Before Ron Daise began celebrating the ancient culture of the African-American family in *Gullah, Gullah Island" he documented the customs and lifestyles of a proud group of Sea Island blacks in this, his first book. Beginning with the first freedmen and their descendents, he reveals a colorful and provocative story, told in words of island natives and illustrated with photographs taken around the turn of the century.
Used for decades as a resource about Sea Island culture - known today as Gullah Geechee culture, "Reminiscences of Sea Island Heritage" showcases oral histories documented by St. Helena Island native Ronald Daise, spirituals, and historical photographs from the Penn Center Collection. The book, first published by Sandlapper Publishing Inc., in 1986, has been republished by Ron and Natalie Daise. The husband-and-wife team used the book's contents to create their first cultural performance, "Sea Island Montage," and served as a steppingstone to their work as stars and cultural consultants for Nick Jr. TV's award-winning "Gullah Gullah Island."
It’s no secret that the African American community is in crisis. From health disparities and political injustice to crime statistics and a variety of social ills, it is a community teetering on the edge. Through personal stories and essays, Family Affair addresses this imbalance, offering insight on issues and topics that the majority of African Americans only talk about in secret. The goal: to stimulate dialogue that supports reflection, healing, and understanding. Family Affair comprises five sections representing the key features that influence the African American identity: History, Politics, Behavior, Beliefs, and Self-evaluation. The book showcases a wide cross-section of contributors representing various elements of the black community. Each section features at least one religious leader and one institutional leader, as well as many celebrities from the worlds of music and broadcasting, along with ordinary people with extraordinary stories.
Accepting the basic premise that Africa is the ancestral homeland of black Americans raises questions as to how much, if any, of African cultural heritage remains within that community. Some claim that the severity of the plantation system and the acculturation process of the slaves could not have left any Africanism in the New World, while others argue that African cultural heritage can still be seen today in many aspects of American life and thought. This volume revisits the debate, examining the ways in which this alleged cultural heritage manifests itself.
In Gullah Spirituals musicologist Eric Crawford traces Gullah Geechee songs from their beginnings in West Africa to their height as songs for social change and Black identity in the twentieth century American South. While much has been done to study, preserve, and interpret Gullah culture in the lowcountry and sea islands of South Carolina and Georgia, some traditions like the shouting and rowing songs have been all but forgotten. This work, which focuses primarily on South Carolina's St. Helena Island, illuminates the remarkable history, survival, and influence of spirituals since the earliest recordings in the 1860s. Grounded in an oral tradition with a dynamic and evolving character, spirituals proved equally adaptable for use during social and political unrest and in unlikely circumstances. Most notably, the island's songs were used at the turn of the century to help rally support for the United States' involvement in World War I and to calm racial tensions between black and white soldiers. In the 1960s, civil rights activists adopted spirituals as freedom songs, though many were unaware of their connection to the island. Gullah Spirituals uses fieldwork, personal recordings, and oral interviews to build upon earlier studies and includes an appendix with more than fifty transcriptions of St. Helena spirituals, many no longer performed and more than half derived from Crawford's own transcriptions. Through this work, Crawford hopes to restore the cultural memory lost to time while tracing the long arc and historical significance of the St. Helena spirituals.
Beaufort, South Carolina, is well known for its historical architecture, but perhaps none is quite as remarkable as those edifices formed by tabby, sometimes called coastal concrete, comprising a mixture of lime, sand, water, and oyster shells. Tabby itself has a storied history stretching back to Iberian, Caribbean, Spanish American, and even African roots—brought to the United States by adventurers, merchants, military engineers, planters, and the enslaved. Tabby has been preserved most abundantly in the Beaufort area and its outlying islands, (and along the Sea Islands all the way to Florida as well) with Fort Frederick in 1734 having the earliest example of a diverse group of structures, which included town houses, seawalls, planters' homes, barns, agricultural buildings, and slave quarters. Tabby's insulating properties are excellent protection from long, hot, humid, and sometimes deadly summers; and on the islands, particularly, wealthy plantation owners built grand houses for themselves and improved dwellings for enslaved workers that after two hundred-plus years still stand today. An extraordinarily hardy material, tabby has a history akin to some of the world's oldest building techniques and is referred to as "rammed earth," as well as " tapia" in Spanish, "pisé de terre" in French, and "hangtu" in Chinese. The form that tabby construction took along the Sea Islands, however, was born of necessity. Here stone and brick were rare and expensive, but the oyster shells that were used as the source for the tabby's lime base were plentiful. Today these bits of shell, often visible in the walls and forms constructed long ago, give tabby its unique and iconic appearance. Colin Brooker, architect and expert on historic restoration, has not only made an exhaustive foray into local tabby architecture and heritage; he also has made a multinational tour as well in search of tabby origins, evolution, and diffusion from the Bahamas to Morocco to Andalusia, which can be traced back as far as the tenth century. Brooker has spent more than thirty years investigating the origins of tabby, its chemistry, its engineering, and its limitations. The Shell Builders lays out a sweeping, in-depth, and fascinating investigative journey—at once archaeological, sociological, and historical—into the ways prior inhabitants used and shaped their environment in order to house and protect themselves, leaving behind an architectural legacy that is both mysterious and beautiful. Lawrence S. Rowland, a distinguished professor emeritus of history at the University of South Carolina Beaufort and past president of the South Carolina Historical Society, provides a foreword.
The Gullah people are one of our most distinctive cultural groups. Isolated off the South Carolina-Georgia coast for nearly three centuries, the native black population of the Sea Islands has developed a vibrant way of life that remains, in many ways, as African as it is American. This landmark volume tells a multifaceted story of this venerable society, emphasizing its roots in Africa, its unique imprint on America, and current threats to its survival. With a keen sense of the limits to establishing origins and tracing adaptations, William S. Pollitzer discusses such aspects of Gullah history and culture as language, religion, family and social relationships, music, folklore, trades and skills, and arts and crafts. Readers will learn of the indigo- and rice-growing skills that slaves taught to their masters, the echoes of an African past that are woven into baskets and stitched into quilts, the forms and phrasings that identify Gullah speech, and much more. Pollitzer also presents a wealth of data on blood composition, bone structure, disease, and other biological factors. This research not only underscores ongoing health challenges to the Gullah people but also helps to highlight their complex ties to various African peoples. Drawing on fields from archaeology and anthropology to linguistics and medicine, The Gullah People and Their African Heritage celebrates a remarkable people and calls on us to help protect their irreplaceable culture.
Dreaming of escaping her life of slavery in South Carolina and returning to her African home, slave Aminata Diallo is thrown into the chaos of the Revolutionary War, during which she helps create a list of black people who have been honored for their service to the king.
