Remnants of Passion is a collection of essays that examine one woman’s search for love, sex, and a sense of belonging from adolescence into middle age. It’s equal parts queer and quotidian, ranging in its focus from lesbians fighting over the politics of penetration to first kisses, from apologies never made to a marriage held together with spaghetti.
An original philosophical exploration of the limits of Hegels thought. In the preface to the second edition of the Science of Logic, Hegel speaks of an instinctive and unconscious logic whose forms and determinations always remain imperceptible and incapable of becoming objective even as they emerge in language. In spite of Hegels ambitions to provide a philosophical system that might transcend messy human nature, Félix Duque argues that human nature remains stubbornly present in precisely this way. In this book, he responds to the remnants of Hegels work not to explicate his philosophy, but instead to explore the limits of his thought. He begins with the tension between singularity and universality, both as a metaphysical issue in terms of substance and subject and as a theological issue in terms of ideas about the human and divine nature of Jesus. Duque argues that the questions these issues bring out require a search for some antecedent authority, for which he turns to Hegels theory of second nature and the idea of nature as reflected in the nation-state. He considers Hegels evaluation of the French Revolution in the context of political and civil life, and, in a religious context, how Hegel saw considerations of authority and guilt sublimated and purified in the development of Christianity. This is the work of an important philosopher, with a lifetime of ideas and research to draw on. It is a great book on Hegel and a great book of philosophy in its own right. Jay Lampert, author of Deleuze and Guattaris Philosophy of History As a contribution to the field, this book does the admirable work of bringing to the fore the interrelated problems of religion and death as fundamentally philosophical problems. The author is refreshingly well versed in theological debates surrounding the Eucharist and their philosophical import for Hegel. There is much insight here for scholars, especially of the analytic, anti-metaphysical school of Hegel studies. They may not walk away convinced that Hegels metaphysics is mediated by religion, but they will certainly see the plausibility of such a reading. For other Hegel scholars, the book is a treasure trove of insightful ways of framing Hegels project. Brent Adkins, author of Death and Desire: In Hegel, Heidegger, and Deleuze
The thematic range of the collection is expansive, covering the various stages of heartbreak – from the initial shock to the gradual emergence of strength and resilience. Some poems delve into the nostalgia of what once was, exploring the remnants of love that linger in memory. Others navigate the storm of emotions that accompany the aftermath, unraveling the threads of attachment and laying bare the vulnerabilities of the human heart. Despite the prevailing melancholy, there is an undercurrent of hope that runs through the collection. The poems are not only a testament to the pain of love lost but also a celebration of the indomitable spirit that emerges from the ashes of heartbreak. They speak to the resilience of the human heart, emphasizing that even in the throes of despair, there is a transformative journey towards self-discovery and renewal. The organization of the collection is deliberate, creating a narrative arc that mirrors the emotional trajectory of heartbreak. The poems are often grouped thematically, guiding readers through the labyrinth of emotions with a sense of coherence. This organization enhances the overall reading experience, creating a flow that mirrors the ebb and flow of the emotional tide.
Angeless began his journey in a small town in Wiltshire after his parents needed to move for his father’s work. It was there that he spent his formative years, navigating the challenges of dyslexia, which, rather than serving as a hindrance, fuelled his vivid imagination, allowing him to find solace in looking beyond the written words, enabled him to delve into the intricacies of characters, feeling their emotions, and immersing in their stories. Despite the hurdles posed by dyslexia in expressing himself through writing, Angeless discovered alternative outlets such as art to convey his thoughts and emotions. This creative exploration laid the foundation for a unique perspective that would later shape his approach to storytelling. After two decades in the fast-paced realm of Information Technology, it was a pivotal moment in 2019 that prompted a significant shift in his mindset. Seeking a deeper connection with others and inspired by a desire to contribute positively to mental health, he embarked on a journey of self-discovery and education. Studying Mental Health and Wellbeing courses became a transformative experience, leading him to attain qualifications in Mental Health and counselling. The realisation that his life skills and newfound knowledge could help to help others prompted the decision to further his training as a humanistic life coach. Armed with a combination of personal experiences and professional training, Angeless soon made a meaningful impact on the lives of those seeking guidance. However, this marked the start of a new chapter in his life. Angeless delved into the world of fairy tales, found himself compelled to explore the hidden depths beyond the surface narrative. The result is his debut work, " (Whispers of the Enchanted Dark: The Dark Secrets of Fairy Tales)," a venture into the mystical and often overlooked aspects of these timeless stories. And now, fully embracing his dyslexia rather than it serving him as a hinderance, it has allowed him to write and continue to write and to form characters with a deep and meaningful passion.
The world, once vibrant with the heartbeat of civilization, had succumbed to the merciless grip of the apocalypse. A pandemic, unleashed with the insidiousness of a shadow, had turned the living into the undead, transforming bustling cities into haunting mausoleums. John Marshall, a man driven by an undying love, found himself cast into this grim theatre of survival. As the sun dipped below the horizon, leaving the sky ablaze with hues of blood-red and ash-grey, John stood at the precipice of a ravaged city. It was a place that once echoed with the laughter of children, the hum of traffic, and the rhythm of life's heartbeat. Now, the air was thick with the stench of decay, and the only sound that reverberated was the guttural moan of the undead echoes of a world that had crumbled into desolation
Focusing on the new theories of human motivation that emerged during the transition from feudalism to the modern period, this is the first book of new essays on the relationship between politics and the passions from Machiavelli to Bentham. Contributors address the crisis of moral and philosophical discourse in the early modern period; the necessity of inventing a new way of describing the relation between reflection and action, and private and public selves; the disciplinary regulation of the body; and the ideological constitution of identity. The collection as a whole asks whether a discourse of the passions might provide a critical perspective on the politics of subjectivity. Whatever their specific approach to the question of ideology, all the essays reconsider the legacy of the passions in modern political theory and the importance of the history of politics and the passions for modern political debates. Contributors, in addition to the editors, are Nancy Armstrong, Judith Butler, Riccardo Caporali, Howard Caygill, Patrick Coleman, Frances Ferguson, John Guillory, Timothy Hampton, John P. McCormick, and Leonard Tennenhouse.