This volume presents a compelling account of the prevalence of murder and violence during the Italian Renaissance. Contrary to the usual narratives of harmony and creation, Stephen Bowd outlines how massacres happened, how people justified and explained such events, and how they were culturally represented during the European renaissance.
Renaissance Mass Murder explores the devastating impact of war on the men and women of the Renaissance. In contrast to the picture of balance and harmony usually associated with the Renaissance, it uncovers in forensic detail a world in which sacks of Italian cities and massacres of civilians at the hands of French, German, Spanish, Swiss, and Italian troops were regular occurrences. The arguments presented are based on a wealth of evidence - histories and chronicles, poetry and paintings, sculpture and other objects - which together provide a new and startling history of sixteenth-century Italy and a social history of the Italian Wars. It outlines how massacres happened, how princes, soldiers, lawyers, and writers justified and explained such events, and how they were represented in contemporary culture. On this basis, Renaissance Mass Murder reconstructs the terrifying individual experiences of civilians in the face of war and in doing so offers a story of human tragedy which redresses the balance of the history of the Italian Wars, and of Renaissance warfare, in favour of the civilian and away from the din of battle. This volume also places mass murder in a broader historical context and challenges claims that such violence was unusual or in decline in early modern Europe. Finally, it shows that women often suffered disproportionately from this violence and that immunity for them, as for their children, was often partially developed or poorly respected.
This invaluable collection explores the many faces of murder, and its cultural presences, across the Italian peninsula between 1350 and 1650. These shape the content in different ways: the faces of homicide range from the ordinary to the sensational, from the professional to the accidental, from the domestic to the public; while the cultural presence of homicide is revealed through new studies of sculpture, paintings, and popular literature. Dealing with a range of murders, and informed by the latest criminological research on homicide, it brings together new research by an international team of specialists on a broad range of themes: different kinds of killers (by gender, occupation, and situation); different kinds of victim (by ethnicity, gender, and status); and different kinds of evidence (legal, judicial, literary, and pictorial). It will be an indispensable resource for students of Renaissance Italy, late medieval/early modern crime and violence, and homicide studies.
This is R. J. Rummel's fourth book in a series devoted to genocide and government mass murder, or what he calls democide. He presents the primary results, in tables and figures, as well as a historical sketch of the major cases of democide, those in which one million or more people were killed by a regime. In Death by Government, Rummel does not aim to describe democide itself, but to determine its nature and scope in order to test the theory that democracies are inherently nonviolent. Rummel discusses genocide in China, Nazi Germany, Japan, Cambodia, Turkey, Yugoslavia, Poland, the Soviet Union, and Pakistan. He also writes about areas of suspected genocide: North Korea, Mexico, and feudal Russia. His results clearly and decisively show that democracies commit less democide than other regimes. The underlying principle is that the less freedom people have, the greater the violence; the more freedom, the less the violence. Thus, as Rummel says, “The problem is power. The solution is democracy. The course of action is to foster freedom.” Death by Government is a compelling look at the horrors that occur in modern societies. It depicts how democide has been very much a part of human history. Among other examples, the book includes the massacre of Europeans during the Thirty Years' War, the relatively unknown genocide of the French Revolution, and the slaughtering of American Indians by colonists in the New World. This riveting account is an essential tool for historians, political scientists, and scholars interested in the study of genocide.
Co-winner of the Yad Vashem International Book Prize for Holocaust Research From January 1945, in the last months of the Third Reich, about 250,000 inmates of concentration camps perished on death marches and in countless incidents of mass slaughter. They were murdered with merciless brutality by their SS guards, by army and police units, and often by gangs of civilians as they passed through German and Austrian towns and villages. Even in the bloody annals of the Nazi regime, this final death blow was unique in character and scope. In this first comprehensive attempt to answer the questions raised by this final murderous rampage, the author draws on the testimonies of victims, perpetrators, and bystanders. Hunting through archives throughout the world, Daniel Blatman sets out to explain—to the extent that is possible—the effort invested by mankind’s most lethal regime in liquidating the remnants of the enemies of the “Aryan race” before it abandoned the stage of history. What were the characteristics of this last Nazi genocide? How was it linked to the earlier stages, the slaughter of millions in concentration camps? How did the prevailing chaos help to create the conditions that made the final murderous rampage possible? In its exploration of a topic nearly neglected in the current history of the Shoah, this book offers unusual insight into the workings, and the unraveling, of the Nazi regime. It combines micro-historical accounts of representative massacres with an overall analysis of the collapse of the Third Reich, helping us to understand a seemingly inexplicable chapter in history.
