Chief Inspector Chen Cao of the Shanghai Police Department finds himself caught up in a dangerous case when the bodies of two young women dressed in identical red mandarin dresses turn up, igniting fears of the city's first sexual serial killer.
Qiu Xiaolong's Anthony Award-winning debut introduces Inspector Chen of the Shanghai Police. A young “national model worker,” renowned for her adherence to the principles of the Communist Party, turns up dead in a Shanghai canal. As Inspector Chen Cao of the Shanghai Special Cases Bureau struggles to trace the hidden threads of her past, he finds himself challenging the very political forces that have guided his life since birth. Chen must tiptoe around his superiors if he wants to get to the bottom of this crime, and risk his career—perhaps even his life—to see justice done.
The eighth novel in Qiu Xiaolong's acclaimed Chinese crime series sees Inspector Chen confronted by a terrible choice between Party politics or his principles - with his career at stake
The second book in the Inspector Chen investigations Inspector Chen’s mentor in the Shanghai Police Bureau has assigned him to escort US Marshal Catherine Rohn. Her mission is to bring Wen, the wife of a witness in an important criminal trial, to the United States. Inspector Rohn is already en route when Chen learns that Wen has unaccountably vanished from her village in Fujian. Or is this just what he is supposed to believe? Chen resents his role; he would rather investigate the triad killing in Shanghai’s beautiful Bund Park. Li insists that saving face with Inspector Rohn takes priority. So Chen Cao, the ambitious son of a father who imbued him with Confucian precepts, must tread warily as he tries once again to be a good cop, a good man and also a loyal Party member.
Now a BBC Radio 4 Drama Series. When Inspector Chen Cao agrees to do a translation job for a Triad-connected businessman he is given a laptop, a 'little secretary' to provide for his every need, medical care for his mother. There are, it seems, no strings attached . . . Then a murder is reported: Chen is loath to shorten his working holiday, so Sergeant Yu is forced to take charge of the investigation. The victim, a middle-aged teacher, has been found dead in her tiny room in a converted multi-family house. Only a neighbour could have committed the crime, but there is no motive. It is only when Chen returns and starts to investigate the past that he finds answers. But by then he has troubles of his own.
Chief Inspector Chen Cao of the Shanghai Police Department is often put in charge of politically sensitive cases. Having recently ruffled more than a few official feathers, when he is asked to look into a sensitive corruption case he takes immediate action - he goes on leave from work. But while on vacation, the body of a murdered young woman is found in a highly trafficked area and the only notable aspect is that she was redressed in a red mandarin dress. When a second body appears, this time in the People's Park, also in precisely the same kind of red mandarin dress, the newspapers start screaming that Shanghai is being stalked by its first sexual serial killer. With the Party anxious to resolve the murders quickly, Chen finds himself in the midst of his most potentially dangerous and sensitive case to date.
The Chinese Cultural Revolution is the single most important internal social event in contemporary Chinese history. The plethora of history, literary, and artistic representations inspired by this event are critical to our understanding of the diversified, often contested, interpretations of contemporary China. Li Li’s critical examination of autobiographic, filmic and fictional presentations in Memory, Fluid Identity, and the Politics of Remembering: The Representations of the Chinese Cultural Revolution in English-speaking Countries demonstrates that “memory works” not only reflect memories of those who lived through that period, but memories about their past, and, more importantly, about their identity remapping and artistic negotiation in a cross-cultural environment.
The legendary Judge Dee Renjie returns, in this lyrical combination of mystery, history and ancient Chinese politics from the author of the renowned Inspector Chen mysteries In Tang dynasty China, Empress Wu - seductive, ambitious and vindictive - rules with an iron fist. Her premier minister, Judge Dee Renjie, is honored to be trusted by her. But when she orders him to carry out an urgent investigation into the disappearance of disgraced poet Luo Binwang, he can't see why the matter is of such vital importance. Luo Binwang joined a doomed uprising against Her Majesty, and vanished after the final, bloody battle. Is he missing - or dead? Either way, now that the rebellion has been mercilessly quashed, what harm could a poor, elderly poet do? Traveling out of the great capital of Chang'an, accompanied by his loyal manservant Yang, Judge Dee launches a painstaking investigation, in the hopes of achieving what the empress' secret police could not. But the journey is marred by ill omens, and with death and disaster following his every step, Judge Dee soon begins to wonder if the empress trusts him as much as he thought . . . This powerful mystery, set in ancient China, will appeal to fans of Robert Van Gulik's novels featuring the semi-fictional historical character Judge Dee, and includes an appendix of poems from some of China's finest Tang dynasty poets, newly translated by the author, who is an award-wining poet and critic in his own right.
'Brilliant' –Publishers Weekly Starred Review The legendary Judge Dee Renjie investigates a high-profile murder case in this intriguing companion novel to Inspector Chen and the Private Kitchen Murder set in seventh-century China. Judge Dee Renjie, Empress Wu's newly appointed Imperial Circuit Supervisor for the Tang Empire, is visiting provinces surrounding the grand capital of Chang'an. One night a knife is thrown through his window with a cryptic note attached: 'A high-flying dragon will have something to regret!' Minutes after the ominous warning appears, Judge Dee is approached by an emissary of Internal Minister Wu, Empress Wu's nephew. Minister Wu wants Judge Dee to investigate a high-profile murder supposedly committed by the well-known poetess and courtesan, Xuanji, who locals believe is possessed by the spirit of a black fox. Why is Minister Wu interested in Xuanji? Despite Xuanji confessing to the murder, is there more to the case than first appears? With the mysterious warning and a fierce power struggle playing out at the imperial court, Judge Dee knows he must tread carefully . . .