This much-updated edition of a ground-breaking book expands the broad coverage of its stimulating approach. With forty-five new photographs and accompanying essays, it convincingly demonstrates the complexity of the Jewish past in Polish Galicia and the attempts to memorialize its heritage, as well as the unexpected revival of Jewish life.
This much-updated edition of a ground-breaking book expands the broad coverage of its stimulating approach. With forty-five new photographs and accompanying essays, it convincingly demonstrates the complexity of the Jewish past in Polish Galicia and the attempts to memorialize its heritage, as well as the unexpected revival of Jewish life.
The collection and treatment of traces which reveal who we are and what we do naturally piques our interest when it pertains to others, and anxiety when it concerns ourselves. Do we truly know what a trace is? And if knowledge is power, how vulnerable are we in the public sphere? The demonstrability of a trace hides the complexity of the process that allows it to be produced, interpreted and used. This book proposes a reasoned approach to the analysis of the trace as an object and as a sign. By following such an approach, the reader will understand how the media participates in the creation and deployment of traces, and the issues raised by what can be traced on social media. The Trace Factory offers a historical perspective, returning to the founding theories of collecting and producing traces linked to knowledge and power in society. Observing technology and information through the prism of these theories, a large number of devices and their uses are evaluated. This book offers itself as a tool of thought and work for researchers, professionals and social actors of all kinds who are confronted with the existence, treatment and interpretation of the traces of society and culture.
Embark on a thrilling journey of mystery, intrigue, and suspense with "A Trace of Memory" by Keith Laumer, a gripping novel that will keep you guessing until the very end. Join Keith Laumer as he introduces readers to a world where nothing is as it seems and every clue leads to more questions than answers. With his masterful storytelling and skillful plotting, Laumer crafts a riveting tale of amnesia, conspiracy, and the search for truth in a world filled with danger and deception. As you delve into the pages of "A Trace of Memory," you'll be drawn into a web of intrigue and betrayal, where the line between friend and foe is constantly shifting and the truth is elusive. From shadowy government agencies to mysterious strangers with hidden agendas, every twist and turn will keep you on the edge of your seat as you race to uncover the secrets of the past. With its fast-paced plot, well-drawn characters, and unexpected plot twists, "A Trace of Memory" is a must-read for fans of the suspense thriller genre. Whether you're a newcomer to Laumer's work or a longtime fan, this book will keep you guessing until the very end and leave you eager for more. Through the gripping narrative of "A Trace of Memory," Keith Laumer explores timeless themes of identity, memory, and the nature of reality itself. It's a thought-provoking journey that will challenge your perceptions and leave you questioning everything you thought you knew. Don't miss your chance to unravel the mysteries of "A Trace of Memory." Order your copy today and prepare to be swept away by Keith Laumer's masterful storytelling and electrifying suspense.
Part travelogue, part social history, and part family saga, this book investigates the politics of heritage tourism and collective memory. Acclaimed historian Daniel J. Walkowitz visits key Jewish heritage sites from Berlin to Belgrade to Warsaw to New York to discover which stories of the Jewish experience get told and which get silenced.
'Which writer today is not a writer of the Holocaust?' asked the late Imre Kertész, Hungarian survivor and novelist, in his Nobel acceptance speech: 'one does not have to choose the Holocaust as one's subject to detect the broken voice that has dominated modern European art for decades'. Robert Eaglestone attends to this broken voice in literature in order to explore the meaning of the Holocaust in the contemporary world, arguing, again following Kertész, that the Holocaust will 'remain through culture, which is really the vessel of memory'. Drawing on the thought of Hannah Arendt, Eaglestone identifies and develops five concepts—the public secret, evil, stasis, disorientalism, and kitsch—in a range of texts by significant writers (including Kazuo Ishiguro, Jonathan Littell, Imre Kertész, W. G. Sebald, and Joseph Conrad) as well as in work by victims and perpetrators of the Holocaust and of atrocities in Africa. He explores the interweaving of complicity, responsibility, temporality, and the often problematic powers of narrative which make up some part of the legacy of the Holocaust.
It is May 2014, and Dr. Klara Lieberman—forty-nine, single, professor of archaeology at a small liberal arts college in Maine, a contained person living a contained life—has just received a letter from her estranged mother, Bessie, that will dramatically change her life. Her father, she learns—the man who has been absent from her life for the last forty-three years, and about whom she has long been desperate for information—is dead. Has been for many years, in fact, which Bessie clearly knew. But now the Polish government is giving financial reparations for land it stole from its Jewish citizens during WWII, and Bessie wants the money. Klara has little interest in the money—but she does want answers about her father. She flies to Warsaw, determined to learn more. In Poland, Klara begins to piece together her father’s, and her own, story. She also connects with extended family, begins a romantic relationship, and discovers her calling: repairing the hundreds of forgotten, and mostly destroyed, pre-War Jewish cemeteries in Poland. Along the way, she becomes a more integrated, embodied, and interpersonally connected individual—one with the tools to make peace with her past and, for the first time in her life, build purposefully toward a bigger future.
