Reel Asian
Reel Asian

Author: Elaine Chang

Publisher: Coach House Books

Published: 2007

Total Pages: 353

ISBN-13: 1552451925

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Founded in 1997 by producer Anita Lee and journalist Andrew Sun, the Toronto Reel Asian International Film Festival is a unique showcase of contemporary Asian cinema and work from the Asian diaspora. The festival fosters the exchange of cultural and artistic ideals between East and West, provides a public forum for homegrown Asian media artists and their work and fuels the growing appreciation for Asian cinema in Canada. In Reel Asian: Asian Canada on Screen, contributors, many of them filmmakers, examine East and Southeast Asian Canadian contributions to independent film and video. From artist-run centres, theories of hyphenation, distribution networks and gay and lesbian cinema to F-words, new media technologies and sweet n' sour controversies, Reel Asian: Asian Canada on Screen presents a multi-faceted picture of independent Asian film in Canada. The collection highlights the screen as a site for the reflection, projection and reimagination of identities and communities. Includes: David Eng, Ann Marie Fleming, Richard Fung, Monika Kin Gagnon, Colin Geddes, Kwoi Gin, Mike Hoolboom, Alice Ming Wai Jim, Cheuk Kwan, Julia Kwan, Anita Lee, Helen Lee, Karin Lee, Keith Lock, Pamila Matharu, Christine Miguel, Tan Hoang Nguyen, Midi Onodera, Mieko Ouchi, Alice Shih, Mina Shum, Mary Stephen, Ho Tam, Loretta Todd, Khanhthuan Tran, Phil Tsui, Paul Wong, Su-Anne Yeo, Iris Yudai and Wayne Yung.

Transnational Asian Identities in Pan-Pacific Cinemas
Transnational Asian Identities in Pan-Pacific Cinemas

Author: Philippa Gates

Publisher: Routledge

Published: 2012-03-12

Total Pages: 446

ISBN-13: 1136591559

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This collection examines the exchange of Asian identities taking place at the levels of both film production and film reception amongst pan-Pacific cinemas. The authors consider, on the one hand, texts that exhibit what Mette Hjort refers to as, "marked transnationality," and on the other, the polysemic nature of transnational film texts by examining the release and reception of these films. The topics explored in this collection include the innovation of Hollywood generic formulas into 1950's and 1960's Hong Kong and Japanese films; the examination of Thai and Japanese raced and gendered identity in Asian and American films; the reception of Hollywood films in pre-1949 China and millennial Japan; the production and performance of Asian adoptee identity and subjectivity; the political implications and interpretations of migrating Chinese female stars; and the production and reception of pan-Pacific co-productions. .

Transnational Asian Identities in Pan-Pacific Cinemas
Transnational Asian Identities in Pan-Pacific Cinemas

Author: Philippa Gates

Publisher: Routledge

Published: 2012-03-12

Total Pages: 261

ISBN-13: 1136591567

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This collection examines the exchange of Asian identities taking place at the levels of both film production and film reception amongst pan-Pacific cinemas. The authors consider, on the one hand, texts that exhibit what Mette Hjort refers to as, "marked transnationality," and on the other, the polysemic nature of transnational film texts by examining the release and reception of these films. The topics explored in this collection include the innovation of Hollywood generic formulas into 1950's and 1960's Hong Kong and Japanese films; the examination of Thai and Japanese raced and gendered identity in Asian and American films; the reception of Hollywood films in pre-1949 China and millennial Japan; the production and performance of Asian adoptee identity and subjectivity; the political implications and interpretations of migrating Chinese female stars; and the production and reception of pan-Pacific co-productions. .

