Between 1890 and 1918, British colonial expansion in Africa led to the removal of many African artifacts that were subsequently brought to Britain and displayed. Annie Coombes argues that this activity had profound repercussions for the construction of a national identity within Britain itself--the effects of which are still with us today. Through a series of detailed case studies, Coombes analyzes the popular and scientific knowledge of Africa which shaped a diverse public's perception of that continent: the looting and display of the Benin "bronzes" from Nigeria; ethnographic museums; the mass spectacle of large-scale international and missionary exhibitions and colonial exhibitions such as the "Stanley and African" of 1890; together with the critical reaction to such events in British national newspapers, the radical and humanitarian press and the West African press. Coombes argues that although endlessly reiterated racial stereotypes were disseminated through popular images of all things "African," this was no simple reproduction of imperial ideology. There were a number of different and sometimes conflicting representations of Africa and of what it was to be African--representations that varied according to political, institutional, and disciplinary pressures. The professionalization of anthropology over this period played a crucial role in the popularization of contradictory ideas about African culture to a mass public. Pioneering in its research, this book offers valuable insights for art and design historians, historians of imperialism and anthropology, anthropologists, and museologists.
During the 1960s the German philosopher Jürgen Habermas introduced the notion of a “bourgeois public sphere” in order to describe the symbolic arena of political life and conversation that originated with the cultural institutions of the early eighteenth-century; since then the “public sphere” itself has become perhaps one of the most debated concepts at the very heart of modernity. For Habermas, the tension between the administrative power of the state, with its understanding of sovereignty, and the emerging institutions of the bourgeoisie—coffee houses, periodicals, encyclopedias, literary culture, etc.—was seen as being mediated by the public sphere, making it a symbolic site of public reasoning. This volume examines whether the “public sphere” remains a central explanatory model in the social sciences, political theory, and the humanities.
Homi K. Bhabha is one of the most highly renowned figures in contemporary post-colonial studies. This volume explores his writings and their influence on postcolonial theory, introducing in clear and accessible language the key concepts of his work, such as 'ambivalence', 'mimicry', 'hybridity' and 'translation'. David Huddart draws on a range of contexts, including art history, contemporary cinema and canonical texts in order to illustrate the practical application of Bhabha's theories. This introductory guidebook is ideal for all students working in the fields of literary, cultural and postcolonial theory.
The 1960s was a pivotal decade in dance, an era of intense experimentation and rich invention. In this volume an impressive range of dance critics and scholars examine the pioneering choreographers and companies of the era, such as Anna Halprin’s West Coast experiments, the innovative Judson Dance Theater, avant-garde dance subcultures in New York, the work of Meredith Monk and Kenneth King, and parallel movements in Britain. The contributors include Janice Ross, Leslie Satin, Noël Carroll, Gus Solomons jr., Deborah Jowitt, Stephanie Jordan, Joan Acocella, and Sally Banes.
Redefines the British historical novel as a key site in the construction of British national identityThe British historical novel has often been defined in the terms set by Walter Scott's fiction, as a reflection on a clear break between past and present. Returning to the range of historical fiction written before Scott, Reinventing Liberty challenges this view by returning us to the rich range of historical novels written in the late eighteenth-century. It explores how these works participated in a contentious debate concerning political change and British national identity. Ranging across well-known writers, like William Godwin, Horace Walpole and Frances Burney, to lesser-known figures, such as Cornelia Ellis Knight and Jane Porter, Reinventing Liberty reveals how history becomes a site to rethink Britain as 'land of liberty' and it positions Scott in relation to this tradition.Key FeaturesRecovers the richness of the historical novel and history writing before Walter Scott, including the contribution of women writers to this debateExplores how historical fiction probes anxieties at the rise of commerce, the question of empire, and radical political changeRewrites our understanding of Scott and his relation to the earlier British historical novel
Labour stands at a decisive point in its history. A change of leadership can help reinvigorate the party, but winning a fourth term of government will be impossible unless Labour's ideological position and policy outlook are thoroughly refurbished. What form should these innovations take?
Between the end of the Second World War and the early twenty-first century, Britain became multicultural. This vivid book tells that remarkable story. Kieran Connell, an historian of Irish and German heritage who grew up in Balsall Heath, inner-city Bir-mingham, takes readers into multicultural communities across Britain at key moments in their development. Journeying far beyond London, Multicultural Britain ex-plores the messy contradictions of the country's transition into today's diverse society. It reveals the ordinary people who have forged Britain's multiculturalism; skewers public leaders, from Enoch Powell to Harold Wilson to Margaret Thatcher, who have too often weaponized race for their own political ends; and shines a light on the shifting nature of British racism, revealing its enduring day-to-day impact on ethnic-minority groups. Between postcolonial reckonings and immigration anxieties, how people live together in Brexit Britain remains an urgent question for our time. Connell's fresh, thought-provoking book unveils British multiculturalism not as a problematic idea, but as a rich and complex lived reality.
This book provides a clear conceptual framework for the understanding of British politics, influenced in broad terms by a systems approach to public policy. It considers the bodies responsible for scrutinizing and legitimizing the policies of the U.K. government: Parliament and the monarchy.
90% of electors want political reform. But how to escape the mess? Britain should adopt a federal structure with a written constitution and an elected apolitical People's Council replacing autocratic and ineffective bodies. The United Kingdom needs fundamental change. Already we see that Labour are not thinking strategically about the causes of British decline. Tackling symptoms without the root causes is unlikely to be effective. Britain faces major challenges: •The climate crisis •An over-centralised State that cannot cope with the complexity of the twenty-first century •A tax base that favours oligarchs at the expense of the people •Determination to carry on the way things have always been done - "Nothing changes" •Putting right the continuing damage done by a hard Brexit This book offers one possible solution. It's meant to move the country's thinking forward. The book calls for major reforms like implementing federalism, creating a written constitution, establishing a People's Council, and redefining the monarchy's role. It investigates the failures within the system, poor policy decisions, and the negative impacts of neo-liberal policies, proposing solutions to improve democracy, economic performance, and international status. Only the people can bring about change. This book is a starting-point for discussion. Read the book now if you would like UK society and governance improved. Ignore the book if you are happy with everything the way it is. There is much waiting for you to discover, including the first-draft written constitution of the UK.