Sometimes it's good to be a little improper. Profane, funny, and smart, Haley Pierson-Cox's book invites the modern crafter to bring personality and humour to their cross stitch projects. Her easy to follow instructions and colourful designs can make a cross stitcher out of anyone.
They began their existence as everyday objects, but in the hands of award-winning historian Laurel Thatcher Ulrich, fourteen domestic items from preindustrial America–ranging from a linen tablecloth to an unfinished sock–relinquish their stories and offer profound insights into our history. In an age when even meals are rarely made from scratch, homespun easily acquires the glow of nostalgia. The objects Ulrich investigates unravel those simplified illusions, revealing important clues to the culture and people who made them. Ulrich uses an Indian basket to explore the uneasy coexistence of native and colonial Americans. A piece of silk embroidery reveals racial and class distinctions, and two old spinning wheels illuminate the connections between colonial cloth-making and war. Pulling these divergent threads together, Ulrich demonstrates how early Americans made, used, sold, and saved textiles in order to assert their identities, shape relationships, and create history.
We're simply meant to be . . . cross-stitching! Bring Tim Burton's creepy, merry tale to life with this all-in-one mini cross-stitch kit! Perfect for crafters of any skill level, the kit includes: A 32-page mini book with simple cross-stitching instructions and four easy patterns (1 of Jack Skellington, 2 of Jack and Sally, and 1 of Zero the dog) 3 pieces of 4" x 4" cotton Aida cloth A 3" embroidery hoop in which to stitch and display designs 2 tapestry needles 4 skeins of embroidery thread "How horrible our Christmas will be!" -- The Mayor "No. How jolly!" -- Jack Skellington
This early work is a fascinating read for any sewing enthusiast or historian. Its 152 pages are extensively illustrated with diagrams, drawings and photographs forming a complete how-to guide to embroidery that is thoroughly recommended for the shelf of all handicraft lovers. Contents Include: Preface to the First Edition; Preface to the Fourth Edition; Contents; A Note of Acknowledgment; Introductory; Flat Stitches; Looped Stitches; Chained Stitches; Knotted Stitches; Composite Stitches; Canvas Stitches; Drawn Fabric Stitches; Black Work-Lace Stitch Fillings-Darning; Cut and Drawn Work and Insertion Stitches; Couching and Laid Work; Applied and Inlaid Work-Quilting; and Index. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
This volume considers samplers made in Scotland within the context of girl's lives. It is illustrated by a wide selection of pieces from public and private collections and shows the remarkable variety that was made by young girls as they learnt needle skills. The aim of this book is to look at samplers made in Scotland as well as their place in the education of girls, putting them within the social context of the period. The time spanned covers the first emergence of a specific Scottish style and ends with the introduction of the 1872 Education (Scotland) Act. The contents include a brief history of samplers, before considering the documentary evidence for samplers in Scotland and the earliest surviving pieces. Naomi E A Tarrant was for many years the Curator of Costume and Textiles at the National Museums of Scotland.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.