Asian Canadian Writing Beyond Autoethnography
Asian Canadian Writing Beyond Autoethnography

Author: Christl Verduyn

Publisher: Wilfrid Laurier Univ. Press

Published: 2008-08-14

Total Pages: 339

ISBN-13: 1554581397

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Asian Canadian Writing Beyond Autoethnography explores some of the latest developments in the literary and cultural practices of Canadians of Asian heritage. While earlier work by ethnic, multicultural, or minority writers in Canada was often concerned with immigration, the moment of arrival, issues of assimilation, and conflicts between generations, literary and cultural production in the new millennium no longer focuses solely on the conflict between the Old World and the New or the clashes between culture of origin and adopted culture. No longer are minority authors identifying simply with their ethnic or racial cultural background in opposition to dominant culture. The essays in this collection explore ways in which Asian Canadian authors (such as Larissa Lai, Shani Mootoo, Fred Wah, Hiromi Goto, Suniti Namjoshi, and Ying Chen) and artists (such as Ken Lum, Paul Wong, and Laiwan) have gone beyond what Françoise Lionnet calls autoethnography, or ethnographic autobiography. They demonstrate the ways representations of race and ethnicity, particularly in works by Asian Canadians in the last decade, have changed have become more playful, untraditional, aesthetically and ideologically transgressive, and exciting.

The Palgrave Handbook of Asian Cinema
The Palgrave Handbook of Asian Cinema

Author: Aaron Han Joon Magnan-Park

Publisher: Springer

Published: 2018-11-04

Total Pages: 742

ISBN-13: 1349958220

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This collection offers new approaches to theorizing Asian film in relation to the history, culture, geopolitics and economics of the continent. Bringing together original essays written by established and emerging scholars, this anthology transcends the limitations of national borders to do justice to the diverse ways in which the cinema shapes Asia geographically and imaginatively in the world today. From the revival of the Silk Road as the “belt and road” of a rising China to historical ruminations on the legacy of colonialism across the continent, the authors argue that the category of “Asian cinema” from Turkey to the edges of the Pacific continues to play a vital role in cutting-edge film research. This handbook will serve as an essential guide for committed scholars, students, and all those interested in the past, present, and possible future of Asian cinema in the 21st century.

Asian Canadian Studies Reader
Asian Canadian Studies Reader

Author: Roland Sintos Coloma

Publisher: University of Toronto Press

Published: 2017-01-01

Total Pages: 403

ISBN-13: 1442630280

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Cover -- Copyright -- Contents -- Illustrations -- Tables -- Acknowledgments -- Part One: Encountering Asian Canada -- 1 Asian Canadian Studies Now: Directions and Challenges -- 2 Nationals, Citizens, and Others -- 3 The Racial Subtext in Canada's Immigration Discourse -- 4 The Muslims Are Coming: The "Sharia Debate" in Canada -- 5 Looking for My Penis: The Eroticized Asian in Gay Video Porn -- Part Two: Ethnic Encounters -- 6 Cartographies of Violence: Creating Carceral Spaces and Expelling Japanese Canadians from the Nation -- 7 Redress Express: Chinese Restaurants and the Head Tax Issue in Canadian Art -- 8 Between Homes: Displacement and Belonging for Second-Generation Filipino-Canadian Youths -- Part Three: Intersectional Encounters -- 9 The Paradox of Diversity: The Construction of a Multicultural Canada and "Women of Color" -- 10 "A Woman Out of Control": Deconstructing Sexism and Racism in the University -- 11 Orientalizing "War Talk": Representations of the Gendered Muslim Body Post 9-11 in The Montreal Gazette -- Part Four: Comparative Encounters -- 12 Decolonizasian: Reading Asian and First Nations Relations in Literature -- 13 Marginalized and Dissident Non-Citizens: Foreign Domestic Workers -- 14 Residential Segregation of Visible Minority Groups in Toronto -- Part Five: Transnational Encounters -- 15 Sweet and Sour: Historical Presence and Diasporic Agency -- 16 Altered States: Global Currents, the Spectral Nation, and the Production of "Asian Canadian" -- 17 Whose Transnationalism? Canada, "Clash of Civilizations" Discourse and Arab and Muslim Canadians -- Part Six: After Encounters -- 18 Global Migrants and the New Pacific Canada -- 19 Asian Canada: Undone -- 20 "Too Asian?": On Racism, Paradox, and Ethno-nationalism -- Contributors

East Asian Film Stars
East Asian Film Stars

Author: L. Wing-Fai

Publisher: Springer

Published: 2014-05-21

Total Pages: 290

ISBN-13: 1137029196

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Many stars from China, Japan and Korea are the most popular and instantly recognizable in the world. East Asian Film Stars brings together some of the world's leading cinema scholars to offer their insights into the work of regional and transnational screen legends, contemporary superstars and mysterious cult personas.

