This book examines the literature of Shiga Naoya, who is highly regarded in modern Japan for his unique style and methods of describing his personal experiences and emotions. Contributing new findings to the field of scholarship on Shiga, this study focuses in particular on Shiga’s nature-inspired writings and discusses how he created some vivid images of nature that became famous and still linger in Japanese people’s minds. Shiga’s remarkable sensitivity toward nature and the influences he received from earlier writers in Japan and abroad is examined. The complexity and depth of his understanding of nature is further revealed in his fascination with the supernatural, which also contributed to the creation of his literary style.
This book takes the unique approach of combining cognitive approaches with more established close-reading methods in analysing a selection of Japanese novels and a film. They are by four well-known male authors and a director (Natsume Sôseki, Shiga Naoya, Ôe Kenzaburô, Ibuse Masuji and Imamura Shôhei) and five female authors (Kirino Natsuo, Kawakami Mieko, Murata Sayaka, Tsushima Yûko, and Ishimure Michiko) from the early twentieth century up to the early millennium. It approaches the different artistic strategies that oscillate between emotional immersion and critical reflection. Inspired by new developments in cognitive theory and neuroscience, the book seeks to put a spotlight on the aspects of modern Japanese novels that were not fully appreciated earlier; the eclectic and fluid nature of the novel as a form, and the vital roles played by affects and emotions often complicated under the impact of trauma. Rejuvenating previously established cultural theories through a cognitive and emotional lens (narratology, genre theory, historicism, cultural study, gender theory, and ecocriticism), this book will appeal to students and scholars of modern literature and Japanese literature.
The Awakening of Modern Japanese Fiction is the first book to treat the literary practices of certain major modern Japanese writers as Buddhist practices, and to read their work as Buddhist literature. Its distinctive contribution is its focus on modern literature and, importantly, modern Buddhism, which Michihiro Ama presents both as existing in continuity with the historical Buddhist tradition and as having unique features of its own. Ama corrects the dominant perception in which the Christian practice of confession has been accepted as the primary informing source of modern Japanese prose literature, arguing instead that the practice has always been a part of Shin Buddhist culture. Focusing on personal fiction, this volume explores the works of literary figures and Buddhist priests who, challenged by the modern development of Japan, turned to Buddhism in a variety of ways and used literature as a vehicle for transforming their sense of selfhood. Writers discussed include Natsume Sōseki, Tayama Katai, Shiga Naoya, Kiyozawa Manshi, and Akegarasu Haya. By bringing Buddhism out of the shadows of early twentieth-century Japanese literature and elucidating its presence in both individual authors' lives and the genre of autobiographical fiction, The Awakening of Modern Japanese Fiction demonstrates a more nuanced understanding of the role of Buddhism in the development of Japanese modernity.
A study at many levels of Scott’s long poem Coming to Jakarta, a book-length response to a midlife crisis triggered in part by the author’s initial inability to share his knowledge and horror about American involvement in the great Indonesian massacre of 1965. Interviews with Ng supply fuller information about the poem’s discussions of: a) how this psychological trauma led to an explorations of violence in American society and then, after a key recognition, in the poet himself; b) the poem's look at east-west relations through the lens of the yin-yang, spiritual-secular doubleness of the human condition; c) how the process of writing the poem led to the recovery of memories too threatening at first to be retained by his normal presentational self, and d) the mystery of right action, guided by the Bhagavad Gita and the maxim in the Gospel of Thomas that "If you bring forth what is within you, what you bring forth will save you.” Led by the interviews to greater self-awareness, Scott then analyses his poem as also an elegy, not just for the dead in Indonesia, but “for the passing of the Sixties era, when so many of us imagined that a Movement might achieve major changes for a better America.” Subsequent chapters develop how human doubleness can lead to an inner tension between the needs of politics and the needs of poetry, and how some poetry can serve as a non-violent higher politics, contributing to the evolution of human culture and thus our “second nature.” The book also reproduces a Scott prose essay, inspired by the poem, on the U.S. involvement in and support for the 1965 massacre. It then discusses how this essay was translated into Indonesian and officially banned by the Indonesian dictatorship, and how ultimately it and the poem helped inspire the ground-breaking films of Josh Oppenheimer that have led to the first official discussions in Indonesia of what happened in 1965.
This is a book about the power ethnic capital and how it drives both the economics of, and the quest for identity in, a Japanese Brazilian commune. Adachi tells readers what this small diaspora community can teach us about how life “in the trenches” looks to those on the outskirts of the exploding transnational world economy. This book explores the various strategies locals use to compete with others with whom they are linked locally, nationally, and globally. Through the story of Kubo daily life, Adachi offers insights into important aspects of social and linguistic theory, as well as explicating how cross-border relations become more and more intertwined. In a sense, Kubo’s story, with its struggles to maintain its identity—even its survival—in an increasingly globalized world, encapsulates many of the problems now faced by smaller communities around the world, be they diasporic or regionally entrenched, or ethnically, racially, or religiously composed. Adachi explores the motivations for racial and ethnic boundary-making based primarily on values and principles rather than purely physiological features by focusing on Kubo and its marketing of supposedly traditional Japanese cultural values, in spite of the commune being located in the interior of Brazil. To do this she incorporates notions from linguistic anthropology and sociolinguistics, including problems of language maintenance, the relationships between language and symbolic power, and the intricacies of language and gender. Doing so helps theorize the tensions between hybridity and purity entailed in the complexities of identity dynamics.
