Cinema's Conversion to Sound

Cinema's Conversion to Sound

Author: Charles O’Brien

Publisher: Indiana University Press

Published: 2005-01-18

Total Pages: 222

ISBN-13: 9780253217202

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A groundbreaking look at the transition to sound in the French Cinema.


French National Cinema

French National Cinema

Author: Susan Hayward

Publisher: Psychology Press

Published: 2005

Total Pages: 417

ISBN-13: 0415307821

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This revised and updated edition of a successful and established text provides a much-needed historical overview of French cinema from its roots through to the political and social developments in the 1990s and beyond.


Cinema, Colonialism, Postcolonialism

Cinema, Colonialism, Postcolonialism

Author: Dina Sherzer

Publisher: University of Texas Press

Published: 1996

Total Pages: 278

ISBN-13: 9780292777033

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In this first major study of French colonial and postcolonial cinema, Dina Sherzer compiles essays by some of the foremost scholars on the subject who interrogate and analyze the realities behind the images of the nation’s past and present. Through an examination of France and its colonies, multiethnic contemporary France, and cinematic discourses which have been and are being produced about France’s colonial past, these authors explore how the images relay underlying assumptions and their relation to historical and political facts. A variety of subjects and viewpoints inform these studies, which cover the entire range of films on that topic. The authors expound upon the role French and Francophone films are currently playing in reconstructing and imagining France’s colonial past. Not only do the essays examine how French cinema has represented the encounter of French citizens with individuals from former colonies during the colonial era; they examine how French cinema has portrayed and has come to terms with the cohabitation of former colonial subjects with the French in France. In addition, the book features another postcolonial facet by analyzing films of directors from the former colonies who give their own representation of colonialism and presentation of their culture. This study is a major contribution to postcolonial research. Race, gender, and geography are central themes throughout this book that presents innovative material that contributes to the history of French cinema and emphasizes how cinema participates in and is a part of national culture.


The Classic French Cinema, 1930-1960

The Classic French Cinema, 1930-1960

Author: C. G. Crisp

Publisher: Indiana University Press

Published: 1993

Total Pages: 522

ISBN-13: 9780253315502

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Colin Crisp re-evaluates the stylistic evolution of the classic French cinema, and represents the New Wave film-makers as its natural heirs rather than the mould-breakers they perceived themselves to be.


Grand Design

Grand Design

Author: Tino Balio

Publisher: Univ of California Press

Published: 1995

Total Pages: 500

ISBN-13: 9780520203341

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The advent of color, big musicals, the studio system, and the beginning of institutionalized censorship made the thirties the defining decade for Hollywood. The year 1939, celebrated as "Hollywood's greatest year," saw the release of such memorable films as Gone with the Wind, The Wizard of Oz, and Stagecoach. It was a time when the studios exercised nearly absolute control over their product as well as over such stars as Bette Davis, Clark Gable, and Humphrey Bogart. In this fifth volume of the award-winning series History of the American Cinema, Tino Balio examines every aspect of the filmmaking and film exhibition system as it matured during the Depression era.


Visions of the East

Visions of the East

Author: Matthew Bernstein

Publisher: Rutgers University Press

Published: 1997

Total Pages: 354

ISBN-13: 9780813522951

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Essays on orientalism in American and European cinema


Looking for the Other

Looking for the Other

Author: E. Ann Kaplan

Publisher: Routledge

Published: 2012-09-10

Total Pages: 360

ISBN-13: 1135208751

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What happens when white people look at non-whites? What happens when the gaze is returned? Looking for the Other responds to criticisms leveled at white feminist film theory of the 1970s and 1980s for its neglect of issues to do with race. It focuses attention on the male gaze across cultures, as illustrated by women filmmakers of color whose films deal with travel. Looking relations are determined by history, tradition, myth; by national identity, power hierarchies, politics, economics, geographical and other environment. Travel implicitly involves looking at, and looking relations with, peoples different from oneself. Featured films include Birth of a Nation, The Cat People, Home of the Brave, Black Narcissus, Chocolat, and Warrior Marks. Featured filmmakers include D.W.Griffith, Jacques Tourneur, Michael Powell, Julie Dash, Pratibha Parmar, Trinh T. Min-ha, and Claire Denis.


To Desire Differently

To Desire Differently

Author: Sandy Flitterman-Lewis

Publisher: Columbia University Press

Published: 1996

Total Pages: 396

ISBN-13: 9780231104975

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Explores impact of 3 women filmmakers on French films


Irving Thalberg

Irving Thalberg

Author: Mark A. Vieira

Publisher: Univ of California Press

Published: 2009-11-05

Total Pages: 526

ISBN-13: 0520945115

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Hollywood in the 1920s sparkled with talent, confidence, and opportunity. Enter Irving Thalberg of Brooklyn, who survived childhood illness to run Universal Pictures at twenty; co-found Metro-Goldwyn-Mayer at twenty-four; and make stars of Lon Chaney, Norma Shearer, Greta Garbo, Joan Crawford, Clark Gable, and Jean Harlow. Known as Hollywood's "Boy Wonder," Thalberg created classics such as Ben-Hur, Tarzan the Ape Man, Grand Hotel, Freaks, Mutiny on the Bounty, and The Good Earth, but died tragically at thirty-seven. His place in the pantheon should have been assured, yet his films were not reissued for thirty years, spurring critics to question his legend and diminish his achievements. In this definitive biography, illustrated with rare photographs, Mark A. Vieira sets the record straight, using unpublished production files, financial records, and correspondence to confirm the genius of Thalberg's methods. In addition, this is the first Thalberg biography to utilize both his recorded conversations and the unpublished memoirs of his wife, Norma Shearer. Irving Thalberg is a compelling narrative of power and idealism, revealing for the first time the human being behind the legend.


Sound Technology and the American Cinema

Sound Technology and the American Cinema

Author: James Lastra

Publisher: Columbia University Press

Published: 2000-07-18

Total Pages: 289

ISBN-13: 0231505469

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Representational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect. Lastra argues that we are nowhere better able to track the relations between capital, science, and cultural practice than in photography, phonography, and the cinema. In particular, he maps the development of sound recording from its emergence to its confrontation with and integration into the Hollywood film. Reaching back into the late eighteenth century, to natural philosophy, stenography, automata, and human physiology, Lastra follows the shifting relationships between our senses, technology, and representation.