The Book Considers The Partition Of India In 1947 To Have Been The Most Disastrous Of Political Solutions For The Subcontinent. Tracing Past History, It Shows How The Indian Leaders Were Manipulated By The British Into Seeing Partition As The Only Solution. The Author Does Not Accept The Official Reasons For Hurrying The Negotiation, Nor The Claim That Partition Had Become Inevitable. The Records Of The Transfer Of Power And Earlier Talks Do Not Show The Real Spring That Thrust Partition Upon The Subcontinent. The Book Sets Out To Find Precisely That. A Provocative Book On Historical Problems Which Have Acquired A New Dimension In The Contemporary Political Scene.
Exam Board: AQA, Edexcel, OCR & WJEC Level: A-level Subject: History First Teaching: September 2015 First Exam: June 2016 Give your students the best chance of success with this tried and tested series, combining in-depth analysis, engaging narrative and accessibility. Access to History is the most popular, trusted and wide-ranging series for A-level History students. This title: - Supports the content and assessment requirements of the 2015 A-level History specifications - Contains authoritative and engaging content - Includes thought-provoking key debates that examine the opposing views and approaches of historians - Provides exam-style questions and guidance for each relevant specification to help students understand how to apply what they have learnt This title is suitable for a variety of courses including: - Edexcel: India, c1914-48: the road to independence
Partition's Legacies offers a selection of Joya Chatterji's finest and most influential essays. "Partition, nation-making, frontiers, refugees, minority formation, and categories of citizenship have been my preoccupations," she writes in the preface, and these are also the major themes of this book. Chatterji's first book, Bengal Divided, shifted the focus from Muslim fanaticism as the driving force of Partition towards "secular" nationalism and Hindu aggression. Her Spoils of Partition rejected the idea of Partition as a breaking apart, showing it to be a process in the remaking of society and state. Her third book, Bengal Diaspora, cowritten with Claire Alexander and Annu Jalais, challenged the idea of migration and resettlement as exceptional situations. Partition's Legacies can be seen as continuous with Chatterji's earlier work as well as a distillation and expansion of it. Chatterji is known for the elegance of her prose as much as for the sharpness of her insights into Indian history, and Partition's Legacies will enthrall everyone interested in modern India's apocalyptic past. "What emerges from the essays," David Washbrook writes in the introduction, "is often quite startling. The demarcation of Partition followed no master plan or even coherent strategy but was made up of myriad ad hoc decisions taken on the ground, often by obscure actors. Refugee policy, immigrant rights, and even definitions of national citizenship ... were produced by no deus ex machina but out of day-to-day struggles on the streets and in the courts."
Islam and the People of the Book features three dozen scholarly studies on the treaties that the Prophet Muhammad concluded with Jewish, Samaritan, Christian, and Zoroastrian communities, along with translations of Six Covenants of the Prophet in over a dozen languages. The combined effort of over forty-five academics, intellectuals, and translators from around the world, this work powerfully confirms the conclusions drawn by Dr John Andrew Morrow in his critically-acclaimed book on The Covenants of the Prophet Muhammad with the Christians of the World, offers unprecedented insight into the original intent of the Messenger of God, and sheds light on the pluralistic nature of the constitutional state that he created.
Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, and within this classification alphabetically. The bibliography contains a geographical index and indexes of persons and authors.
This book is regarded as a personal manifesto, a statement through the history of partition and its aftermath, of the values which India's Muslims should cherish and of the national priorities they should promote. It provides the reference-point for understanding India's Partition and its legacy.
From the archaeologists and smugglers of the Raj to the museums of post-partition Pakistan and India, from coin-forgers and contraband to modern Buddhism and contemporary art, this fourth volume of the Gandhāra Connections project presents the most recent research on the factors that mediate our encounter with Gandhāran art.
This is an insightful analysis based on personal experience of Christian work among Hindus and the error and inadequacy of Western Christianity in the Hindu world. Numerous anecdotes are the greatest strength of this important book. “He presents the transcultural Good News in culturally understandable ways for the India of the 21st century.” –H. Stanley Wood, Center for New Church Development, Columbia Theological Seminary
Warm and witty, poignant and chilling by turns, here is a collection of twelve short stories as diverse as life itself. The settings are Indian no doubt, yet also universal in the human types and emotions so deftly and engagingly captured. What these stories have in common is a quiet, restrained, direct and simple style; deceptively simple and quiet however, for the evocation of place and atmosphere is vivid and the context packed with meaning: at times emotional, at times violent, at times muted, or even humorous, but never bland. The racy narrative carries the reader past many a sharp turn and anxious moment with a swift and graceful ease which makes reading this work a delight. Gabriel s use of traditional forms and techniques and his use of Indian settings make his work seem like a pleasing blend of Somerset Maugham and R.K. Narayan, but a unique and distinctive blend all the same.
