Newspaper and magazine gossip is a potent and sulphurous brew - much derided and much devoured - that long ago became part of the daily diet of millions. The raw ingredients are scandal, rumour, glamour and scurrility, and the best is shot through with (preferably illicit) sex, disclosure and danger. How and why has this happened, and where will this obsession lead us?
An altogether unsatisfactory arrangement After their father's death, Miss Judith Taverner and her brother Peregrine travel to London to meet their guardian, Lord Worth, expecting an elderly gentleman. To their surprise and utter disgust, their guardian is not much older than they are, doesn't want the office of guardian any more than they want him, and is determined to thwart all their interests and return them to the country. With altogether too many complications But when Miss Taverner and Peregrine begin to move in the highest social circles, Lord Worth cannot help but entangle himself with his adventuresome wards... Praise for Regency Buck: "Clever!"— Library Journal "Georgette Heyer is unbeatable."— Sunday Telegraph "Light and frothy, in the vein of the author's other Regency novels, this follows the fortunes of Miss Judith Taverner and her brother, Sir Peregrine. A good introduction to Heyer's period stories..." — The Booklist "Reading Georgette Heyer is the next best thing to reading Jane Austen."— Publishers Weekly "A writer of great wit and style... I've read her books to ragged shreds"— Katie Fenton, Daily Telegraph "Wonderful characters, elegant, witty writing, perfect period detail, and rapturously romantic. Georgette Heyer achieves what the rest of us only aspire too."—Katie Fforde
If you love Bridgerton, you'll love Georgette Heyer! 'The greatest writer who ever lived' ANTONIA FRASER 'A rollicking good read that will be of particular joy to Bridgerton viewers ... the permanent glister of scandal [...] ties the whole thing together' INDEPENDENT 'My generation's Julia Quinn' ADJOA ANDOH, star of Bridgerton _______________ Endowed with rank, wealth and elegance, Sylvester, Duke of Salford, is ready to find a bride. His pursuit of a partner sets him on course to Phoebe Marlow, a young lady who is far more concerned with riding than sewing or beautiful clothes. With Phoebe struggling to meet her family's demands of gentility and poise, a potential match with Sylvester is exceedingly advantageous. So, it is very intriguing indeed when a visit from her potential suitor causes Phoebe to flee her home. When the pair meet again and an unexpected adventure ensues, Sylvester comes to realise that there is much more to Phoebe than her reputation affords . . . _______________ 'One of my perennial comfort authors. Heyer's books are as incisively witty and quietly subversive as any of Jane Austen's' JOANNE HARRIS 'Elegant, witty and rapturously romantic' KATIE FFORDE 'Utterly delightful' GUARDIAN 'Absolutely delicious tales of Regency heroes. . . Utter, immersive escapism' SOPHIE KINSELLA 'Georgette Heyer's Regency romances brim with elegance, wit and historical accuracy, and this is one of her finest and most entertaining ... Escapism of the highest order' DAILY MAIL 'If you haven't read Georgette Heyer yet, what a treat you have in store!' HARRIET EVANS 'Georgette Heyer is unbeatable.' SUNDAY TELEGRAPH _______________ Readers love Sylvester ... ***** 'Sylvester reminded me again why I consider Georgette Heyer's novels the high water mark in regency romance.' ***** 'This book has a special place in my heart.' ***** 'After many, many years of reading her books I still cannot fault Georgette Heyer as the best writer of Regency fiction.' ***** 'This is one of my all-time favorite books.' ***** 'This book is SUCH fun! And the CHARACTERS!'
One look could turn you to stone... The newly married Lord and Lady Wycliff are cordially invited to a house party--to be mocked and ridiculed as entertainment. Wycliff insists on attending to discuss business with the host, while Hannah longs to hide in the library with its rare volumes on the Fae. Bound to Wycliff even beyond death, Hannah wonders how she will survive the week--when a guest unexpectedly expires. A notorious cad is discovered turned into a statue in the garden. The dead lord had many enemies, including Lord Wycliff. Hannah's accord with her husband is tested when a trail of footprints leads to their window. What secret is Wycliff hiding and does he know more about the magical death than he admits? Someone among the house guests has murder on their mind and the newlyweds need to determine who, before anyone else is immortalised as stone...
