Vasanti's father promises that she will marry Mahindra. When he goes back on his word, Lord Krishna himself must be brought as witness. Jasma's beauty makes the King so jealous that he kills her husband and tries to capture her tribe. The spoilt Princess
Traditional Indian lore through the eyes of two artists. “Their collaboration is nothing short of phenomenal. The illustrations take you into another world.” —Medium A shape-shifting tiger and a pretentious rat. A generous goddess and a powerful demon. A clever princess and a prince who returns from the dead. This collection of sixteen traditional tales transports readers to the beguiling world of Indian folklore. Transcribed by Indian and English folklorists in the nineteenth century, these stories brim with wit and magic. Fans of fairy tales will encounter familiar favorites—epic quests and talking animals—alongside delightful surprises—an irreverent sense of humor and an array of bold, inspiring heroines. Each tale in this ebook comes alive alongside exquisite artwork by a pair of contemporary Indian artists.
In Gender and Genre in the Folklore of Middle India, Joyce Burkhalter Flueckiger analyzes six representative Indian folklore genres from a single regional repertoire to show the influence of their intertextual relations on the composition and interpretation of artistic performance. Placing special emphasis on women’s rituals, she looks at the relationship between the framework and organization of indigenous genres and the reception of folklore performance. The regional repertoire under examination presents a strikingly female-centered world. Female performers and characters are active, articulate, and frequently challenge or defy expectations of gender. Men also confound traditional gender roles. Flueckiger includes the translations of two full performance texts of narratives sung by female and male storytellers respectively.
India is a treasure-trove of folktales born out of the customs and traditions of the country. Sometimes these tales are retold in its different regions, while imparting the local flavour to them. The mobility of the folktales can be attributed to the pilgrims and travellers journeying from one part of the country to another. They rested at night in dharamsalas or inns, often attached to temples, where they mingled among themselves and with the local people. More often than not, folktales are passed on from grandmother to grandchildren so vividly that they are impressed in the listener's memory forever. They are delightful and fascinating to the young as well as the old. The same story even when heard repeatedly does not lose its interest as it appeals to the fantasies, the make-beliefs and the primitiveness in us. These beautiful folktales of India were on the verge of extinction when a project of compilation of 21 volumes consisting of folktales of different regions was launched by Sterling. These folktales have been gleaned from the larger collection.