The unifying thread of the interdisciplinary volume Jewish and Non-Jewish Spaces in the Urban Context is the fact that Jewish spaces are almost always generated in relation to non-Jewish spaces; they determine and influence each other. This general phenomenon will be scrutinized and put to the test again and again in a varied collection of articles by international experienced researchers as well as junior scholars using various urban contexts and discourses as data. From the viewpoints of different temporal and regional research traditions and disciplines the contributors deal with the question of how Jewish and non-Jewish spaces are imagined, constructed, negotiated and intertwined. All examples and case studies together create a mosaic of possibilities for the construction of Jewish and non-Jewish spaces in different settings. The list of examined topics ranges from synagogues to ghettos, from urban neighborhoods to cafés and festivals, from art to literature. This diversity makes the volume a challenging effort of giving an overview of the current academic discussion in Europe and beyond. Although the majority of the contributions are focused on Central and Eastern Europe, a more general tendency becomes apparent in all articles: the negotiation of urban spaces seems to be a complex and ambivalent process in which a large number of participants are involved. In this regard, the volume would also like to contribute to trans-disciplinary urban studies and critical research on spatial relations.
Provides a cutting-edge, nuanced, and multi-disciplinary picture of the Holocaust from local, transnational, continental, and global perspectives Holocaust Studies is a dynamic field that encompasses discussions on human behavior, extremity, and moral action. A diverse range of disciplines – history, philosophy, literature, social psychology, anthropology, geography, amongst others – continue to make important contributions to its scholarship. A Companion to the Holocaust provides exciting commentaries on current and emerging debates and identifies new connections for research. The text incorporates new language, geographies, and approaches to address the precursors of the Holocaust and examine its global consequences. A team of international contributors provides insightful and sophisticated analyses of current trends in Holocaust research that go far beyond common conceptions of the Holocaust’s causes, unfolding and impact. Scholars draw on their original research to interpret current, agenda-setting historical and historiographical debates on the Holocaust. Six broad sections cover wide-ranging topics such as new debates about Nazi perpetrators, arguments about the causes and places of persecution of Jews in Germany and Europe, and Jewish and non-Jewish responses to it, the use of forced labor in the German war economy, representations of the Holocaust witness, and many others. A masterful framing chapter sets the direction and tone of each section’s themes. Comprising over thirty essays, this important addition to Holocaust studies: Offers a remarkable compendium of systematic, comparative, and precise analyses Covers areas and topics not included in any other companion of its type Examines the ongoing cultural, social, and political legacies of the Holocaust Includes discussions on non-European and non-Western geographies, inter-ethnic tensions, and violence A Companion to the Holocaust is an essential resource for students and scholars of European, German, genocide, colonial and Jewish history, as well as those in the general humanities.
Memorylands is an original and fascinating investigation of the nature of heritage, memory and understandings of the past in Europe today. It looks at how Europe has become a ’memoryland’ – littered with material reminders of the past, such as museums, heritage sites and memorials; and at how this ‘memory phenomenon’ is related to the changing nature of identities – especially European, national and cosmopolitan. In doing so, it provides new insights into how memory and the past are being performed and reconfigured in Europe – and with what effects. Drawing especially, though not exclusively, on cases, concepts and arguments from social and cultural anthropology, Memorylands argues for a deeper and more nuanced understanding of the cultural assumptions involved in relating to the past. It theorizes the various ways in which ‘materializations’ of identity work and relates these to different forms of identification within Europe. The book also addresses questions of methodology, including discussion of historical, ethnographic, interdisciplinary and innovative methods. Through a wide-range of case-studies from across Europe, Sharon Macdonald argues that Europe is home to a much greater range of ways of making the past present than is usually realized – and a greater range of forms of ‘historical consciousness’. At the same time, however, she seeks to highlight what she calls ‘the European memory complex’ – a repertoire of prevalent patterns in forms of recollection and ‘past presencing’. The examples in Memorylands are drawn from both the margins and metropolitan centres, from the relatively small-scale and local, the national and the avant-garde. The book looks at pasts that are potentially identity-disrupting – or ‘difficult’ – as well as those that affirm identities or offer possibilities for transcending national identities or articulating more cosmopolitan futures. Topics covered include authenticity, temporalities, embodiment, commodification, nostalgia and Ostalgie, the musealization of everyday and folk-life, Holocaust commemoration and tourism, narratives of war, the heritage of Islam, transnationalism, and the future of the past. Memorylands is engagingly written and accessible to general readers as well as offering a new synthesis for advanced researchers in memory and heritage studies. It is essential reading for those interested in identities, memory, material culture, Europe, tourism and heritage.
