Rednecks, Queers, and Country Music

Rednecks, Queers, and Country Music

Author: Nadine Hubbs

Publisher: Univ of California Press

Published: 2014-03-18

Total Pages: 241

ISBN-13: 0520958349

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In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of America’s most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In Hubbs’s view, the popular phrase "I’ll listen to anything but country" allows middle-class Americans to declare inclusive "omnivore" musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, and Country Music, Hubbs dissects this gesture, examining how provincial white working people have emerged since the 1970s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class. With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. She particularly shows how dismissive, politically loaded middle-class discourses devalue country’s manifestations of working-class culture, politics, and values, and render working-class acceptance of queerness invisible. Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture.


Redneck Liberation

Redneck Liberation

Author: David Fillingim

Publisher: Mercer University Press

Published: 2003

Total Pages: 196

ISBN-13: 9780865548411

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In this unique book, David Fillingim explores country music as a mode of theological expression. Following the lead of James Cone's classic, "The Spirituals and the Blues, Fillingim looks to country music for themes of theological liberation by and for the redneck community. The introduction sets forth the book's methodology and relates it to recent scholarship on country music. Chapter 1 contrasts country music with Southern gospel music--the sacred music of the redneck community--as responses to the question of theodicy, which a number of thinkers recognize as the central question of marginalized groups. The next chapter "The Gospel according to Hank," outlines the career of Hank Williams and follows that trajectory through the work of other artists whose work illustrates how the tradition negotiates Hank's legacy. "The Apocalypse according to Garth" considers the seismic shifts occuring during country music's popularity boom in the 1980s. Another chapter is dedicated to the women of country music, whose honky-tonky feminism parallels and intertwines with mainstream country music, which was dominated by men for most of its history. Written to entertain as well as educate and advance, "Redneck Liberation will appeal to anyone who is interested in country music, Southern religion, American popular religiosity, or liberation theology.


More Than Precious Memories

More Than Precious Memories

Author: Michael P. Graves

Publisher: Mercer University Press

Published: 2004

Total Pages: 338

ISBN-13: 9780865548572

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-Scott Tucker, looks at the theme of "heaven" in six of the Gaither Homecoming songbooks - David Fillingim looks at how Southern Gospel Music answers the question of theodicy from the perspective of the rural, white, working class - Robert M. McManus explores selected song lyrics to show how Southern Gospel Music helps construct the identity of the community compared to Contemporary Christian Music - Darlene R. Graves identifies key sustaining personality strengths of women that tend to preserve consistency between their public performance and personal spiritual walk - Elizabeth E Desnoyers-Colas and Stephanie Howard (Asabi) explore Southern Gospel and Black Gospel music, through the influence of Thomas A. Dorsey - Michael Graves examines how the culture of Southern Gospel Music deals with its inevitable prodigal sons - Raymond D.S. Anderson analyzes the Gaither Homecoming videos as examples of the postmodern turn in American popular Christian culture - John D. Keeler presents the first audience study of southern Gospel Music employing a "Uses and Gratifications" research framework - Paul A. Creasman examines the ways Southern Gospel Music as a culture memorializes its dead by use of the Internet - Naaman Wood reviews significant scholarly approaches to the study of popular music.


Hip-Hop Redemption

Hip-Hop Redemption

Author: Ralph Basui Watkins

Publisher: Baker Academic

Published: 2011-10

Total Pages: 176

ISBN-13: 080103311X

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A sociologist and pop-culture expert offers a balanced engagement of hip-hop and rap music, showing God's presence in the music and the message.


Teaching the Bible through Popular Culture and the Arts

Teaching the Bible through Popular Culture and the Arts

Author: Mark Roncace

Publisher: Society of Biblical Lit

Published: 2012-11-01

Total Pages: 404

ISBN-13: 1589836758

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This resource enables biblical studies instructors to facilitate engaging classroom experiences by drawing on the arts and popular culture. It offers brief overviews of hundreds of easily accessible examples of art, film, literature, music, and other media and outlines strategies for incorporating them effectively and concisely in the classroom. Although designed primarily for college and seminary courses on the Bible, the ideas can easily be adapted for classes such as “Theology and Literature” or “Religion and Art” as well as for nonacademic settings. This compilation is an invaluable resource for anyone who teaches the Bible.


