Hokanson (writing, Lakeland College) looks at the town of Peterson, Iowa, its history, and our enduring need for a sense of place. He synthesizes geography, oral history, archaeology, science, and literature in his portrait of this small farming town. Includes bandw historical and modern photos of Peterson's faces and landscapes. Annotation copyright by Book News, Inc., Portland, OR
Prairie Town: Redefining Rural Life in the Age of Globalization describes the contemporary rural condition and efforts to sustain rural life in one small Minnesota community at the turn of the 21st century. Like many other agricultural based towns, Prairie Town struggled for survival within the context of the on-going farm crisis, NAFTA, neoliberal agricultural policies, and growing agribusiness that negatively impacted many farmers throughout the world. The effects of globalization, the displacement of rural workers to urban areas, and the deterioration of rural life were a widespread phenomenon. In spite of these complex issues, Prairie Town worked to define a new rural— life, one which entailed a new rural literacy—a new way of reading rural life-that changed the way rural life, work, and education were realized. Prairie Town's story offers us hope as we learn that neoliberalism is not inevitable, nor is the demise of rural America. From this community, we learn that not everything can be bought and sold, and disidentification with dominant societal structures is possible within a participatory democratic society. New cultural models can be constructed that enable individuals in Prairie Town and elsewhere to actively work to construct ways of being that are consistent with their values and hopes for how they might live together.
Hope and love blossom on the untamed prairie as a young woman searching for a place to call home happens upon a Kansas homestead during the 1860s . . . A Town Called Hope, the inspiring series set in post–Civil War Kansas, is the creation of best-selling romance writer Catherine Palmer. In the fast-paced Prairie Rose, impulsive nineteen-year-old Rosie Mills takes a job caring for the young son of widowed homesteader Seth Hunter in order to escape the orphanage in which she was raised. Rosie’s naive view of love and her understanding of what it means to have a Father in heaven are quickly put to the test. Afraid of being wounded again, Seth struggles to freely open his heart—to his hurting son, to a woman’s love, and to a Father who will not abandon him. Together Rosie and Seth must face the harsh uncertainties of prairie life—and the one man who threatens to destroy their happiness. Prairie Rose launches a series sure to satisfy readers who expect solid biblical values in a wholesome, exhilarating romance.
Unique in character and cultural distinctions, small towns present special challenges for pastors, especially for those whose models of ministry may be grounded in urban or suburban contexts. Writing out of his personal experience in and commitment to small town ministry, Farris explores the impact and importance of such factors as local history, geography, the values and metaphors of small town life, boundary setting, and ministerial roles. For everyone involved in small town ministry, this book is a “must-read.” Foreword by Norma Cook Everist.
The seventh book in Laura Ingalls Wilder’s treasured Little House series, and the recipient of a Newbery Honor—now available as an ebook! This digital version features Garth Williams’s classic illustrations, which appear in vibrant full color on a full-color device and in rich black-and-white on all other devices. The settlement that weathered the long, hard winter of 1880-81 is now a growing town. With spring comes a new job for Laura, town parties, and more time to spend with Almanzo Wilder. Laura also tries to help Pa and Ma save money so that Mary is able to go to a college for the blind. The nine Little House books are inspired by Laura’s own childhood and have been cherished by generations of readers as both a unique glimpse into America’s frontier history and as heartwarming, unforgettable stories.
A delicate, stunning account of life on the prairie from Newbery medalist Patricia MacLachlan. Cool summer mornings begin with the rose orange sun and the smell of earth, and fade into hot summer nights with a yellow moon, covered in a quilt of stars. There are wagon rides, farm dogs, trips into town, and games of kick the can. These are prairie days. Patricia MacLachlan applies her lyrical, sparse voice and vibrant, tender art from Micha Archer to transport readers to the prairie of her youth in this stunning celebration of the beauty in the world.
In 1978 historian Joseph Wall wrote that Iowa was “still seeking to assert its own identity. . . . It has no real center where the elite of either power, wealth, or culture may congregate. Iowa, in short, is middle America.” In this collection of well-written and accessible essays, originally published in 1996, seventeen of the Hawkeye State’s most accomplished historians reflect upon the dramatic and not-so-dramatic shifts in the middle land’s history in the nineteenth and twentieth centuries. Marvin Bergman has drawn upon his years of editing the Annals of Iowa to gather contributors who cross disciplines, model the craft of writing a historical essay, cover more than one significant topic, and above all interpret history rather than recite it. In his preface to this new printing, he calls attention to publications that begin to fill the gaps noted in the 1996 edition. Rather than survey the basic facts, the essayists engage readers in the actual making of Iowa’s history by trying to understand the meaning of its past. By providing comprehensive accounts of topics in Iowa history that embrace the broader historiographical issues in American history, such as the nature of Progressivism and Populism, the debate over whether women’s expanded roles in wartime carried over to postwar periods, and the place of quantification in history, the essayists contribute substantially to debates at the national level at the same time that they interpret Iowa’s distinctive culture.
This filmography covers more than 300 horror films released from 1990 through 1999. The horror genre's trends and cliches are connected to social and cultural phenomena, such as Y2K fears and the Los Angeles riots. Popular films were about serial killers, aliens, conspiracies, and sinister "interlopers," new monsters who shambled their way into havoc. Each of the films is discussed at length with detailed credits and critical commentary. There are six appendices: 1990s cliches and conventions, 1990s hall of fame, memorable ad lines, movie references in Scream, 1990s horrors vs. The X-Files, and the decade's ten best. Fully indexed, 224 photographs.
