louisa May Alcott, Rebecca Harding Davis, Harriet E. Wilson, Sarah Piatt, Julia Ward Howe, Julia A. J. Foote, Lucy Mack Smith, Rebecca Cox Jackson, and Fanny Newell. Embracing the complexities of lived religion in women’s culture-both its repressive and its revolutionary potential-Nineteenth-Century American Women Write Religion articulates how American women writers adopted the language of religious sentiment for their own cultural, political, or spiritual ends.
In 1653 Cromwell sent Luke Tremayne and his deputy Harry Lloyd to Paris to negotiate secretly with the exiled King Charles II. After a serious mishap to Luke, Harry is forced to complete the mission alone. Luke is nevertheless gainfully employed by a wealthy French aristocrat the Marquis des Anges to investigate the murder of his first wife and the attempted murder of his second. Harry assists the English courtiers to solve the murder of two young ladies-in-waiting to the Queen Mother Henriette Marie, and together with a Royalist peer is falsely imprisoned and tortured. He escapes and after many life threatening adventures is rescued on the orders of Frances chief minister, Cardinal Mazarin. Meanwhile Lukes investigations are complicated by a feisty abbess, hysterical nuns, a Canadian adventurer, a rampaging bear and a mysterious treasure of English Catholic gold and silverinvestigations that provoke a series of fatal bombings. Harrys determination to find and exact revenge on a renegade French aristocrat responsible for his torture leads him eventually to the French chateau where Luke is pursuing his villains.