New York Times bestselling author Georgette Heyer's beloved tale of an entertaining heroine stumbling on happiness when her marital machinations for her sister go awry. Determined to secure a brilliant marriage for her beautiful sister, Frederica seeks out their distant cousin the Marquis of Alverstoke. Lovely, competent, and refreshingly straightforward, Frederica makes such a strong impression on him that to his own amazement, the Marquis agrees to help launch them all into society. Normally Lord Alverstoke keeps his distance from his family, which includes two overbearing sisters and innumerable favor-seekers. But with his enterprising — and altogether entertaining—country cousins chasing wishes and getting into one scrape after another right on his doorstep, before he knows it the Marquis finds himself dangerously embroiled. The Georgette Heyer Signature Regency Collection is a fresh celebration of an author who has charmed tens of millions of readers with her delightful sense of humor and unique take on Regency romance. Includes fun and fascinating bonus content—a glossary of Regency slang, a Reading Group Guide, and an Afterword by official biographer Jennifer Kloester sharing insights into what Georgette herself thought of Frederica and what was going on in her life as she was writing. Praise for Georgette Heyer: "I have Georgette Heyer's books in every room of my house."—#1 New York Times bestselling author Nora Roberts
A dishy, incisive exploration of gossip--from celebrity rumors to literary romans à clef, from personal sniping to political slander--by one of our "great essayists" (David Brooks) To his successful examinations of some of the most powerful forces in modern life--envy, ambition, snobbery, friendship--the keen observer and critic Joseph Epstein now adds Gossip. No trivial matter, despite its reputation, gossip is eternal and necessary. Himself a master of the art, Epstein serves up delightful mini-biographies of the Great Gossips of the Western World along with many choice bits from his own experience. He also makes a powerful case that gossip has morphed from its old-fashioned best--clever, mocking, a great private pleasure--to a corrosive new-school version, thanks to the reach of the mass media and the Internet. Gossip has even invaded politics and journalism, causing unsubstantiated information to be presented as fact. Contemporary gossip claims to reveal truth, but as Epstein shows, it's our belief in truth itself that may be destroyed by gossip. Written in his trademark erudite and witty style, Gossip captures the complexity of this immensely entertaining subject.
Georgette Heyer, bestselling Queen of Regency Romance, invites readers to an extraordinary Gothic tale of love, mystery, and intrigue. A surprising invitation Kate Malvern is rescued from penury by her aunt Minerva, who brings her to stay at Staplewood. But the household is strange and strained—Kate's uncle lives in his own private wing, and her handsome, moody cousin Torquil lives in another. A dark family secret As bizarre events unfold and Kate begins to question the reasons for her aunt's unexpected generosity, she has no one to confide in but her cousin Philip. Sympathetic though he may appear, will he tell her what she most needs to know... before it's too late? Praise for Cousin Kate: "Miss Heyer serves up a very different sort of tale in the same period setting, nothing less than a full-fledged Gothic. And a very expert job she does of it, too, complete with a remote and forbidding country house, screams in the night, dark hints of something best left unmentioned... nicely leavened with wit, romance, and wonderful period slang."—Publishers Weekly
The Queen of Regency Romance, bestselling author Georgette Heyer, charms readers with this delightful romp of mistaken identity. A missing twin Something is very wrong, and the Honourable Christopher "Kit" Fancot can sense it. Kit returns to London on leave from the diplomatic service to find that his twin brother Evelyn has disappeared and his extravagant mother's debts have mounted alarmingly. A quick-minded heiress The Fancot family's fortunes are riding on Evelyn's marriage to the self-possessed Cressy Stavely, and her formidable grandmother's approval of the match. If Evelyn fails to meet the Dowager Lady Stavely in a few days as planned, the betrothal could be off. A fortune in the balance When the incorrigible Lady Fancot persuades her son to impersonate his twin (just for one night, she promises) the masquerade sets off a tangled sequence of events that engage Kit's heart far more deeply than he'd ever anticipated with his brother's fiancée—who might know much more about what's going on than she cares to reveal... Praise for Georgette Heyer: "A writer of great wit and style... I've read her books to ragged shreds."—Kate Fenton, Daily Telegraph "Reading Georgette Heyer is the next best thing to reading Jane Austen."—Publishers Weekly
Discussing English, American, Irish, Australian, and other writings, Crawford concentrates on Scottish literature, which furnishes the most extended and acute model of a culture concerned to maintain and develop its own identity while engaging with England's linguistic and political dominance. Starting with the eighteenth-century 'Scottish invention of English Literature', Crawford traces in Boswell, Burns, and others the evolution of a distinctively British Literature. This process culminated in Scott who, with Carlyle, encouraged nineteenth-century American writing and left rich legacies both to anthropology and to the literary Modernism of Eliot, Pound, Joyce, and MacDiarmid. This essentially provincial phenomenon of Modernism underwrites even Larkin, as well as such sophisticated post-British 'barbarian' poets as Heaney, Harrison, Dunn, Murray, and Walcott