As Rome extended its influence throughout Italy, gradually incorporating its various peoples in a process of Romanization and conquest, its religion was extensively influenced by the cults of religious practices of its new subjects and citizens. It was a period of intense religious ferment and creativity. Roman religion, controlled and determined by religious and political functionaries who mediated between humans, had centred on a select pantheon of gods with Jupiter at its head. It was a religion in the process of becoming the servant of the state, however genuine its priests and votaries might be. Understanding the dynamics of religious change is fundamental to understanding the changing culture and politics of Rome during the last five centuries B.C. Religion in Archaic and Republic Rome and Italy tells that story.
Roman religion as we know it is largely the product of the middle and late republic, the period falling roughly between the victory of Rome over its Latin allies in 338 B.C.E. and the attempt of the Italian peoples in the Social War to stop Roman domination, resulting in the victory of Rome over all of Italy in 89 B.C.E. This period witnessed the expansion and elaboration of large public rituals such as the games and the triumph as well as significant changes to Roman intellectual life, including the emergence of new media like the written calendar and new genres such as law, antiquarian writing, and philosophical discourse. In Religion in Republican Rome Jörg Rüpke argues that religious change in the period is best understood as a process of rationalization: rules and principles were abstracted from practice, then made the object of a specialized discourse with its own rules of argument and institutional loci. Thus codified and elaborated, these then guided future conduct and elaboration. Rüpke concentrates on figures both famous and less well known, including Gnaeus Flavius, Ennius, Accius, Varro, Cicero, and Julius Caesar. He contextualizes the development of rational argument about religion and antiquarian systematization of religious practices with respect to two complex processes: Roman expansion in its manifold dimensions on the one hand and cultural exchange between Greece and Rome on the other.
An insightful and original exploration of Roman Republic politics In A Companion to the Political Culture of the Roman Republic, editors Valentina Arena and Jonathan Prag deliver an incisive and original collection of forty contributions from leading academics representing various intellectual and academic traditions. The collected works represent some of the best scholarship in recent decades and adopt a variety of approaches, each of which confronts major problems in the field and contributes to ongoing research. The book represents a new, updated, and comprehensive view of the political world of Republican Rome and some of the included essays are available in English for the first time. Divided into six parts, the discussions consider the institutionalized loci, political actors, and values, rituals, and discourse that characterized Republican Rome. The Companion also offers several case studies and sections on the history of the interpretation of political life in the Roman Republic. Key features include: A thorough introduction to the Roman political world as seen through the wider lenses of Roman political culture Comprehensive explorations of the fundamental components of Roman political culture, including ideas and values, civic and religious rituals, myths, and communicative strategies Practical discussions of Roman Republic institutions, both with reference to their formal rules and prescriptions, and as patterns of social organization In depth examinations of the 'afterlife' of the Roman Republic, both in ancient authors and in early modern and modern times Perfect for students of all levels of the ancient world, A Companion to the Political Culture of the Roman Republic will also earn a place in the libraries of scholars and students of politics, political history, and the history of ideas.
What is good luck and what did it mean to the Romans? What connections were there between luck and success? This volume aims to address these questions by focusing on the Latin goddess Fortuna, who was connected to the concept of chance and good fortune, and analysing the changing interactions with deity and concept in ancient Italy.
A comprehensive treatment of the significant symbols and institutions of Roman religion, this companion places the various religious symbols, discourses, and practices, including Judaism and Christianity, into a larger framework to reveal the sprawling landscape of the Roman religion. An innovative introduction to Roman religion Approaches the field with a focus on the human-figures instead of the gods Analyzes religious changes from the eighth century BC to the fourth century AD Offers the first history of religious motifs on coins and household/everyday utensils Presents Roman religion within its cultural, social, and historical contexts
"An Introduction to Roman Religion" offers students of ancient Rome and classical civilization entry into a distant world in which the state, the social life of the city, and religion were inextricably bound. Professor Scheid draws on the latest findings in archaeology and history to explain the meanings of rituals, rites, auspices, and oracles, to describe the uses of temples and sacred ground, and to evoke the daily patterns of religious life and observance within the city of Rome and its environs. "An Introduction to Roman Religion" includes a wealth of quotations from primary sources, a chronology of religious and historical events from 750 BC to AD 494, a full glossary and an annotated guide to further reading. -- From publisher's description.
Examining sites that are familiar to many modern tourists, Valerie Warrior avoids imposing a modern perspective on the topic by using the testimony of the ancient Romans to describe traditional Roman religion. The ancient testimony recreates the social and historical contexts in which Roman religion was practised. It shows, for example, how, when confronted with a foreign cult, official traditional religion accepted the new cult with suitable modifications. Basic difficulties, however, arose with regard to the monotheism of the Jews and Christianity. Carefully integrated with the text are visual representations of divination, prayer, and sacrifice as depicted on monuments, coins, and inscriptions from public buildings and homes throughout the Roman world. Also included are epitaphs and humble votive offerings that illustrate the piety of individuals, and that reveal the prevalence of magic and the occult in the spiritual lives of the ancient Romans.
When St. Paul and St. Peter reached Rome they encountered a state-sponsored religion that had been established for centuries. Amid the shrines and temples of Rome, the Romans sought to preserve and strengthen a religion especially suited to the ambitious city. But Roman religion had also proved permeable to many influences, from Greece, Egypt, Persia, and other parts of Italy. What then was truly Roman, and what had Romans done with their borrowings to stamp them with Roman character? By exhaustive study of texts, inscriptions, and archaeology of Roman sacred places, Dumezil traces the formation of archaic Roman religion from Indo-European sources through the development of the rites and beliefs of the Roman republic. He describes a religion that was not only influenced by the other religions with which it came into contact, but influenced them as well, in mutual efforts to distinguish one nation from another. Even so, certain continuities were sustained in order to achieve a religion that crossed generations and ways of life. The worship of certain gods became the special concerns of certain parts of society, all of which needed attention to assure Rome's success in war, civil administration, and the production of food and goods.
While most work on Dionysus is based on Greek sources, this collection of essays examines the god’s Roman and Italian manifestations. Nine contributions address Bacchus’ appearance at the crossroads of Greek and Roman cultures, tracing continuities and differences between literary and archaeological sources for the god. The essays offer coverage of Dionysus in Roman art, Italian epigraphy; Latin poetry including epic, drama and elegy; and prose, including historiography, rhetorical and Christian discourse. The introduction offers an overview of the presence of Dionysus in Italy from the archaic to the imperial periods, identifying the main scholarly trends, with treatment of key Dionysian episodes in Roman history and literature. Individual chapters address the reception of Euripides’ Bacchae across Greek and Roman literature from Athens to Byzantium; Dionysus in Roman art of the archaic and Augustan periods; the god’s relationship with Fufluns and Liber in the 4th and 3rd centuries BCE; Dionysian associations; Bacchus in Cicero; Ovid’s Tristia 5.3; Bacchus in the writings of Christian Latin writers. The collection sheds light on a relatively understudied aspect of Dionysus, and will stimulate further research in this area.