Renaissance Mass Murder explores the devastating impact of war on the men and women of the Renaissance. In contrast to the picture of balance and harmony usually associated with the Renaissance, it uncovers in forensic detail a world in which sacks of Italian cities and massacres of civilians at the hands of French, German, Spanish, Swiss, and Italian troops were regular occurrences. The arguments presented are based on a wealth of evidence - histories and chronicles, poetry and paintings, sculpture and other objects - which together provide a new and startling history of sixteenth-century Italy and a social history of the Italian Wars. It outlines how massacres happened, how princes, soldiers, lawyers, and writers justified and explained such events, and how they were represented in contemporary culture. On this basis, Renaissance Mass Murder reconstructs the terrifying individual experiences of civilians in the face of war and in doing so offers a story of human tragedy which redresses the balance of the history of the Italian Wars, and of Renaissance warfare, in favour of the civilian and away from the din of battle. This volume also places mass murder in a broader historical context and challenges claims that such violence was unusual or in decline in early modern Europe. Finally, it shows that women often suffered disproportionately from this violence and that immunity for them, as for their children, was often partially developed or poorly respected.
This volume offers the first comprehensive survey of regime change in Italy in the period c.1494–c.1559. Far from being a purely modern phenomenon, regime change was a common feature of life in Renaissance Italy – no more so than during the Italian Wars (1494–1559). During those turbulent years, governments rose and fell with dizzying regularity. Some changes of regime were peaceful; others were more violent. But whenever a new reggimento took power, old social tensions were laid bare and new challenges emerged – any of which could easily threaten its survival. This provoked a variety of responses, both from newly established regimes and from their opponents. Constitutional reforms were proposed and enacted; civic rituals were developed; works of art were commissioned; literary works were penned; and occasionally, aspects of material culture were pressed into service, as well. Comparative in approach and broad in scope, it offers a provocative new view of the diverse political, culture, and economic factors, which ensured the survival (or demise) of regimes – not only in "major" polities like Florence, Rome, and Venice, but also in less-well-studied regions like Savoy. This book will appeal to researchers and students alike interested in cultural, political, and military history.
During the Peninsular War, Wellington's army stormed and sacked three French-held Spanish towns: Ciudad Rodrigo (1812), Badajoz (1812) and San Sebastian (1813). Storm and Sack is the first major study of British soldiers' violence and restraint towards enemy combatants and civilians in the siege warfare of the Napoleonic era. Using soldiers' letters, diaries and memoirs, Gavin Daly compares and contrasts military practices and attitudes across British sieges spanning three continents, from the Peninsular War in Spain to India and South America. He focuses on siege rituals and laws of war, and uncovering the cultural and emotional history of the storm and sack of towns. This book challenges conventional understandings of the place and nature of sieges in the Napoleonic Wars. It encourages a rethinking of the notorious reputations of the British sacks of this period and their place within the long-term history of customary laws of war and siege violence. Daly reveals a multifaceted story not only of rage, enmity, plunder and atrocity but also of mercy, honour, humanity and moral outrage.
Where there is still life: sketching the life of Samuel Bak / Bernard H. Pucker -- What, how, and when: on my art and myself -- Samuel Bak -- Myth, midrash and mysticism: the painting of Samuel Bak / Michael Fishbane -- Skeptical visions and scriptural truths: Bak's Genesis paintings / Lawrence L. Langer -- Bak's dreams: painting as midrash / Alicia Ostriker -- Seeing words, reading images: allegory and interpretation in Bak and Benjamin / S. Brent Rodriguez Plate -- Genesis, genocide, and the art of Samuel Bak: "unseamly" reading after the Holocaust / Danna Nolan Fewell and Gary A. Phillips -- Bak's impossible memorials: giving face to the children / Danna Nolan Fewell and Gary A. Phillips -- Iconoclash and akedah / Yvonne Sherwood -- Images of disaster: survival and the impossible in the artwork of Samuel Bak and the Book of Job / Dan Mathewson -- The end of time: Bak's art, Messiaen's music, and Levinas's ethics / Charles Rix -- Labyrinths: a response / Samuel Bak.