From its headwaters in western North Carolina near the Tennessee line, the New River runs north 337 miles, cutting through the Blue Ridge Mountains of Virginia and West Virginia on its way to the Ohio. No big cities inhabit its banks--just a few small towns along the way--and it carries no significant commercial traffic. The age of the New is debated, but it is certainly one of the world's oldest rivers, predating the Atlantic Ocean. This anthology assembles history, poetry, essays and stories by writers who have been inspired by the ancient and secluded stream, and from those whose lives are connected to its flow. Contributors hail from Ashe, Alleghany, Watauga and Wilkes counties in North Carolina, as well as Virginia and West Virginia.
Annotation Having been a plant ecologist and park ranger for the US National Park Service, Watson has now returned to her native east Texas and settled in her private nature preserve. She documents a voyage (accompanied by her old blind dog) down the river Neches River, called Snow River by natives. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Rivers are essential to every aspect of civilization, yet how many understand how they work? Fleming takes readers on a journey along our planet's waterways, providing a scientist's reflections on the profound interrelationships that rivers have with landscapes, ecosystems, and societies.
The Highland Summer Writing Conference (HSC), held each summer along the banks of the ancient New River at Radford University's Selu Conservancy, brings together and inspires writers as they participate in the communal art of creating and sharing. Over the years, many prestigious Appalachian authors have taught workshops to like-minded students, many of whom became published authors in their own right. This book, a celebration of the HSC, is a collection of reflective essays, poetry, fiction, and non-fiction contributed by 41 authors and student-authors who have taken part in the conference over a span of 43 years.
In this masterful translation and commentary on Tokmé Zongpo's Thirty-Seven Practices of a Bodhisattva, Ken McLeod shines the light of wisdom on the challenges of contemporary life and illuminates a path the modern reader can take to freedom, peace and understanding. Thirty-Seven Practices of a Bodhisattva is one of the most revered and loved texts in the Tibetan Buddhist tradition. In just thirty-seven verses, Tokmé Zongpo summarizes the bodhisattva path as it was taught and practiced in this tradition. While this text has been translated many times, Ken McLeod's plain and simple English beautifully reflects the simplicity and directness of the original Tibetan. McLeod's commentary is full of striking images, provocative questions and inspiring descriptions of what it means to be awake and present in your life. Practical instruction, brief and to the point, is found in each of the verse commentaries, providing straightforward responses to the question, "How do I practice this?" McLeod is clearly writing from his own experience. Yet, instead of anecdotes and personal history, he challenges the reader to engage various scenarios, and consider how compassion, clarity, presence and balance could take expression in his or her life. Reflections on Silver River has three parts. The first is an informative introduction to the text and to Tokmé Zongpo. The introduction is followed by McLeod's translation of Tokmé Zongpo's Thirty-Seven Practices of a Bodhisattva. The third section is the main part of the book, a traditional verse-by-verse commentary. At less than 200 pages, Reflections on Silver River is a highly accessible introduction to Tibetan Buddhist practice as well as a valuable resource for the experienced practitioner, regardless of his or her tradition of training. McLeod himself is a teacher, translator, author and business consultant. He pioneered one-on-one meditation instruction, has taught numerous retreats and classes, published a highly regarded translation of Mahayana mind-training under the title The Great Path of Awakening, wrote an encyclopedic treatment of meditation practice in Wake Up to Your Life, and composed a poetic and evocative commentary on the Heart Sutra in An Arrow to the Heart.
This book offers conceptual and empirical support for the idea that the human relationship with water must move beyond rationalist definitions of water as product, property, and commodity.
A groundbreaking new book, Still the Same Hawk: Reflections on Nature and New York brings into conversation diverse and intriguing perspectives on the relationship between nature and America’s most prominent city. The volume’s title derives from a telling observation in Robert Sullivan’s contribution that considers how a hawk in the city is perceived so much differently from a hawk in the countryside. Yet it’s still the same hawk. How can a hawk nesting above Fifth Avenue become a citywide phenomenon? Or a sudden butterfly migration at Coney Island energize the community? Why does the presence of a community garden or an empty lot ripple so differently through the surrounding neighborhood? Is the city an oasis or a desert for biodiversity? Why does nature even matter to New Yorkers, who choose to live in the concrete jungle? Still the Same Hawk examines these questions with a rich mix of creative nonfiction that ranges from analytical to anecdotal and humorous. John Waldman’s sharp, well-crafted introduction presenting dualism as the defining quality of urban nature is followed by compelling contributions from Besty McCully, Christopher Meier, Tony Hiss, Kelly McMasters, Dara Ross, William Kornblum, Phillip Lopate, David Rosane, Robert Sullivan, Anne Matthews, Devin Zuber, and Frederick Buell. Together these pieces capture a wide range of viewpoints, including the myriad and shifting ways New Yorkers experience and consider the outdoors, the historical role of nature in shaping New York’s development, what natural attributes contribute to New York’s regional identity, the many environmental tradeoffs made by urbanization, and even nature’s dark side where “urban legends” flourish. Still the Same Hawk intermingles elements of natural history, urban ecology, and environmental politics, providing fresh insights into nature and the urban environment on one of the world’s great stages for the clash of these seemingly disparate realms—New York City.
This book makes an effort to encapsulate this present conflict. Deconstructing the nature of claims and stakes that riverine communities have on the riverbanks today, it is an attempt to describe the current processes of marginalisation of certain groups, and disengagement with nature for the sake of 'development'. The author makes an attempt to capture this current reality of India by discussing it in the framework of one of its holiest rivers trapped in a modern city. It aims to respond to a mood of confusion about what Delhi symbolizes today and what the Yamuna has come to mean to this modern, yet historic city. Tracing the river from Yamunotri to Allahabad, the book delves into her cultural essence and the various meanings she symbolizes across time and space. The Yamuna comes out as a versatile fluid, a cultural mosaic and an emotional power that comprises infinite realities. The book describes the multiple ways in which communities have engaged with the river - religion and mythology, livelihood, recreation, and now, technology and economics. It discusses the ideologies behind these different notions of the Yamuna and how these conceptions have come in conflict with each other and are now leading to contests over her terrains. The crisis of riverfront communities in Delhi is meticulously illustrated. Alongside, a debate on ecological democracy is unfurled with the lingering question of 'how does one engage with nature today?' Shedding new light on controversies that envelop the river today, this book is a sharp critique of the way the Indian government and economy have dealt with this situation in particular and the larger case of the environment and communities in general. While rooted in current and tangible realities, the narrative transcends that element and engages in a form of philosophical rumination. A personalised narrative with many poetic musings, it is an academic discussion laid out in a lyrical format.
