There is a genuine resurgence of interest in this period of architecture. Brutalism is a highly debated topic in the architectural press and amongst architectural critics and institutions who promote the preservation of these buildings. This book is unique in combining beautiful, highly illustrated design with description of both British and International brutalist buildings and architects, alongside analysis of the present and future of brutalism. Not just be a historical tome, this book discusses brutalism as a living and evolving entity.
Architect Paul Rudolph (1918–1997) was known for his iconic modern houses and exemplary Brutalist buildings in exposed concrete. Rudolph’s popularity peaked during the 1950s and 1960s, when he served as the chair of Yale University’s Department of Architecture, but his work fell from favor with the advent of postmodernism in the 1970s. This compact volume provides an introduction to and long-overdue reassessment of the architect’s trailblazing career, from his modernist Florida houses to his public and institutional buildings, unrealized megastructures, experimental interiors, and later mixed use developments in Asia. Abraham Thomas examines how Rudolph explored concepts such as functionalism, urbanism, and modular construction across decades and continents. Richly illustrated with photographs of the structures and Rudolph’s own drawings as well as models, furniture, and period press clippings, this book sheds light on the architect’s process and takes up themes as important in his time as in our own, such as civic design, housing development, and experimental materials and methods.
A curated collection of some of the most powerful and awe-inspiring Brutalist architecture ever built This Brutal World is a global survey of this compelling and much-admired style of architecture. It brings to light virtually unknown Brutalist architectural treasures from across the former eastern bloc and other far flung parts of the world. It includes works by some of the best contemporary architects including Zaha Hadid and David Chipperfield as well as by some of the master architects of the 20th century including Le Corbusier, Mies van der Rohe, Frank Lloyd Wright, Louis Kahn, Paul Rudolph and Marcel Breuer.
Temporary architecture is flourishing in our urban public spaces. Branded ‘pop-ups’ and follies to provide a moment of light entertainment they are in fact borne of a long history of more holistic architecture that is subtly suggesting how we could live, work and play more harmoniously together. Featuring revealing interviews with 13 young, emerging and socially-minded practices from New York and Santiago to London, Berlin and Zurich it also analyses this phenomenon in critical essays by well-respected practitioners and thinkers. Providing a highly personal insight into the architects’ experience, the design process, the challenges they encountered and how it affected their practice it sheds light on the growth of multidisciplinary collectives, community engagement and more participatory ways of designing, making and building. Including highly illustrated and imaginative projects ranging from a floating cinema and tiny travelling theatre, through ad-hoc structures made of found objects and discarded materials, and blow-up plastic bubbles, to a community lido and market restaurant this will open your eyes as to what is possible in architecture.
Often problematically labeled as “Brutalist” architecture, the concrete buildings that transformed Boston during 1960s and 1970s were conceived with progressive-minded intentions by some of the world’s most influential designers, including Marcel Breuer, Le Corbusier, I. M. Pei, Henry Cobb, Araldo Cossutta, Gerhard Kallmann and Michael McKinnell, Paul Rudolph, Josep Lluís Sert, and The Architects Collaborative. As a worldwide phenomenon, building with concrete represents one of the major architectural movements of the postwar years, but in Boston it was deployed in more numerous and diverse civic, cultural, and academic projects than in any other major U.S. city. After decades of stagnation and corrupt leadership, public investment in Boston in the 1960s catalyzed enormous growth, resulting in a generation of bold buildings that shared a vocabulary of concrete modernism. The period from the 1960 arrival of Edward J. Logue as the powerful and often controversial director of the Boston Redevelopment Authority to the reopening of Quincy Market in 1976 saw Boston as an urban laboratory for the exploration of concrete’s structural and sculptural qualities. What emerged was a vision for the city’s widespread revitalization often referred to as the “New Boston.” Today, when concrete buildings across the nation are in danger of insensitive renovation or demolition, Heroic presents the concrete structures that defined Boston during this remarkable period—from the well-known (Boston City Hall, New England Aquarium, and cornerstones of the Massachusetts Institute of Technology and Harvard University) to the already lost (Mary Otis Stevens and Thomas F. McNulty’s concrete Lincoln House and Studio; Sert, Jackson & Associates’ Martin Luther King Jr. Elementary School)—with hundreds of images; essays by architectural historians Joan Ockman, Lizabeth Cohen, Keith N. Morgan, and Douglass Shand-Tucci; and interviews with a number of the architects themselves. The product of 8 years of research and advocacy, Heroic surveys the intentions and aspirations of this period and considers anew its legacies—both troubled and inspired.