Warrior Women
Warrior Women

Author: Lisa Funnell

Publisher: State University of New York Press

Published: 2014-05-19

Total Pages: 296

ISBN-13: 1438452500

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Finalist for the 2014 ForeWord IndieFab Book of the Year Award in the Women's Studies Category Bronze Medalist, 2015 Independent Publisher Book Awards in the Women Issues Category Winnerof the 2015 Emily Toth Award presented by the Popular Culture Association & American Culture Association Warrior Women considers the significance of Chinese female action stars in martial arts films produced across a range of national and transnational contexts. Lisa Funnell examines the impact of the 1997 transfer of Hong Kong from British to Chinese rule on the representation of Chinese identities—Hong Kong Chinese, mainland Chinese, Chinese American, Chinese Canadian—in action films produced domestically in Hong Kong and, increasingly, in cooperation with mainland China and Hollywood. Hong Kong cinema has offered space for the development of transnational Chinese screen identities that challenge the racial stereotypes historically associated with the Asian female body in the West. The ethnic/national differentiation of transnational Chinese female stars—such as Pei Pei Cheng, Charlene Choi, Gong Li, Lucy Liu, Shu Qi, Michelle Yeoh, and Zhang Ziyi—is considered part of the ongoing negotiation of social, cultural, and geopolitical identities in the Chinese-speaking world.

Cultural Intermediaries in East Asian Film Industries
Cultural Intermediaries in East Asian Film Industries

Author: Eyal Ben-Ari

Publisher: Routledge

Published: 2021-12-20

Total Pages: 153

ISBN-13: 1000509443

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This book explores the roles cultural intermediaries play in East Asian cinema. Based on extensive original research, and viewing cinema from the social science perspective which emphasizes the social processes entailed in the cultural production, circulation, and consumption of films and the social relations they involve, rather than studying films as texts, the book examines issues such as the differences between individual and collective intermediaries, the diverse resources and services that they mediate, their social background and targeted audiences, and the political implications of their work. One important conclusion is that cultural intermediaries have been central to creating the whole "idea" of East Asian cinema.

Reel Inequality
Reel Inequality

Author: Nancy Wang Yuen

Publisher: Rutgers University Press

Published: 2016-12-12

Total Pages: 202

ISBN-13: 0813586313

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When the 2016 Oscar acting nominations all went to whites for the second consecutive year, #OscarsSoWhite became a trending topic. Yet these enduring racial biases afflict not only the Academy Awards, but also Hollywood as a whole. Why do actors of color, despite exhibiting talent and bankability, continue to lag behind white actors in presence and prominence? Reel Inequality examines the structural barriers minority actors face in Hollywood, while shedding light on how they survive in a racist industry. The book charts how white male gatekeepers dominate Hollywood, breeding a culture of ethnocentric storytelling and casting. Nancy Wang Yuen interviewed nearly a hundred working actors and drew on published interviews with celebrities, such as Viola Davis, Chris Rock, Gina Rodriguez, Oscar Isaac, Lucy Liu, and Ken Jeong, to explore how racial stereotypes categorize and constrain actors. Their stories reveal the day-to-day racism actors of color experience in talent agents’ offices, at auditions, and on sets. Yuen also exposes sexist hiring and programming practices, highlighting the structural inequalities that actors of color, particularly women, continue to face in Hollywood. This book not only conveys the harsh realities of racial inequality in Hollywood, but also provides vital insights from actors who have succeeded on their own terms, whether by sidestepping the system or subverting it from within. Considering how their struggles impact real-world attitudes about race and diversity, Reel Inequality follows actors of color as they suffer, strive, and thrive in Hollywood.