Studies on global metageography are enjoying a revival, and in no way is this better referenced than against the geo-world system bequeathed by Claudius Ptolemy almost two thousand years ago. This is all the more important when we consider the longevity of the Ptolemaic construct through and beyond the European age of discovery allowing as well for its eventual revision or refinement. Innovations in navigational science, cartographic representations, and textual description are all called upon to illustrate this theme. With its focus upon the macro-region termed India Extra Gangem, literally the space between India and China, the book unfolds a fourfold agenda. First, it explains the Ptolemaic world system back to classical points of reference as well as to its reception in late medieval Europe from Arabic sources. Second, it tracks the erosion of the Ptolemaic template especially in the light of new empirical data entering Europe from early travel accounts as well as the first voyages of discovery. Third, through selected examples, as with India, Southeast Asia, and China, it seeks to expose textual and cartographic adjustments to the classical models flowing from the scientific revolution.Fourth, through an examination of Jesuit astronomical observations conducted at various points in Asia, it demonstrates how Eurasia was actually measured and sized with respect to its true longitudinal coordinates such had deluded Columbus and even succeeding generations. In short, this work problematizes the creation of geographical knowledge, raises awareness as to the making of region in Asia over long historical time—the Ptolemaic world-in-motion—and, as a more latent agenda, sounds an alert as to the perils of overdetermination in the setting of modern boundaries whether upon land or sea.
On October 26, 1909, the Korean patriot An Chunggŭn assassinated the Japanese statesman Itō Hirobumi in Harbin, China. More than a century later, the ramifications of An’s daring act continue to reverberate across East Asia and beyond. This volume explores the abiding significance of An, his life, and his written work, most notably On Peace in the East (Tongyang p’yŏnghwaron), from a variety of perspectives, especially historical, legal, literary, philosophical, and political. The ways in which An has been understood and interpreted by contemporaries, by later generations, and by scholars and thinkers even today shed light on a range of significant issues including the intellectual and philosophical underpinnings for both imperial expansion and resistance to it; the ongoing debate concerning whether violence, or even terrorism, is ever justified; and the possibilities for international cooperation in today’s East Asia as a regional collective. Students and scholars of East Asia will find much to engage with and learn from in this volume.
Visualizing Modern China: Image, History, and Memory, 1750–Present offers a sophisticated yet accessible interpretation of modern Chinese history through visual imagery. With rich illustrations and a companion website, it is an ideal textbook for college-level courses on modern Chinese history and on modern visual culture. The introduction provides a methodological framework and historical overview, while the chronologically arranged chapters use engaging case studies to explore important themes. Topics include: Qing court ritual, rebellion and war, urban/rural relations, art and architecture, sports, the Chinese diaspora, state politics, film propaganda and censorship, youth in the Cultural Revolution, environmentalism, and Internet culture. Companion website: http://visualizingmodernchina.org
Radhabinod Pal was an Indian jurist who achieved international fame as the judge representing India at the Tokyo War Crimes Tribunal and dissented from the majority opinion, holding that all Japanese “Class A” war criminals were not guilty of any of the charges brought against them. In postwar Japanese politics, right-wing polemicists have repeatedly utilized his dissenting judgment in their political propaganda aimed at refuting the Tokyo trial’s majority judgment and justifying Japan’s aggression, gradually elevating this controversial lawyer from India to a national symbol of historical revisionism. Many questions have been raised about how to appropriately assess Pal’s dissenting judgment and Pal himself. Were the arguments in Pal’s judgment sound? Why did he submit such a bold dissenting opinion? What was the political context? More fundamentally, why and how did the Allies ever nominate such a lawyer as a judge for a tribunal of such great political importance? How should his dissent be situated within the context of modern Asian history and the development of international criminal justice? What social and political circumstances in Japan thrust him into such a prominent position? Many of these questions remain unanswered, while some have been misinterpreted. This book proposes answers to many of them and presents a critique of the persistent revisionist denial of war responsibility in the Japanese postwar right-wing movement.
Heritage Politics: Shuri Castle and Okinawa's Incorporation into Modern Japan, 1879–2000 is a study of Okinawa’s incorporation into a subordinate position in the Japanese nation-state, and the role that cultural heritage, especially Okinawa’s iconic Shuri Castle, plays in creating, maintaining, and negotiating that position. Tze May Loo argues that Okinawa’s cultural heritage has been – and continues to be – an important tool with which the Japanese state and its agents, the United States during its 27-year rule of the islands (1945–1972), and the Okinawan people articulated and negotiated Okinawa’s relationship with the Japanese nation state. For these three groups, Okinawa’s cultural heritage was a powerful way to utilize the symbolism of material objects to manage and represent the islands’ cultural past for their own political aims. The Japanese state, its agents, and American authorities have all sought to use Okinawa’s cultural heritage to control, discipline, and subordinate Okinawa. For Okinawans, their cultural heritage gave them a powerful way to resist Japanese and American rule, and to negotiate for a more equitable position for themselves. At the same time, however, this book finds that Okinawan strategies to deploy their cultural heritage politically are deeply intertwined with, and to a significant extent enabled by, precisely these Japanese and American attempts to govern Okinawa through its heritage. This examination of the political role of Okinawa’s cultural heritage is a window into a wider process of how nation-states and other political formations make themselves thinkable to the people they rule, how the ruled seek out spaces to make claims of their own, and how cultural pasts, once made usable, are implicated in these processes.
