Renaissance Drama

Renaissance Drama

Author: Arthur F. Kinney

Publisher: John Wiley & Sons

Published: 2005-01-24

Total Pages: 928

ISBN-13: 1405119675

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This pioneering collection of non-Shakespearean Renaissance drama has now been updated to include more early material, plus Mary Sidney’s The Tragedy of Antony, John Marston’s The Malcontent and Ben Jonson’s Masque of Queens. Second edition of this pioneering collection of works of non-Shakespearean Renaissance drama. Covers the full sweep of dramatic performances, including State progresses and Court masques. Contains material useful for courses on women playwrights or women in Renaissance drama, including Middleton’s Chaste Maid in Cheapside, Webster’s The Duchess of Malfi and Thomas Middleton and William Rowley’s The Changeling. Includes plays and pageants not anthologised elsewhere, such as the coronation entries of Elizabeth I and Queen Anne, and Thomas Heywood’s ‘A Woman Killed with Kindness’. For the second edition more early material has been added, such as Noah and The Second Shepherd’s Play. The anthology now also includes Mary Sidney’s The Tragedy of Antony, John Marston’s The Malcontent and Ben Jonson’s The Masque of Queens.


ROMARD: Research on Medieval and Renaissance Drama, vol 52-53

ROMARD: Research on Medieval and Renaissance Drama, vol 52-53

Author: Robert L. A. Clark

Publisher: First Circle Publishing

Published: 2014-07-05

Total Pages: 272

ISBN-13: 0991976029

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ROMARD: Research on Medieval and Renaissance Drama is an academic journal devoted to the study of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at Western University (www.uwo.ca). For further details, please visit the ROMARD website at www.romard.org. The Ritual Life of Medieval Europe: Papers By and For C. Clifford Flanigan Guest Editor: Robert L. A. Clark Chief Editor: Mario B. Longtin Volume 52-53 is a double issue honouring the memory of C. Clifford Flanigan. It consists of the unpublished articles of Professor Flanigan, and articles in tribute by his friends and colleagues in the field.


English Renaissance Drama and the Specter of Spain

English Renaissance Drama and the Specter of Spain

Author: Eric J. Griffin

Publisher: University of Pennsylvania Press

Published: 2012-02-28

Total Pages: 317

ISBN-13: 0812202104

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The specter of Spain rarely figures in our discussions of the drama that is often regarded as the crowning achievement of the English literary Renaissance. Yet dramatists such as Thomas Kyd, Christopher Marlowe, and William Shakespeare are exactly contemporary with England's protracted conflict with the Spanish Empire, a traditional ally turned archetypical adversary. Were these playwrights really so mute with respect to their nation's Spanish troubles? Or have we failed—for reasons cultural and institutional—to hear the Hispanophobic crosstalk that permeated the drama no less than England's other public discourses? Imagining an early modern public sphere in which dramatists cross pens with proto-imperialists, Protestant polemicists, recusant apologists, and a Machiavellian network of propagandists that included high government officials as well as journeyman printers, Eric Griffin uncovers the rhetorical strategies through which the Hispanophobic perspectives that shaped the so-called Black Legend of Spanish Cruelty were written into English cultural memory. At the same time, he demonstrates that the English were as ready to invoke Spain in the spirit of envious emulation as to demonize the Spanish other as an ethnic agent of intolerance and oppression. Interrogating the Whiggish orientation that has continued to view the English Renaissance through a haze of Anglo-American triumphalism, English Renaissance Drama and the Specter of Spain recovers the voices of key Spanish participants and the "Hispanized" Catholic resistance, revealing how England and Spain continued to draw upon shared traditions and cultural resources, even during the moments of their most storied confrontation.


Research Opportunities in Renaissance Drama

Research Opportunities in Renaissance Drama

Author:

Publisher:

Published: 1985

Total Pages: 556

ISBN-13:

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Vols. for include reports of the Modern Language Association Conference on Research Opportunities in Renaissance Drama (called MLA Renaissance Drama Conference Group; 1961-62 Modern Language Conference on Opportunities for Research in Renaissance Drama). Vols. for 1972/73-1974 are the reports of the Modern Language Association seminar.


Visual Shakespeare

Visual Shakespeare

Author: Graham Holderness

Publisher: Univ of Hertfordshire Press

Published: 2002

Total Pages: 220

ISBN-13: 9781902806136

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This volume brings together a collection of Graham Holderness's writings on Shakespeare in film and television. Published in books and journals between 1984 and 1998, these essays constitute a resource for the study of Shakespeare in the media.


Medieval and Renaissance Drama in England

Medieval and Renaissance Drama in England

Author: John Pitcher

Publisher: Fairleigh Dickinson Univ Press

Published: 1997-07

Total Pages: 300

ISBN-13: 9780838637036

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Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare.


ROMARD: Research on Medieval and Renaissance Drama, vol 50

ROMARD: Research on Medieval and Renaissance Drama, vol 50

Author: Dr. Mario Longtin

Publisher: First Circle Publishing

Published:

Total Pages: 134

ISBN-13: 0991976002

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ROMARD is an academic journal devoted to the study and promotion of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at the University of Western Ontario. Manuscripts are submitted to the Editor, Mario Longtin, via email at [email protected]. For further details, please visit the ROMARD website at www.romard.org.