Winner of the Nebula Award for Best Novel • Discover the novel that launched one of science fiction’s most beloved, acclaimed, and awarded trilogies: Kim Stanley Robinson’s masterly near-future chronicle of interplanetary colonization. “A staggering book . . . the best novel on the colonization of Mars that has ever been written.”—Arthur C. Clarke For centuries, the barren, desolate landscape of the red planet has beckoned to humankind. Now a group of one hundred colonists begins a mission whose ultimate goal is to transform Mars into a more Earthlike planet. They will place giant satellite mirrors in Martian orbit to reflect light onto its surface. Black dust sprinkled on the polar caps will capture warmth and melt the ice. And massive tunnels drilled into the mantle will create stupendous vents of hot gases. But despite these ambitious goals, there are some who would fight to the death to prevent Mars from ever being changed.
In Molecular Red, McKenzie Wark creates philosophical tools for the Anthropocene, our new planetary epoch, in which human and natural forces are so entwined that the future of one determines that of the other. Wark explores the implications of Anthropocene through the story of two empires, the Soviet and then the American. The fall of the former prefigures that of the latter. From the ruins of these mighty histories, Wark salvages ideas to help us picture what kind of worlds collective labor might yet build. From the scientific pioneers who were trying to transform science during the Russia Revolution, to visionaries contemplating cyborg possibilities and science fiction dreams in late 20th century California, Molecular Red not only looks at the crisis of climate change that we face but also how we might be able to understand it, and how we might salvage some hope out of the wreckage.
An irresistible collection of favorite writings from an author celebrated for his bravura style and sheer unpredictability Francis Spufford's welcome first volume of collected essays gathers an array of his compelling writings from the 1990s to the present. He makes use of a variety of encounters with particular places, writers, or books to address deeper questions relating to the complicated relationship between story-telling and truth-telling. How must a nonfiction writer imagine facts, vivifying them to bring them to life? How must a novelist create a dependable world of story, within which facts are, in fact, imaginary? And how does a religious faith felt strongly to be true, but not provably so, draw on both kinds of writerly imagination? Ranging freely across topics as diverse as the medieval legends of Cockaigne, the Christian apologetics of C. S. Lewis, and the tomb of Ayatollah Khomeini, Spufford provides both fresh observations and thought-provoking insights. No less does he inspire an irresistible urge to turn the page and read on.
This collection of interdisciplinary essays examines some of the ways in which writers, artists, film-makers, strategists and political thinkers have imagined the future over the last two centuries. Although a number of contributions discuss 'mainstream' science fiction, the collection's emphasis is not on any single genre, but rather on the ways in which different histories - technological, cultural, military, ideological - generate and inform different modes of speculation about things to come. These histories also disclose that our patterns of expectation are much influenced by our relationship to the past.
Bringing together for the first time the two original Pigment Compendium volumes, the collection forms an essential guide for identification of historical pigment compounds, and details pigment names and synonyms.
PRINT FORMAT ONLY NOTE: NO FURTHER DISCOUNT FOR THIS PRINT PRODUCT- OVERSTOCK SALE -- Significantly reduced list price This new book from the NASA History Series tackles an interesting duo of biological problems that will be familiar to anybody who has seen photos of Apollo astronauts quarantined after their return to Earth. Namely, how do we avoid contaminating celestial bodies with Earthly germs when we send spacecraft to study these bodies, and how do we avoid spreading foreign biological matter from space when our robotic and human spacefarers return to Earth? Biological matter from an external system could potentially cause an unchecked epidemic either on Earth or in space so strict precautions are necessary. Each time a space vehicle visits another world it runs the risk of forever changing that extraterrestrial environment. We are surrounded on Earth by a mélange of different microorganisms, and if some of these hitchhike onboard a space mission, they could contaminate and start colonies on a different planet. Such an occurrence would irrevocably alter the nature of that world, compromise all future scientific exploration of the body, and possibly damage any extant life on it. By inadvertently carrying exotic organisms back to Earth on our spacecraft, we also risk the release of biohazardous materials into our own ecosystem. Such concerns were recognized by scientists even before the 1957 launch of Sputnik. This book presents the history of planetary protection by tracing the responses to the above concerns on NASA’s missions to the Moon, Mars, Venus, Jupiter, Saturn, and many smaller bodies of our solar system. The book relates the extensive efforts put forth by NASA to plan operations and prepare space vehicles that return exemplary science without contaminating the biospheres of other worlds or our own. To protect irreplaceable environments, NASA has committed to conducting space exploration in a manner that is protective of the bodies visited, as well as of our own planet.
The Pigment Compendium Dictionary is a comprehensive information source for scientists, art historians, conservators and forensic specialists. Drawn together from extensive analystical research into the physical and chemical properties of pigments, this essential reference to pigment names and synonyms describes the inter-relationship of different names and terms. The Dictionary covers the field worldwide from pre-history to the present day, from rock art to interior decoration, from ethnography to contemporary art. Drawing on hundreds of hard-to-obtain documentary sources as well as modern scientific data each term is discussed in detail, giving both its context and composition.