Book Award Finalist for Urban Design Group Awards 2020 Human settlements are the result of a mix of self-organisation and planning. Planners are fighting a losing battle to impose order on chaotic systems. Connections between the process of urban growth and the fields of complexity theory are of increasing importance to planners and urbanists alike; the idea that cities are emergent structures created not by design but from the interplay of relatively simple rules and forces over time. From the the small Tuscan hill town to the megacities of Asia: the struggle between the planned and the unplanned is universal. Based on years of international research, Climax City is a critical exploration of the growth of cities and masterplanning. Challenging the idea that the city can be entirely planned on paper, this book implores you to work with chaos when planning cities. Beautifully illustrated with striking hand-drawn plans of global cities, this is a vital and accessible contribution to urban theory and planning. It’s the perfect title for practitioners and academics across planning and urban design looking to make sense out of chaos.
This book proposes alternative interpretations of broadly-debated concepts within architectural modernity. Bringing into view the work of lesser-known architects from across the globe, alongside previously unexplored aspects of mainstream masters of the Modern, Rethinking Modernity puts forward a compelling case for the range and diversity of architectural projects encompassed by this term. Exploring themes such as the use of colour, materials, ornament, local traditions and identities, Rethinking Modernity challenges readers to build a better understanding of a crucial moment in architectural history, and of design trends shaping the present-day production of the built environment. Complementing the RIBA Publishing titles Redefining Brutalism and Revisiting Postmodernism, this book sits within a series of books aiming to explore new interpretations of well-loved architectural movements, richly illustrated with rarely-seen archive photography and lesser-known projects.
- Showcases contemporary residential architecture and design across the state of Texas, by renowned America-based architects and designers - Augments Images Publishing's particularly large range of successful books on contemporary residential architecture and design - Features stunning full-color photography throughout, informative descriptions and detailed floor plans - Contextualizes with an introduction by an acclaimed expert on the profound influences of key architecture and design practitioners and the topic of building in variable environments throughout Texas Forget the Texas you thought you once knew, put aside those cattle ropin' preconceptions and make way for Texas Modern, a close look into the Lone Star State's innovative contemporary architecture and design scenes. Showcasing a stunning range of modern homes, this book will inspire best-design practice and spur on lifestyle dreams. Set out with beautiful full-color photography and laden with intricate plans and drawings, Texas Modern delves into the finer details of trending architectural styles. The exquisite kitchens, glorious living spaces, sumptuous bedrooms, luxurious bathrooms, spectacular outdoor entertaining areas, and other delightful spaces, including a private yoga studio, will have you seriously reconsidering any notion of architectural convention across this larger-than-life and totally unique American state.
The debut monograph from award-winning and acclaimed architecture and interior design practice Universal Design Studio - and the perfect expression of this award-winning studio's ethos and approach: to design from the inside out
This book explores the latest achievements and design possibilities that 3D printing for construction (DPC) can offer, the alternative materials to natural aggregates or cement and even the 4th dimension that is already starting in this area. DPC materiality is starting to be explored in architecture as a new design language to reach not only outrageous forms but also to leverage the building process and its performance. Like Corbusier explored the concrete potentiality of concrete to release the façade and the plan, 3DPC is allowing to straighten design freedom with building performance. Industry and Scientific research are offering design professionals possibilities to start a new design movement. New paths are also starting to be tracked to reduce even more this building system footprint, stalking alternatives to Portland cement (PC). Today is already possible to build with the soil from the buildings’ ground. Leftovers from various industries are opening possibilities to decrease the PC and natural aggregates rate in printable mortars. From the industry, salt is becoming a possibility to be used in 3DPC. Sugar can ashes are improving the mortar performance reducing adjuvants. Construction and demolition waste can substitute natural aggregates and even offer new textures and color possibilities. Finally, to close this edition, the latest steps on the use of Phase Change Materials in additive manufacturing are collected to raise awareness to the next step of AM, the 4D printing.
