Theatre Profiles 12

Theatre Profiles 12

Author: Steven Samuels

Publisher:

Published: 1996

Total Pages: 260

ISBN-13: 9781559361187

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The essential guide to professional not-for-profit theatres.


The Cambridge Companion to American Theatre since 1945

The Cambridge Companion to American Theatre since 1945

Author: Julia Listengarten

Publisher: Cambridge University Press

Published: 2021-09-09

Total Pages: 489

ISBN-13: 1108570267

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The Cambridge Companion to American Theatre since 1945 provides an overview and analysis of developments in the organization and practices of American theatre. It examines key demographic and geographical shifts American theatre after 1945 experienced in spectatorship, and addresses the economic, social, and political challenges theatre artists have faced across cultural climates and geographical locations. Specifically, it explores artistic communities, collaborative practices, and theatre methodologies across mainstream, regional, and experimental theatre practices, forms, and expressions. As American theatre has embraced diversity in practice and representation, the volume examines the various creative voices, communities, and perspectives that prior to the 1940s was mostly excluded from the theatrical landscape. This diversity has led to changing dramaturgical and theatrical languages that take us in to the twenty-first century. These shifting perspectives and evolving forms of theatrical expressions paved the ground for contemporary American theatrical innovation.


The Sixties, Center Stage

The Sixties, Center Stage

Author: James M. Harding

Publisher: University of Michigan Press

Published: 2017-04-06

Total Pages: 409

ISBN-13: 0472053361

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Challenges the notion that the theater of the 1960s falls neatly into two categories, mainstream or experimental


Shakespeare in the Theatre: Shakespeare Theatre Company

Shakespeare in the Theatre: Shakespeare Theatre Company

Author: Deborah C. Payne

Publisher: Bloomsbury Publishing

Published: 2024-09-05

Total Pages: 152

ISBN-13: 1350352659

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Co-authored by the resident dramaturg at Shakespeare Theatre Company and a long-time scholarly consultant, this book chronicles how a small repertory troupe at the Folger Theatre on Capitol Hill became an internationally renowned company performing in a lavish, multi-venue performing arts centre in downtown Washington, D.C. The artistic vision and business acumen of Michael Kahn, the founding Artistic Director, largely catalyzed this transformation, but so too did the forces of neoliberalism and, more recently, globalization and new media. Accordingly, Shakespeare in the Theatre: Shakespeare Theatre Company not only examines directorial decision-making but also 3 decades of social and economic change in the nation's capital, from the complexities of gentrification to the arts policies of successive administrations. In addition to discussions of directorial practice, this book examines the ambivalence of American theatre artists toward their British cultural inheritance. Analyses of representative productions and interviews with Kahn and his British successor, Simon Godwin, illuminate this complex relationship: one that aspires to a cosmopolitan Anglophilia while positioning classically trained American actors as worthy rivals to their counterparts at the RSC and the National Theatre of Great Britain.