Renaissance jewels are among the most alluring manifestations of an age that experienced the widening of horizons, from the Old World to the New. This volume overflows with luxurious imagery expressing the boundless creativity and spirit of the Age of the Renaissance. Yvonne Hackenbroch relates the tales of the jewels, the artists, and the patrons who commissioned them.
A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts. In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists—a landscape obscured by art history's disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals discussed were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be Early Christian antiquities, the acheiropoieton (or “image made without hands”), the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. Although a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories.
The dawn of print was a major turning point in the early modern world. It rescued ancient learning from obscurity, transformed knowledge of the natural and physical world, and brought the thrill of book ownership to the masses. But, as Andrew Pettegree reveals in this work of great historical merit, the story of the post-Gutenberg world was rather more complicated than we have often come to believe. The Book in the Renaissance reconstructs the first 150 years of the world of print, exploring the complex web of religious, economic, and cultural concerns surrounding the printed word. From its very beginnings, the printed book had to straddle financial and religious imperatives, as well as the very different requirements and constraints of the many countries who embraced it, and, as Pettegree argues, the process was far from a runaway success. More than ideas, the success or failure of books depended upon patrons and markets, precarious strategies and the thwarting of piracy, and the ebb and flow of popular demand. Owing to his state-of-the-art and highly detailed research, Pettegree crafts an authoritative, lucid, and truly pioneering work of cultural history about a major development in the evolution of European society.
Being a kid can really stink. And no one knows this better than Greg Heffley, who finds himself thrust into high school where undersized weaklings share the hallways with kids who are taller, meaner, and already shaving. Luckily Greg has his best friend and sidekick, Rowley. But when Rowley's popularity starts to rise, it kicks off a chain of events that will test their friendship in hilarious fashion. '[This] 'novel in cartoons' should keep readers in stitches, eagerly anticipating Gregs further adventures.' Publishers Weekly
GREG HEFFLEY AND SPORTS JUST DON'T MIX. After a disastrous competition at school, Greg decides that he's officially retired from ANY kind of sport! That is, until his mom persuades him to give it one more go and makes Greg reluctantly agree to sign up for basketball. Tryouts are a MESS, and Greg is sure he won't make the cut. But he unexpectedly lands a spot on the worst team. As Greg and his new teammates start the season, their chances of winning even a single game look slim. But in sports, anything can happen. When everything is on the line and the ball is in Greg's hands, will he rise to the occasion? Or will he blow his big shot?
The society that produced the glories of Renaissance art was a multi-faceted one. on the one hand it produced the tender work of Giotto and the brilliance of Leonardo; on the other it encompassed the atrocities of Borgia, the fanaticism of Savonarola and the cynicism of Machiavelli. Civil disorder, political violence, religious discord and deep-seated corruption provided a setting in which genius flowered and where virtuosity originality and an explosive energy shone through in politics, in art, in thought and even in murder. Here, in this vivid survey, the whole sweep of renaissance achievement is brilliantly portrayed and analysed by Professor Plumb, assisted by a distinguished team of historians, including Kenneth Clark, Hugh Trevor-Roper, and Garrett Mattingly - and by over sixty illustrations of contemporary masterpieces.
An unexpected inheritance gives the Heffley family a chance to make major improvements to their home. But they soon find that construction isn’t all it’s cracked up to be. When things get rough, will the Heffleys be able to stay ... or will they be forced to move?
A luxurious and definitive exploration of how and why the Renaissance flourished in Italy for two centuries. The idea of “renaissance,” or rebirth, arose in Italy as a way of reviving the art, science, and scholarship of the Classical era. It was also powered by a quest to document artistic “reality” according to newly discovered scientific and mathematical principles. By the late 15th century, Italy had become the recognized European leader in the fields of painting, architecture, and sculpture. But why was Florence the center of this burgeoning creativity, and how did it spread to other Italian cities? Brimming with vivid reproductions of works by Leonardo, Michelangelo, Botticelli, Raphael, Titian, and others, this book showcases the creative achievements that traveled from Florence to Rome to Venice. Art historian Norbert Wolf explores the influence of secular and religious patronage on artistic development; how the urban structure and way of life allowed for such a rich exchange of ideas; and how ideas of humanism informed artists reaching toward the future while clinging to the ideals of the past. Insightful, accessible, and fascinating, this thoroughly researched book highlights the connections and mutual influences of Florence, Rome, and Venice as well as their intriguing rivalries and interdependencies.
"Describes the social structure, customs, education, industry, amusements, and famous people of Renaissance Europe from the fourteenth to the seventeenth century." --
The great turning point of Western civilization that we call the Renaissance marked the emergence of the modern world from the Dark Ages. This ingenious, profusely illustrated book presents the entire epoch of the Renaissance through a spectacular array of images and invites readers to follow the great lives, explore the themes, and witness the major events of this exciting era.