With God on Our Side

With God on Our Side

Author: Steven Félix-Jäger

Publisher: Wipf and Stock Publishers

Published: 2017-01-11

Total Pages: 197

ISBN-13: 1498231802

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Rock and roll is more than just music. Rock is a culture and an ideology, which carries its own ethos. It is forcefully countercultural and exists as a bane in the sight of dominant Western culture. As rock engages and critiques culture, it invariably encounters issues of meaning that are existential and theological. A transformational theology of rock begins with those existential and theological issues raised by and within rock music. With God On Our Side attempts to respond to these queries in a way that is faithful to the work of the kingdom of God on earth by mining our long theological tradition and seeing what cohesive responses can be made to the issues raised by rock music. At its best, rock acknowledges there is something wrong with the world, raises awareness of marginalized voices, and offers an alternative mode of existence within our present reality. By teasing out the theological issues found in rock music, this book synthesizes the findings to create a distinctive cultural theology that is sensitive to the plight of the marginalized in the West. In this way, the book offers a way forward towards a transformational theology of rock and roll.


Faith in America

Faith in America

Author: Charles H. Lippy

Publisher: Bloomsbury Publishing USA

Published: 2006-09-30

Total Pages: 870

ISBN-13: 0313049610

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Over the last 25 years, there has been much talk of the presumed decline in religious participation in America. In addition, from the 1960s on, surveys that mark the influence of religion in American life have shown a mixed response. Many suggest that religion is losing influence in the culture as a whole; others indicate that while organized religion may be experiencing challenges, spirituality is on the upswing. At the same time, however, there have been signs that religious life in the U.S. is extraordinarily healthy. But religion in America has changed, to be sure, in a number of ways. And it has changed us and our culture in return. This timely set looks at the major forces that are changing the shape of religion in American life. With an influx of immigrants from Asia, Latin America, and other regions, the diversity of religion has grown to include Buddhism, Hinduism, Islam, and other faiths. Latin American and African American communities have experienced changes in the ways they practice their faith and in turn influence American culture in general. Women have entered the clergy in record numbers, and the push for allowing women and gays to enter the clergy in religions that limit or prohibit their roles is on the increase. In addition, gay couples are leading the same-sex marriage movement, and other social issues such as abortion, stem-cell research, end of life care, etc., are still being debated. Interest over how people actually live out their religion or spirituality has mushroomed in recent decades, thanks in part to the information revolution and popular culture. What folks do when they gather together to worship, and where they come together, has changed dramatically with the advent of the Internet and the role of sports in American life. So much has changed, and faith in America has become more important than ever—as part of our culture, our way of life, and the way we relate to each other and the world around us. The essays found in these pages shed light on our understanding of these transformations and help us comprehend the enormous role of religion in our society and in our world.


The Bloomsbury Handbook of Religion and Popular Music

The Bloomsbury Handbook of Religion and Popular Music

Author: Christopher Partridge

Publisher: Bloomsbury Publishing

Published: 2023-06-15

Total Pages: 561

ISBN-13: 1350286990

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The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology, cultural analysis, and sociology. It comprises 30 updated essays and six new chapters covering the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology, key genres and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular.


Dolly Parton, Gender, and Country Music

Dolly Parton, Gender, and Country Music

Author: Leigh H. Edwards

Publisher: Indiana University Press

Published: 2018-01-06

Total Pages: 282

ISBN-13: 0253031567

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Introduction: Dolly mythology -- "Backwoods Barbie": Dolly Parton's gender performance -- My Tennessee mountain home: early Parton and authenticity narratives -- Parton's crossover and film stardom: the "hillbilly Mae West"--Hungry again: reclaiming country authenticity narratives -- "Digital Dolly" and new media fandoms -- Conclusion: brand evolution and Dollywood


Secular Music and Sacred Theology

Secular Music and Sacred Theology

Author: Tom Beaudoin

Publisher: Liturgical Press

Published: 2013

Total Pages: 201

ISBN-13: 0814680240

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When the basic conceptions of the world held by whole generations in the West are formed by popular culture, and in particular by the music that serves as its soundtrack, can theology remain unchanged? The authors of the essays in this important volume insist that the answer is no. These gifted theologians help readers make sense of what happens to religious experience in a world heavily influenced by popular media culture, a world in which songs, musicians, and celebrities influence our individual and collective imaginations about how we might live. Readers will consider the theological relationship between music and the creative process, investigate ways that music helps create communities of heightened moral consciousness, and explore the theological significance of songs. Contributors to this fascinating collection include: David Dalt Maeve Heaney Daniel White Hodge Michael J. Iafrate Jeffrey F. Keuss Mary McDonough Gina Messina-Dysert Christian Scharen Myles Werntz Tom Beaudoin is associate professor of theology at Fordham University, specializing inpractical theology. His books include Witness to Dispossession: The Vocation of a Postmodern Theologian; Consuming Faith: Integrating Who We Are with What We Buy; and Virtual Faith: The Irreverent Spiritual Faith of Generation X. He has given nearly 200 papers, lectures, or presentations on religion and culture over the last thirteen years. He has been playing bass in rock bands since 1986 and directs the Rock and Theology Project for Liturgical Press (www.rockandtheology.com). "